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The Woody Shaw set is popmarket's daily deal today (Monday March 5 2012), though the special price is the same $45.99 it has been listed as for the past several days. However, there is a 10% coupon code: SAVE10NOW that does take an additional 10% of your total order. I mention this because there doesn't seem to be any exemptions for this coupon code discount. I bought the Shaw set today, along with a couple of other jazz sets that are also part of the free shipping sale. Plus, I'm Canadian, and the coupon code did work for me. So this extra 10% discount is not restricted to US buyers.

Am I correct that the "Always Something There" Blue Note LP was reissued on CD in 1991 by Fantasy/OJC? http://www.allmusic.com/album/always-something-there-r149146 If true, can someone explain the circumstances? I have read that there was also a CD reissue on EMI's Applause label: apparently a poor-sounding needle-drop. Are the Fantasy and Applause releases actually the same CD? Was Fantasy just the distributor? Thanks in advance for any explanation. John

A quick note of thanks to LJazz for the Jazz Improv magazines I requested, which arrived safely this week. John Vancouver BC

PM en route for fifteen of these magazines. Thanks. John

PM on the way for: The Complete Blue Note Recordings of Albert Ammons & Meade Lux Lewis 3LP $30 Thanks.

I had read somewhere that this book's accompanying CD was to contain a mix of released and unreleased tracks. Thanks for confirming there isn't any unreleased material included. Much appreciated. John Vancouver

I wrote on November 8: A friendly bump for this question. Thanks John

Can someone list the artists and tracks included on the accompanying CD? I did some google searches but couldn't find the info. Thanks, John Vancouver BC

Thank you man. John Vancouver BC

A tracklist and the track timings of the unreleased Vanguard material would be great. Please and thanks.

The 1965 "Six By Six" sextet album was released on CD under the title "Magnitude" by Mainstream Records UK (aka Mainstream Direct) in 1991. The catalogue number is MCCD712. This is also the specific version that contains the three previously unreleased outtakes. It's easier to find online under the "Magnitude" title.

I'm sending a PM (and an e-mail) with a few questions. Thanks very much, John Vancouver BC

PM being sent for: MS-10 Bud Shank/Bob Cooper $65 Thanks John

There definitely is a single CD version of the "Birdland Allstars At Carnegie Hall." It was released by Roulette in 1987, before the catalogue was purchased by EMI. The CD has 23 tracks, catalogue number RCD 58009. The 1987 CD's packaging doesn't have a barcode but the cover is almost exactly the same, so it's possible that uniformed retailers and ebay sellers will get this version mixed up with the 2 CD EMI set.

Thanks for the confirmation. With all the 1980s remixes and CD bonus tracks, keeping track of alternate versions of the CTI material can be frustrating.

Are you saying these are two different takes? Can anyone confirm the details? Thanks.

George Cole, the author of the book "The Last Miles," posted some information about abandoned Sony projects to the Miles-Digest mailing list in 2007. Quote: Date: Wed, 5 Sep 2007 18:36:52 +0200 From: George Cole Subject: Bob Belden on Miles releases and more I recently talked to Bob Belden for a feature I'm writing and in the course of our chat, I asked him about Sony's Miles release strategy. It's not looking good I'm afraid and he hinted that the On The Corner boxed set could well be the last of its kind. He also revealed that he had planned to put together a series of re-releases of Miles's 1980s albums, complete with bonus tracks. This was some of the material under consideration: - 5 hours from KIX - The complete Avery Fisher shows - The complete Japan tour 1982 Star People - many live shows from board tapes plus many studio sessions. These include a duet with Miles on electric piano and JJ Johnson on trombone, plus another blues number featuring Mike Stern on guitar. Decoy - many board tapes but not so much in the way of studio stuff. You're Under Arrest- some additional stuff plus the pop songs that were never finished. Aura - the live show from Denmark could have been added to the issued CD Sadly, Sony decided to pull the project - grrrrrrrr!!! End quote

I'd like to learn more about this. Do you have any more info about the CTI tapes and the various arguments over who owns the rights? Sony claims the North American rights (and Europe, also), but I have read Sony does not possess the stereo master tapes. Supposedly, up to now they've only had production copies of the album masters. I've assumed Sony does have possession of some of the multi-track session tapes, because several of the earliest CBS/CTI CDs (from the late '80s) were advertised as re-mixes. The King label seems to reissue the CTI material in Japan. Doug Payne's CTI site had an article up about two months ago stating Creed Taylor and Rudy Van Gelder were both involved in a new CTI reissue program. I don't know if this is the same program that Sony masterworks has just announced. I can't find that article on Payne's site anymore, so maybe I'll e-mail and ask him...

