lipi

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About lipi

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    Supa Groover

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  1. No value?

    Or, you know, like, you could spend 15 seconds with Google, and find that such a policy in fact already exists. https://www.sandiego.gov/public-library/services/lending/finesfees "If you have an overdue item, your library card will be blocked and you will not be able to check-out any additional items." Or I suppose just could post the first thing that pops into your head. Whatever floats your boat, man. As to why the OP's library might not want to accept the donation for a yearly sale: storing the things is a major hassle. Admittedly a fairly extreme example is my local library, in the middle of a highly educated and affluent area, right next to a world-renowned university. The *monthly* sale moves North of 5,000 books, and even with that throughput they're drowning in boxes of books that still need sorting and pricing. It's a major operation with dozens of volunteers, multiple buildings, etc. Once you start accepting donations, you might drown in them!
  2. Is the Sammy Davis the four disc set on Warner/Rhino? If so, I'm totally game for $7! Will send PM. And the Tormé/Shearing is lovely; someone should pick that up.
  3. RIP Jim Cullum Jr.

    Riverwalk Jazz unfortunately ended six or seven years ago, but there is a large archive at Stanford: http://riverwalkjazz.stanford.edu
  4. Any idea who is the guitarist with Billie Holiday?

    Frank Büchmann-Møller, in his Ben Webster biography, identifies him as the band boy of the Willie Bryant band, and only gives his nickname "shoebrush". I see several sources online repeat the "shoebrush" epithet, but no additional info. Edit to add: Timme Rosenkrantz took that picture! I have his autobiography, as well as a book of his pictures edited, I think, by the same Büchmann-Møller, but I won't be able to access them for another month. I can check then, if the mystery hasn't been solved. Also worth noting that this Italian site site claims Shoebrush was an Apollo stagehand, not the Willie Bryant band boy: https://www.musicajazz.it/lady-billie-holiday/
  5. Ah, gotcha. I agree that would be far more interesting, but I don't think we're far off from being able to do it. There's been a fair bit of research in this field. Bachbot made headlines several times and is probably the best known such effort: https://bachbot.com Baroque music lends itself particularly well to this sort of thing, but an AI cranking out a fake Basie head arrangement is absolutely in the realm of the possible today. Playing it is another matter and I agree that's still a ways away. (My predictions are garbage, though, because I would have bet against computers beating the best humans at go before 2020.)
  6. I tried parsing this sixteen different ways, and I can make heads nor tails of it. What are you trying to say? That one cannot artificially create something that swings? (I disagree.) That DE/CB/LA are impossible? (Again, I disagree.) Something else? (I assume...?)
  7. Frank Trumbauer

    The JSP covers 1924-1929, so there will be about a disc's worth of overlap with the Chrono. (There is only one session from 1924, so it really covers 1927-1929.) The JSP was remastered by John R. T. Davies, so you can get your jolly cranking up your tube amp and bemoan the state of reverb today, or something. I did not get the JSP, but I did get the Okeh & Brunswick Bix, Tram, and T Mosaic set. The JSP is entirely contained within that set, so you won't want both. The Mosaic has about twice as many tracks as the JSP, and extends to 1936. There are one or two extra alternate takes, but the second half is largely made up of Bix-less Trumbauer. There's about one disc's worth of Teagarden, some of which has Trumbauer, too. The end of the Mosaic will overlap with your 1936-1946 Chrono. I don't own or know much about the 1937-1940 recordings. The last session, done for Capitol in 1946, is lovely, but you already have it. If you're purely looking for the Bix stuff, you're probably best off getting the Bix Restored series, since you'll end up getting it in the end anyway. If money is no object, get the Mosaic. (If money is no object, why would you be asking here? Go buy everything!) If you want to avoid overlap, don't fear CD-Rs and other such Magicks most Evile, then get yourself the missing CCs. I don't know how hard they're to hunt down these days. If you are of the less geriatric sort and can stomach MP3s, Amazon appears to have a whole bunch, some quite cheap.
  8. Count Basie 1937 Savoy Ballroom broadasts- what radio station?

    Well I'll be damned. WOR it is. See also here: https://jdisc.columbia.edu/session/count-basie-june-30-1937 (I wish I had that Sheridan bio-discography!)
  9. Count Basie 1937 Savoy Ballroom broadasts- what radio station?

    My guess is that the Savoy broadcast also was a national broadcast, and if so, it would have been on NBC's Blue Network. Local station would have been WMCA. I'm basing this on Ella's 1939 and 1940 recordings, all of which were on NBC. Edit: Yeah, it was definitely national. I'm listening to it now. The announcer stumbles over his words, but he says "good evening to the East and good morning to the West Coast".
  10. Duke

    It is. And the photograph & ad are by famous graphic designer Henry Wolf. Among other things, Wolf (sort of jazz connexion alert) was art director at Esquire magazine.
  11. Norma Miller RIP

    I only yesterday found out my friend Norma Miller died earlier this month. She was the last surviving dancer from the 1930s professional troupe organized at the Savoy Ballroom in Harlem. You may have seen her in Ken Burns's "Jazz". She could be intimidating or downright scary, and was famously brutally honest when assessing dancers, but she was always sweet to me and I will mis her. Here's Norma dancing in "Day at the Races", the Marx Brothers movie. Ivie Anderson is the singer, the soundtrack is almost certainly Ellington's band. Norma is the woman in the second couple taking a solo, at 1:59. (The woman in the couple before was Norma's sister Dot.) And here she is in "Hellzapoppin'", an Olsen and Johnson movie. That's Slim Gaillard on piano and guitar, Slam Stewart on bass, and Rex Stewart on trumpet. Norma is in the second couple to come on screen, at 3:09, in the chef outfits. Frankie Manning, who died ten years ago, is the man in overalls at 3:58. The obituary in the NYT: https://www.nytimes.com/2019/05/06/obituaries/norma-miller-dead.html And the NEA's notice: https://www.arts.gov/news/2019/national-endowment-arts-statement-death-nea-national-heritage-fellow-norma-miller
  12. BFT 181 link and discussion

    Thank you for this! That's exactly the kind of thing I was looking for. Perhaps I'll try giving it another go and listen for the thing you suggest. I'll be on a plane to Toronto for five hours and nowhere to flee, so seems like the perfect time!
  13. BFT 181 link and discussion

    And what a great record *that* is! Double A-side indeed.
  14. BFT 181 link and discussion

    Serendipity struck on number 10! In an attempt to solve the mystery, I went to pull a Dodds CD and this whole weird "alphabetization" thing that's all the rage these days put the correct CD right in front of my nose: Dixieland Jug Blowers. I had to listen to the CD to find the right tune: "Memphis Shake", recorded in Chicago in 1926. Thank you for reminding me of these guys.