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Posts posted by P.D.
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I'm a bit puzzled here as to the original post
The overlap is only one disc.. its not as though the Proper box is an exact copy of the Mosaic.If it were I would agree with the negative comments directed towards Proper.
Proper give you an historical 3 disc sampling of Roy up to the early Verve days... Mosaic gives you all of Roy's verve dates.. all this music is worth hearing if you like Eldridge.
I doubt the Verve dates will be completely available elsewhere... but there are plenty of other CDs.. where the ealy music can be found... The Proper Box would not be my choice for early Roy.. as I prefer to have a more comprehensive coverage of this period in his career..
And as someone up there said... you got the Proper free.....
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Just be sure you didn't get the info from a bootleg recording......
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Hi there,
is there any chance that someday we could see a "complete Wes Montgomery on Verve and on A&M" (since Universal owns A&M stuff too)???????
Miky
Not a big fan of the A&M sides but BGO have just issued this
I assume if it sells well, the other A&M will follow.
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I agree on the crappy quality of their reissues. I bought only one so far - Jon Hendricks' "A Goog Git Together", as I was looking for that one as long as I collect jazz - and was disappointed by the design, and most importantly, the sound quality.
My only Lonehill as well, and I agree. Not only that, there was one track from the LP omitted ("everything started in the house of the lord").
But we'll all commit a sin if it's something we really want.....
Is it any different to swapping CDr's?
Well they are doing it for profit
Most of us who CDR something obscure for another board member profit in return, by a CDR of something back
Isn't copying a CD for profit illegal?
This ain't preserving a legacy. This is selling smack to junkies.
Jim
Aren't we all jazz junkies here......
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at the risk of suffering the wrath of those who are gathered here, I have to admit I don't mind Lonehill and Fresh Sound as long as they do a decent mastering (or copying) job - the truth is that, without bootleggers, we would have about half the picture we now have of jazz history. I do have a problem when specific projects are copied (like a Mosaic box) but when otherwise unavailable recordings are made available than it's all to the good - especially since I'd be willing to bet that the majors are paying nothing in royalties to artists and their estates anyway
My thoughts exactly.
Same here. Allen summed it perfectly and expressed it better than I would have...
And again..
just look at the coverage of west coast jazz they have, THe Candoli's, Stu Williamson, Don Fagerquist, Childers, Ferguson..... and that's just some of the trumpet players....
If the " legit" companies served these up at reasonable prices, I'm sure most of us would go there.
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Don Rendell Sextet
Dickie Hawdon flgl, Din Rendell, Ronnie Ross tenor, Damien Robinson pno, Ashley Kozak bass, Derek Hogg drums
London Jun 9 1954
My Heart Belongs to Daddy
Little Boy Green
Dickie Hawdon flgl, tpt, Din Rendell tenor, Ronnie Ross bari, Damien Robinson pno, Pete Elderfield bass, Don Lawson drums
London Feb 22 1955
Sinbad the Sailor
Didn’t We
Muskrat Ramble
Thames Walk
Dance of the Ooblies
Don Rendell Quartet..
same session as above w/o Hawdon and Ross
You Stepped Out of a Dream
Sometimes I’m Happy
Slow Boat to China
Yesterdays
Don Rendell tenor, Damien Robinson pno, Sammy Stokes bass, Benny Goodman drums
London May 2 1955
Top Hat, White Tie and Tails
That Old Feeling
New Orleans
From this Moment On
Body and Soul
Blow Mr. Dexter
Don Rendell Quintet
Don Rendell tenor, Ronnie Ross bariDamien Robinson pno, Sammy Stokes bass, Benny Goodman drums
London May 16 1955
The Griffin*
Cool Sparks*
Carolet*
Some of Us*
* Rendell compositions
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If the only criterion for release in this series is that the album has never ever ever been on CD anywhere anytime ever, ever, well..that seems overly restrictive. We're twenty years into the CD era.
No problem.. just truth in advertising
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"not in the USA"
Well I sort of understood that, but the Cosmic I got was bought at Rose's Records ( when they still existed) in Chicago, purchased to replace the LP
Good addition to the Ellington catalogue for those who are unfamiliar with it
The "Brothers " was also bought in a routine USA store .. If Mosaic found the same "extra" tracks that are on there I suspect they didn't have to look far.. still is a bit Lonehill-ish though
the J.J.'s I did import.
When Mosaic started, their approach was somewhat unique and a boon to collectors of hard to find jazz recordings. These days the scene is much different,possibly due to Mosaic proving a market for quality jazz reissues, and it must be quite difficult to come up with sets that have appeal and consist of little that is not available elsewhere.
Still these will be a plus for those unfamiliar with the recordings, although as someone above pointed out, it's rare that I pay over $13.00 for a single CD due to internet purchases.
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But hey, the Ellington has never been on cd anywhere! And it's good.
Well I've had a CD copy since 1992
This is what I wrote on the "Other" board
Don't take it wrong, I like Mosaic.. but if the "Never available on CD", and "extra tracks previously unreleased" statements are not correct, it creates a bit of a "Madison Ave Commercialism" that hasn't been part of the Mosaic image in the past.
"Most of these have been, or are available on CD'
The Cosmic scene is a nice set, but I have it on CD, and it would appear that there is no additional material
It was made in Holland but may have been a British issue, printed there,and was readily available in the record stores
My copy of The Brothers.. was a "complete" session, with four extra tracks that the previous edition lacked.. 16 titles altogether.. does this mean Mosaic will have 20 tracks?