PM sent on: JATP (Gillespie, Eldridge, Webster) The Challengers Verve Knepper, Jimmy Idol of the Flies (with Bill Evans) Bethlehem reissue Mingus, Charles My Favorite Quintet JWS Mingus, Charles Town Hall Concert JWS Pullen, Don Montreux Concert Atlantic Pullen, Don Tomorrow's Promises Atlantic sealed Shank, Bud with Maynard Ferguson, etc Crown Thanks John Vancouver BC

PM sent Dec. 2, 12:55 PST. thanks

PM sent on: Dizzy Gillespie In South America Volume 1 (Red Anchor Productions) $6 Dexter Gordon, The Other Side of Round Midnight (BN) $5 Grant Green, The Latin Bit (BN) $7 New Al Grey Quintet (Chiaroscuro) $8 Freddie Hubbard, The Artistry of Frddie Hubbard (Impulse) $8 Freddie Hubbard, Feel The Wind (Timeless, with Art Blakey) $7 (my PM includes requests for CDs offered in the other D Gould threads also) thanks John July 28 9:37 PST

Initial post was cut off. Here's the rest: Mildred Bailey continued (XX) BENNY GOODMAN AND HIS ORCHESTRA: Same as (UU). NYC, November 22, 1939 26287-A Darn That Dream (ES-arr) Col 35331 26287-B Darn That Dream (ES-arr) Phon (Swd) Nost 7610 (LP) 26288-A Peace, Brother (ES-arr) Col 35331 26288-B Peace, Brother (ES-arr) Col 66198 (CD) Note: Matrix 26289 and 26290 does not include Bailey. ________________________________________________________________________ (YY) MILDRED BAILEY acc. by ORCHESTRA UNDER THE DIRECTION OF ALEC WILDER / with ORCHESTRA –1: Melvin Solomon (tp), Robert Burns, Jimmy Carroll (cl), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Ray Barr (p), Frank Worrell (g), Lou Shoobe (b), William Gussak (d), Mildred Bailey (voc), Eddie Sauter (arr), Alec Wilder (dir, arr). Liederkranz Hall, NYC, November 30, 1939 25710-1 Nobody Knows The Trouble I've Seen (AW-arr) Col 35348 25711-1 Swing Low Sweet Chariot previously unissued 25712-1 All The Things You Are –1 Voc 5277 25713-1 Hold On Col 35348 Note: This and other Columbia sessions in the 25700 block by other artists are out of chronological sequence. ________________________________________________________________________ (ZZ) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp, voc), Robert Burns, Jimmy Carroll (cl, as), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Teddy Wilson (p), John Collins (g), Ted Sturgis (b), Bill Beason (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 15, 1940 26413-B Wham (ES-arr) Col CJ/CK 45275 26413-A Wham (ES-arr) Col 35370 26414-A Little High Chairman (ES-arr) -1 Col 35370 26415-A Easy To Love (ES-arr) Col 35921 -1 omit Eldridge. Note: Bassist Pete Peterson was hired for this session and his name was entered in the Columbia files. However, Peterson failed to make the date and Roy Eldridge called his bassist Ted Sturgis as a last minute substitution. ________________________________________________________________________ (AAA) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp), Robert Burns, Reggie Merrill (cl, as), Carl Prager (b-cl), Eddie Powell (fl), Mitch Miller (oboe / eng. horn), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Bill Beason (d), Mildred Bailey (voc), Eddie Sauter, Alec Wilder (dir, arr). NYC, January 25, 1940 26460-A Give Me Time (AW-arr) Col 80-G 26461-A They Can’t That Away From Me (ES-arr) Col CK 65501 (CD) 26462-A A Bee Gezindt Col 35409 26463-A After All I’ve Been To You - 26464-A Don’t Take Your Love From Me (ES or AW-arr) -1 previously unissued ? 