corto maltese

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About corto maltese

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  1. What vinyl are you spinning right now??

    That's a name not often mentioned here, although he recorded several excellent albums. It's a shame (and hard to believe) that none of his work has even been reissued.
  2. What vinyl are you spinning right now??

    A pity, because it's a really good recording and pressing. But it's nice to have an original with its gorgeous silk screened sleeve. And honestly, I wouldn't worry about the legitimacy of the signatures. Why would anyone forge Favre's and Schweizer's signatures on the cover?. Those two are not exactly hot among autograph hunters.
  3. What vinyl are you spinning right now??

    The "looks" and "feel" of those Sahara records were often promising, but they always failed to live up to (my) expectations. Except for the Dane Belany album which, like Clifford, I do like a lot. (I must confess I never heard the Monk tribute album.)
  4. One of the three records shown in the picture is a copy of Don Pullen & Milford Graves "In Concert At Yale University", with hand-painted cover art.
  5. What vinyl are you spinning right now??

    This is a fabulous record.
  6. I'm not a specialist on copyright matters, but on labels of French releases the legal notice "BIEM" was replaced with "SACEM" somewhere during 1971. This particular concert recording from July 1969 was released by the Edici label to celebrate the fifth anniversary of the Summer Jazz Workshop at the Paris American Academy which was founded in 1965. Nathan Davis thaught and performed there from 1965 to 1969. So this album would most probably have been released in 1970. And my copy does indeed have a "BIEM" label;
  7. For those among us who care about such things: the Discogs entry is not for the first pressing (although these copies are always advertised and sold as originals). The original issue has a "BIEM" label, which also means it was released before 1972. I agree with Clfford about the excellence of the music, but the sound quality is a bit disappointing.
  8. What vinyl are you spinning right now??

    I have a copy of the US original which was released in early 1969. However, all US copies I've ever seen were promo's and/or had a cut-out hole in the cover. I think it was withdrawn by Verve before its official release. The UK and the Japanese reissue, both marketed by Polydor, were released in late 1973.
  9. What vinyl are you spinning right now??

    Clifford, US orders are handled by Wayside Music.
  10. Lee Konitz R.I.P.

    It's a showcase for Gérald Merceron's compositions, dating (all, I think, or at least most of them) from the 1960's. I guess you could call these "advanced" or "third stream". One of the compositions (performed twice on the LP) is "Portrait Of Carla", an homage to Carla Bley, "compositrice américaine de grand talent". That should give you an idea. All tracks without Konitz are solo performances (some with re-recording), including a fine piano solo by Merceron himself. It's been some time since I played the record, but regarding both Konitz quartets, I remember especially liking the 1973 tracks.
  11. Lee Konitz R.I.P.

    I have this record. My copy is inscribed to the French philosopher and jazz critic Lucien Malson. I mention this, because the scarce references to this record mention different (and improbable) release dates; the inscription is dated 21 september 1977. The three tracks by the "Lee Konitz Quartet" were recorded in NYC in 1966, with Dick Katz, Victor Sproles and Ronnie Bedford. The two tracks by the unidentified "Daring Jazz Quartet" also feature Lee Konitz, this time playing with Jim Hall, Eddie Gomez and Beaver Harris. They were recorded in Haiti in 1973. Both sessions are documented (the second one with a few tiny mistakes) in the exhaustive Lee Konitz discography in Andy Hamilton's "Conversations on the Improviser's Art": Two other musicians on this intriguing release are Martial Solal and... Warne Marsh, clumsily disguised as "Rawen Shram"
  12. Record label claims Amazon is selling counterfeit vinyl

    That's correct, but still... those "old style" bootlegs were mainly marketed to hardcore fans who also bought all the official releases of the artist, while counterfeits are just cheap, sub-standard duplicates of these official releases.
  13. Record label claims Amazon is selling counterfeit vinyl

    Yes, it is nowadays. But that's unfortunate, because I agree with Dmitry. "Old style" bootlegs (unauthorized releases of live performanes or studio outtakes) are hardly comparable to the counterfeits of officially released recording that are now flooding the market.
  14. Giuseppe Logan (1935-2020)

    I agree that "Giuseppe" is much more likely. I was reminded of (and wondering about) Mr. Logan first name, when Trump was speeching and tweeting about the Italian Prime Minister "Giuseppi Conte" a couple of weeks back ("Giuseppi was very, very happy"). I haven't catched up with his comeback music, but I am thankful for his earlier music on ESP (and with Roswell Rudd).
  15. Henry Grimes RIP

    He played a couple of concerts here in 2005, with Marilyn Crispell and Andrew Cyrille. Someone has just put one of these shows on Youtube (sound only): To be honest, I remember being somewhat disappointed by his performances there and then (his bass was also amplified, which I generally don't like). But my repect and love for his playing in the 1960's is immense.