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montg

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Posts posted by montg

  1. Considering yesterday's market results, you'd think the last thing I'd do is buy another Mosaic set today. I didn't want to miss this one, though! I just ordered it, and I can't wait to hear it.

    You can comfort yourself in the knowledge that a soon-to-be-out-of-print Mosaic is a whale of a lot better investment than most stocks these days!

    Greg Mo

    :lol:

    This is a nice set, very good sound and meat/potatoes Blue Note (I mean that in a complementary sense). My favorite sessions are the last ones with Booker Ervin and Grant Green.

    I agree with Hans' earlier post--forced to choose, I think I'd go with this over the GW (though I like that one too)

  2. I enjoyed the Cook book but it was a bit cursory, to say the least. Looking forward to this one ! And hopefully there's something positive in there about Grachan Moncur. ;)

    If Kahn's 'Blue Note' book is similar to his Coltrane/Impulse book, I would expect it to delve a lot more into the Alfred Lion/business side of the story than Richard Cook did. I wonder how much cooperation Kahn had from MC, Lundvall and others? I've enjoyed Kahn's other jazz books, I'm betting this will be a winner, worth preordering.

  3. He made so many nice records, especially in the '50s and early '60s -- under his own name, with Lucky Thompson, Seldon Powell, Quincy Jones' "This Is How I Feel About Jazz," a gorgeous "If You Could See Me Now" on "Gil Evans And Ten," and "Ballad of the Sad Young Men" on Gil's second Pacific Jazz album. Lord knows he was quick, and usually inventive-quick, but he got me to most on ballads, had a lovely, hauntingly diffuse tone on them, as though he were playing into a beret. There was a long interesting interview with Cleveland in Cadence a few years back.

    Thanks Larry for pointing out Cleveland's solo on "Ballad..." I just dug out it and spun it, very beautiful.

  4. While looking around amazon for something new to read about jazz, I came across some upcoming books that caught my attention. I hope the Blue Note book turns out well, there's clearly a good story in there somewhere that's yet to be told

    Ashley Kahn Somethin' Else: The story of Blue Note Records and the Birth of Modern Jazz

    due april 16, 2009

    blue note story

    Gary Giddins Scott Devaux: Jazz

    due 3/09

    jazz

    Penguin Guide (9th edition)due 11/08

    penguin jazz

    The Jazz Ear Ben Ratliff due 11/08

    jazz ear

    Jazz Life William CLaxton (25th anniversary edition)

    due 9/08

    Jazz Life

  5. I don't remember the line about Sonny Clark--what was it?

    Maybe this?:

    "As long as there was a piano in the corner, a bottle opened and some business to attend to in a back room, he seems to have been content"

    To echo what Lon said earlier, I've become increasingly reliant on the opinions and thoughts of board members and much less reliant over time on the Penguin Guide (and other commercial reviews).

  6. One of the glories of jazz is the tonal blend of trombone, trumpet, and tenor.... my favorite Messengers groups are the ones with Fuller, he fills out the ensemble in a way perfectly suited for that music.

    Trombone and tenor, trombone and bari, trombone and alto flute- three of my favorite combinations.

    bari, trombone and alto flute.......interesting; I'm drawing a blank on examples of this, any clues? Dolphy recordings maybe? Others?

  7. One of the glories of jazz is the tonal blend of trombone, trumpet, and tenor.... my favorite Messengers groups are the ones with Fuller, he fills out the ensemble in a way perfectly suited for that music.

    Vic Dickenson is GREAT...his Vanguard recordings shouldn't be missed

    340536-music-resized200.JPG

  8. I have Dreams So Real, Gnu High, and Duas Vozes.

    Are any of these highly recommended? FWIW, I love Dreams So Real.

    I'm interested to hear what others recommend too, I'm unfamiliar with a lot this music. Two I'm going to order: Gnu High and Special Edition.

  9. Apologies if this is noted elsewhere, a search didn't turn up anything.

    Beginning August 26th, the label will reissue 40 albums retaining the original artwork and great sound that have contributed to ECM's renown - newly packaged in cardboard soft-paks at a new, special price. A list of the 40 titles and their respective release dates is below.

    More reissues are in preparation.