26464-B Don’t Take Your Love From Me (ES or AW-arr) -1 Col 35921 -1 omit Eldridge. Note: Discographies list Col 35921 as the commercial release for matrix 26464-A and the Australian Columbia 78 single (DO-2226) as the original issued B take. At the time of the printing of this booklet only the B take has surfaced on Col 35921 and DO-2226. Col 80-G (matrix 26460-A) is a Columbia DJ copy, however the black labeled commercial release is the rarer of the two. ________________________________________________________________________ (BBB) MILDRED BAILEY acc. by ORCHESTRA: Same as (AAA) except Jimmy Carroll (cl, as) replaces Merrill. NYC, April 2, 1940 26696-A Fools Rush In (ES-arr) Col 35463 26697-A From Another World (ES-arr) -1 - 26698-A I’m Nobody’s Baby (ES-arr) -2 Col 35626 26460-B Give Me Time (AW-arr) - -1 omit Eldridge. -2 omit Miller. Note: The Columbia file, which bears matrix 26699, was initially crossed out so that matrix 26460 could be remade. ________________________________________________________________________ (CCC) MILDRED BAILEY acc. by ORCHESTRA: Roy Eldridge (tp) -1, Robert Burns, Jimmy Carroll (cl), Irving Horowitz (b-cl), Mitch Miller (oboe / eng. horn), Eddie Powell (fl), Teddy Wilson (p), John Collins (g), Pete Peterson (b), Kenny Clarke (d), Mildred Bailey (voc), Eddie Sauter (arr), Alec Wilder (dir, arr). Liederkranz Hall, NYC, May 15, 1940 27302-1 How Can I Ever Be Alone? Col 35532 27303-1 Tennessee Fish Fry -1 - 27304-1 I’ll Pray For You (ES-arr) Col 35589 27305-1 Blue (And Broken Hearted) (ES-arr) - ________________________________________________________________________ (DDD) RED NORVO AND HIS ORCHESTRA: Jimmy Salko, Jack King, Bob Kennedy (tp), Abe Nole, Eddie Bert, Leo Connors (tb), Freddy Artzburger, Sal Datore (as), Mickey Folus (ts), Sam Spumberg (ts, oboe), Jimmy Gemus (bari, fl, poss. b-cl), Bob Kitsis (p), Freddy Sharp (g), Joe Kauchek (b), Frank Vesely (d), Red Norvo (xyl), Mildred Bailey (voc), Johnny Thompson (arr). Liederkranz Hall, NYC, March 5, 1942 32565-1 Arthur Murray Taught Me Dancin’ In A Hurry Col C3L 22 (LP) 32565-2 Arthur Murray Taught Me Dancin’ In A Hurry Col 36557 32566-1 I’ll Be Around (JT-arr) previously unissued 32566- 2 I’ll Be Around (JT-arr) Col CL 6094 (LP) 32567- My Little Cousin Col P6 14538 (LP) Note: Matrix 32564 does not include Bailey. ________________________________________________________________________ ALBUM INDEX 10” LP: Columbia CL 6094 – A Mildred Bailey Serenade 12” LP: Columbia C3L 22 – Mildred Bailey – Her Greatest Performances 1929-1946 Columbia CG 33557 – John Kirby – Boss Of The Bass Columbia CJ 45275 – Roy Eldridge – Little Jazz Columbia P3 13618 – Various Artists – Rare Big Band Gems Columbia P6 14538 – Various Artists – Great Vocalists Of The Big Band Era Meritt 12 – Chu Berry – Leon “Chu” Berry Phontastic (Sweden) 7610 – Benny Goodman – The Alternate Goodman Vol. 2 CD: Columbia CK 45275 – Roy Eldridge – Little Jazz Columbia C2K 52943 – Various Artists – Art Deco/Sophisticated Ladies Columbia CK 53424–Best Of The Big Bands–Red Norvo Featuring Mildred Bailey Columbia CK 65501–Various Artists–The Great Songs Of George Gershwin Columbia CK 66198–Best Of The Big Bands–Benny Goodman And His Great Vocalists Hep (England) 1019 – Red Norvo – Jivin’ The Jeep Hep (England) 1050 – Red Norvo – Wigwammin’ Original sessions produced by John Hammond, Bernie Hanighen, Jack Kapp and Morty