J.J. is also available as are the other J.J. Johnson RCA discs
Total J.J.
Broadway Express
The Dynamic Sound of J.J. with the Big Band
All legit. BMG Spain issues.. no extra material
Might have been better served as Select set
The rest are scattered over other discs. Perhaps the Lloyds is the only one that hasn't been issued ( except maybe in Japan)
So not much here for those of us who have been around a bit, unless sound quality is dramatically different and better
But some good recordings if they are new to you.
Still bit "unhappy" if Mosaic are going to make "never released on CD' claims that are erroneous. Those kind of statements belong in the " Lonehill" camp"
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ABSOLUTELY OFF-TOPIC:
Great to hear back from you, P.D. !!!
Oh haven't been away.. just went into the "lurking mode" but thanks.
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Hampton took Cobb to fill Jacquets chair in 1942 and he took over the "Flying Home" role which might have contributed to his hard blowing approach that some see to be too much of the honker variety.
Just in case you have "guilt" about Cobb, this is a good excuse to listen to him
But for his Prestige sides.. Party Time is generally the first place to go.
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For Tooter
Stephenson's Rocket is indeed a Mike Carr composition.
It was first recoprded by the EMCEE FIVE, the band led by the Carr Brothers with Ronnie Stephenson on drums.
The first recording was in London Dec 14 1961 and can be found on this
The Cd Tooter refers to was a later disc by a new Carr led band recorded in 2002 where they included and named the disc, after the tune.
The tune was obviously named after Ronnie who played on the original, but also was, as die hard "trainspotters" will know, a reference to the Robert Stephenson's Rocket.
Stephensons factory was a big employer in and around the Newcastle area.
I haven't heard the Motgomery didc but I assume the tune is the same.. unless of course Ross composed a different tune and was also a railway buff
For guitar addicts , the above disc also includes an early ( 1967) track of John McLaughlin playing with the Carr quartet at the New Orleans Jazz club in Newcastle
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So, whether I buy the Bailey set (which has 10 discs) or the Teagarden (4 discs), I get the same discount?
[
Yes and those of us who buy the sets as they come out.. well no deal...
What do you offer us Mosaic?
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Harold is spot on with his take on the Condon sets.. the "MOB" box was the most blatant bit of "marketing' done by Mosaic.. glad they collected this stuff together though.. and a reason to buy
ABE LINCOLN
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That " Tubby Hayes" record is actually a Tommy Watt date, most of the tracks are available here on CD
The ones missing do not feature Hayes etc.. if I remember correctly
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PS - I think the "Stitt goes green" also includes the album Sonny did with Bennie Green. A good coupling, in my view. MG
Yes looking at the track listing it includes the " My Main Man" Stitt with Bennie Green album.. it will be on my next order to Fresh Sound or Absolute Distribution as I think they now call themselves...
OK they're a bit of a "bootlegger" but where else do you get this stuff at reasonable prices?
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This one with Sonny Stitt, on the Fresh Sound site might be interesting.. it's a 1964 date though.
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Lonehill have also released " The Art Farmer / Hal McKusick Quintet - The Complete Studio recordings, originally done for Decca.. I believe.
There was a Decca CD of these released 1995. The Lonehill has a slightly different track listing, adding in versions of Criss Cross and Makin' Whoopee which were not on the Decca, plus three "bonus" sextet tracks from an RCA date.. probably George Russells Jazz Workshop series
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This was originally released as " Historically Speaking" and was represented as something of a "retrospective of Duke up to the present day ( 1955 at the time)
It was one of my first modern jazz records, got for Christmas 55, and was my first Ellington.
Became a total convert.. espescially to Hodges after hearing Jeep and Mellotone.
It did have, however, one of the worst covers for a Jazz album.
Might have suited a Halloween issue
There is a companion album... "Duke Ellington presents" with a nice version of Cottontail
A number of CD issues combined tracks from both albums.. currently a Lonehill issue which also has some of the Capitol tracks from the 55 period
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There was an edited version of the song on a double LP Pacific Jazz anthology which contained (mostly) edited versions of material from their whole catalog to that point. ("Prime Cuts?" Early '60's.)) My introduction to some good music, and I always enjoyed getting the original albums and hearing what I'd missed.
THE Jones " Blues March" is indeed an edited version of " Sad March"
I don't have the 45 but do have the double LP described by DMP and strongly suspect the 45 is the edited track from it.
What was the "b" side of the 45?
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looking through the discographies.. the first was a broadcast recording by Diz ftom Birdland.. given as "probably" Dec 1 1956
The Morgan is given as Dec 2 '56 and is most likely the first studio recording
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This session was released with fairly drastic tape doctoring..
is this new issue also made from manipulated tracks.. or do these "newly" discovered tapes give us a chance to hear this music in it's "virgin" condition?
Anybody know?
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four musicians at your disposal
click each theyDOO WOP group start
second click they stop
can sing solo, duets, trio and quartet in any sequence
hope they are not here already
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Including Texas: "It's a whole other country!"
That's right! When the Mosaic collection of the Complete Quartet Out Recordings is released, they're going to say "appearing on cd for the first time."
Any Buck Clayton recomendations?
in Recommendations
Posted
Also any of the Jimmy Rushing Columbias where the Clayton "band" supports him.