    Releasing August 26th:

    John Abercrombie/Ralph Towner - Sargasso Sea

    Bass Desires - Bass Desires

    Paul Bley - Open, To Love

    Gary Burton with Pat Metheny - Dreams So Real

    Chick Corea / Miroslav Vitous / Roy Haynes -Trio Music, Live In Europe

    Jack DeJohnette - Special Edition

    The Bill Frisell Band - Lookout For Hope

    Dave Holland Quartet - Extensions

    Keith Jarrett - Facing You

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Standards Live

    Pat Metheny Group - American Garage

    Oregon - Oregon

    John Surman - Private City

    Ralph Towner - Solstice

    Kenny Wheeler - Gnu High

    Releasing September 30th:

    John Abercrombie / Dave Holland / Jack DeJohnette - Gateway

    Bass Desires - Second Sight

    Chick Corea - Children's Songs

    Bill Frisell - Rambler

    Jan Garbarek - I Took Up The Runes

    Keith Jarrett / Gary Peacock / Jack DeJohnette - Bye Bye Blackbird

    Charles Lloyd - The Call

    Pat Metheny - New Chautauqua

    Paul Motian - Conception Vessel

    Enrico Rava - The Pilgrim And The Stars

    Shankar - Song For Everyone

    Tomasz Stanko - Balladyna

    Ralph Towner - Batik

    Collin Walcott - Cloud Dance

    Norma Winstone - Somewhere Called Home

    Releasing October 28th: John Abercrombie - Animato

    Art Ensemble Of Chicago - Full Force

    Lester Bowie - The Great Pretender

    Anouar Brahem - Conte de l'incroyable amour

    Egberto Gismonti / Nana Vasconcelos - Duas Vozes

    Jon Hassel - Power Spot

    Pat Metheny Group - First Circle

    Oregon - Ecotopia

    Terje Rypdal / Miroslav Vitous / Jack DeJohnette - Rypdal-Vitous-DeJohnette

    Dino Saluzzi - Kultrum

    SOURCE: AllAboutJazz.com Publicity

    ecm touchstones

  10. A Dewey Redman record I especially enjoy is "The Struggle Continues," on ECM, now no doubt out of print. It's a quartet with Charles Eubanks (piano), Mark Helias (bass), and Ed Blackwell on drums, from the early 80's. It takes "Joie de Vivre," which was on "Ear of the Behearer," and gives it a much more swinging, mainstream treatment. Beautiful album.

    I purchased this recently from bmg, it is wonderful! I find it intersting that some musicians are able to convey warmth and authenticity while others just sound cold. This album, to me at least, is very moving. Particularly 'Love is'

  11. Great lists, thanks! I don't think I could come up with 100, and it's hard to know sometimes what qualifies as 'overlooked', but here are a few that I like a lot and that don't receive lots of attention (as far as I can tell):

    Vic Dickenson--Nice Work (Vanguard). (plenty of good Edmond Hall on here too)

    Duane Tatro --Jazz for Moderns

    Shelly Manne-- Son of Gunn

    Bobby Hackett (1950 Columbia sessions, found on the Condon Mob Mosaic, disc 3)

    Ari Brown (Live at the Green Mill)

    Billie and De De Pierce--Blues & Tonks (OJC) (Thanks Chris! Eternal gratitude!)

    Walt Weiskopf--Anytown (CrissCross)

    Frank Strozier--Remember Me (Steeplechase)

  12. Thank you for all of the comments, very interesting. Glad to hear a lot of this music holds up well. This seems like a fascinating period in jazz, with the fusion/funk backlash, emergence of the neo classicists, and the folks like Blythe, Murray, Hemphill etc moving the music in different directions. All these streams converging

  13. Blythe recorded a lot of albums for CBS in the late '70s and '80s. I have Lenox Avenue Breakdown, which I like a lot; however, most of the others have not (I think) been reissued. For those who have heard this material, how is it? Mosaic-worthy?

    Also, there seems to have been a lot of enthusiasm for Blythe during this period--Giddins has an article from the '80s entitled Blythe-mania--- almost as though Blythe was pointing the way forward for a jazz resurgence. An accessible avant-garde. What happened?

    This period of jazz (in the '80s) interests me, it seems to have been pivotal in some way. As a college student in the '80s, I was pretty unaware of jazz, now I'm wondering what I missed.

    502f423030303032353948562e30312e5f53434d5a5a5a5a5a5a5a5f.jpg

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