sonnymax

Thanks, Niko.

Source? Link?

Actually, it's Swartz, or was. Maybe that's why he's gone by "S" for years.

I'm a fan of Fresu. Which track is your favorite?

I agree it's a great outing for Miller and the others, however it's TCB Records, also known as The Montreux Jazz Label.

This?

Sometimes updates don't download properly. Glad everything worked out.

If it's not too much trouble, what updated version of XLD did you try to install? What Mac OS are you using? Thanks in advance.

Does anyone own this 2019 reissue from Craft, "newly restored and remastered", originally issued on LP and currently available to download?

Since I was asking about recordings, not videos, I'll take your response as a "no". That's tragic. What a talent! Thanks Kev!

Sad news, indeed. Are there any recordings under his leadership, or him playing in a jazz context? I couldn't find any.

Goddamn snow! Cold night.

I just saw Jackie (the mom) stand up, roll her three eggs, then sit back down on them and pull twigs toward her sides to retain heat. Ain't nature grand?

Last night I learned how to "cast" the feed from my tablet to my new TV. 65 glorious inches of my new feathered friends!

What parents do for their kids, am I right?

Not a lot of action, but the suspense is palpable.

Whatcha gonna buy?

Thanks, Brad.

You should check out the Record Store Day website.

I'm confused. Your say your comment was deleted (in fact, "They've all been deleted") and yet you're able to quote their response verbatim. What am I missing?

Would you please post your original comments? It's difficult to understand their response if we don't see what they're responding to.

Nah, you're thinking of her brother, Memory. George Lane was Penny's husband.

Participation in jazz correlates strongly with education and income. Nearly half of those attending jazz performances, for example, are college graduates; over three-quarters have had some college education. Those earning more than $50,000 a year (≈ $98,700 in 2024) are more than twice as likely to attend performances as those earning less than $25,000 (≈ $50,320 in 2024). In this respect, the audience profile for jazz resembles that of the other benchmark arts activities, for which the highest rates of participation are found among the most affluent and highly educated. “Jazz in America: Who's Listening?” National Endowment for the Art, 1995 Jazz audiences are predominantly affluent, well educated, young, and ethnically diverse. “A Literature Review of Research on Jazz Audience” Jazz Arts Group, 2010