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Posts posted by Jim Alfredson
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Are you talking about the digital pipe organs?
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Thanks, everyone!
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Yeah, awesome! Thanks, everyone!
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Hey friends,
Our upcoming CD is now available for pre-order. We're doing all Beatles tunes and it's called "B3tles - A Tribute to the Fab Four". Hope you guys will consider participating in the crowdfunding, which allows us to produce and release this material.
http://www.pledgemusic.com/projects/organissimo -
I don't know for sure if the EXP-100 will mount. I think it will; pretty sure. The mount is simple a bracket that attaches to the expression pedal. Might be worth an email or call to Hammond USA.
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Mr. Brewer teaches at Aquinas College in Grand Rapids and is a fine trombonist and a good friend.
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Best quote:
What are your feelings on digital versus analog?The linear storage of digital information is idealized. It can be perfect. It can never be perfect in analog because you cannot reproduce the varying voltages through the different translations from one medium to another. You go from sound to a microphone to a stylus cutting a groove. Then you have to play that back from another stylus wiggling in a groove, and then translate it back to voltage.The biggest distorter is the LP itself. I've made thousands of LP masters. I used to make 17 a day, with two lathes going simultaneously, and I'm glad to see the LP go. As far as I'm concerned, good riddance. It was a constant battle to try to make that music sound the way it should. It was never any good. And if people don't like what they hear in digital, they should blame the engineer who did it. Blame the mastering house. Blame the mixing engineer. That's why some digital recordings sound terrible, and I'm not denying that they do, but don't blame the medium.A lot of people argue that digital is a colder, sterile sound. Where do you think that comes from?Where does it come from? The engineers. You've noticed they've attributed the sound to the medium. They say digital is cold, so they've given it an attribute, but linear digital has no attributes. It's just a medium for storage. It's what you do with it. A lot of this has to do with the writing in consumer magazines. They've got to talk about something.http://jazzprofiles.blogspot.com/2011/05/rudy-van-gelder-signature-sound.html
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What model of speakers are they? What model amp?
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Do you have 'Bop Rascal' Kevin? That's one of my favorites.
BTW, I produced an album for Bill that we recorded earlier in the spring. We're looking at an early 2017 release. -
Delete that link from the thread and it should solve the problem.
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The forum used to have a special "trash forum" where deleted posts and threads would go, but the software developers took that out. I asked if there was any way it could be re-implemented and they said no.
The thing to do for the time being is to let me know AS SOON AS IT HAPPENS and I can have the database restored from a backup. We may lose a few posts, but that's better than an entire thread. After two days, it is too late. -
On 5/18/2016 at 1:43 PM, fasstrack said:
It's doing weird things. Takes forever to load, for one. Then it leaves out part of the text and links of the post being quoted. Is this just me?
Yep.
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I use 808 000 000. Some folks like to put a bit of the second drawbar in there, like 828 000 000.
To change how patches affect the lower manual when you select a new preset, go to the PATCH submenu and turn OFF the L/P parameter (Lower Preset). This is a global setting so once you change it, it stays that way... no saving required. For more information on what loads with each patch/preset, check out the PATCH LOAD section in the SK user manual, page 76. -
Thanks!
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Resonance Records strikes again.
http://www.sunnykilogram.com/projects/dd/bill-evans/email.html
" DELUXE 2-CD SET AND DIGITAL EDITION AVAILABLE APRIL 22, 2016
SPECIAL LIMITED EDITION HAND-NUMBERED 2-LP SET MASTERED BY BERNIE GRUNDMAN AND PRESSED ON 180-GRAM VINYL BY RECORD TECHNOLOGY, INC. AVAILABLE SATURDAY APRIL 16, 2016 FOR RECORD STORE DAY
NEVER-BEFORE-RELEASED 1968 STUDIO ALBUM BY LEGENDARY PIANIST BILL EVANS IN TRIO, DUO AND SOLO SETTINGS WITH JAZZ GREATS EDDIE GOMEZ AND JACK DEJOHNETTE
RECORDED BY HANS GEORG BRUNNER-SCHWER AND JOACHIM-ERNST BERENDT AT MPS STUDIOS, VILLINGEN, GERMANY IN THE BLACK FOREST
Unique studio recording made on June 20, 1968, five days after the Bill Evans Trio’s triumphant performance at the Montreux Jazz Festival
Only the second album — and the only studio album — to feature the Bill Evans Trio with brilliant drummer, Jack DeJohnette, and great bassist and Evans Trio veteran, Eddie Gomez ." -
Finally listening to this. I need to go to bed soon but I wanted to at least listen to the first couple of tunes. The chord structure on "Trane of Thought" reminds me of "Beyond All Limits" off Unity. The sound is quite good although the organ is (as expected) a bit too far in the background. So far there is a lot of inspired playing on this, though. Shaw is exceptional. Nathan Davis sounds great, too. I admit I'd never heard him before.
It's interesting to know that the song "Zoltan" was named after the composer Zoltán Kodály (another name I was unfamiliar with). The liner notes are a treat.
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Waiting for my copy to arrive... should be here tomorrow!
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It's like 10.5 ¢ per tune per disc if it's under 7 minutes, I think. Over that, you have to pay another 2 ¢ per minute (which is stupid, especially on a jazz record where you only play the actual melody (the part that is copyrighted) for maybe 30 seconds).
Anyway, for a 10 song CD, it will average to around $1.10 per disc. -
Thanks guys. As far as licensing, I usually just go through Harry Fox. The only time I've run into trouble is covering a song owned by Malaco. They do all their own licensing, so I had to contact and deal with them directly. It wasn't a big deal, but a bit more inconvenient than using Harry Fox.
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Our latest video from the upcoming Beatles tribute album.
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3 hours ago, jeffcrom said:
But in many cases, the only CD (or LP) versions of older music available are those that sacrifice frequencies to eliminate surface noise.
Digital techniques have gotten better for noise removal but I tend to think we should leave well enough alone and just release needle drops of older material like that.
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2 hours ago, mjzee said:
It's too bad it can't all be archived in some fashion.
It's archived every night on a multi-international company's robust server system.
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Unorthodox Behavior I think is the most glaring of them; but actually putting it in Wavelab and looking at the spectrum, it's everything below about 200Hz that could use a slight boost (maybe 2db). I did that using the Eiosis Air EQ plug-in and everything sounded much mire full and present to me. It's not bad as is and the dynamic range is fantastic; almost unheard of for a modern remaster.
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Got this today. I don't have any other issues of these albums to compare. They sound good but are extremely light in the bass. That's kind of a mid-70s aesthetic though. They are definitely not over-compressed dynamically which is great. Guess I just need to turn up the bass on my old Marantz receiver.
NEW CD now available for pre-oder
in organissimo - The Band Discussion
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I'll post a track list in an update for pledgers. That's a good idea!