Palitz. Produced for release by Scott Wenzel. Executive producers: Charlie Lourie and Michael Cuscuna. Research: Will Friedwald, Lloyd Rauch and Scott Wenzel. Disc/tape transfers: John R.T.Davies, Dawn Frank, Debra Parkinson and Doug Pomeroy. Mastered by Doug Pomeroy. Original 78s provided by Michael Brooks, Bill Damm, Indiana University, The Institute Of Jazz Studies, Lloyd Rauch, Dave Weiner and Scott Wenzel. Special thanks to Eddie Bert, Stacey Boyle, Michael Brooks, Buddy Christian, Russ Connor, Leonard Goldstein, Jerry Jerome, Dan Morgenstern, Mitch Miller, Ted (Takashi) Ono, Lloyd Rauch, Alastair Robertson, Ken Robertson, Phil Schaap, Loren Schoenberg, Robert Stockdale, Richard Sudhalter. ©2000 Sony Music Entertainment Inc./(p)2000 Sony Music Entertainment Inc./ Manufactured by Sony Music Special Products., 550 Madison Avenue, New York, NY 122-3211/"Columbia" and "Sony" Reg. U.S. Patent & TM Office/Marca Registrada/WARNING All Rights Reserved. Unauthorized duplication is a violation of applicable laws. ©2000 Mosaic Records L.L.C., 35 Melrose Place, Stamford, CT 06902. All rights reserved. Phone: 203-327-7111/Fax 203-323-3526/ Web site: www.mosaicrecords.com. Producer’s Note: Both the Norvo and Bailey discographies have been riddled with errors and omissions throughout the years. However, with this set the personnel and instrumentation was obtained by the original job sheets and AFM cards at Sony as well as from ex-Norvo sidemen Eddie Bert, Buddy Christian, Leonard Goldstein and Jerry Jerome. Arranger credits were taken from Down Beat and Metronome magazines as well as the Benny Goodman, Red Norvo and Eddie Sauter archives which reside at the Yale Music Library. Although intense effort was made to obtain the best source possible, the sound quality will differ from track to track. Years ago, the norm in re-issuing 78s was to take out as much of the surface noise as possible which, although at times made for a very clean sound, lost most of the music. Our engineer Doug Pomeroy, who is generally thought of as one of the premier 78 transfer wizards (hats off of course to John R.T.Davies and Jack Towers) has brought to the forefront practically ALL of the music and eliminated to the best one can do much of the surface noise. In most cases we used the original metal parts or a clean 78 copy for transfer unless a tape, CD, or LP reissue source had better sound. However, the only source we had on “My Little Cousin” (session DDD) was taken from a simulated stereo tape. In the September 15, 1940 issue of Down Beat, a news item appears about an upcoming release of “Frankie & Johnny” with Mildred backed by Teddy Wilson and Roy Eldridge. There is no mention of this session in any file at Sony and there is no further evidence that this session ever took place. ------------------------------------------------------------------------

THE COMPLETE COLUMBIA RECORDINGS OF MILDRED BAILEY DISC I: 1. What Kind O’Man Is You? (A) 3:23 (Hoagy Carmichael) 2. What Kind O’Man Is You? (A) (alternate take) 3:24 (Hoagy Carmichael) 3. I Like To Do Things For You (B) 3:29 (M. Ager-J. Yellen) 4. Is That Religion? © (alternate take) 3:05 (M. Parish-M. Pinkard) 5. Is That Religion? © 3:00 (M. Parish-M. Pinkard) 6. Harlem Lullaby © 2:56 (M. Millham-W. Robison) 7. There’s A Cabin In The Pines (D) 2:56 (William Hill) 8. Lazy Bones (D) 3:03 (H. Carmichael-J. Mercer) 9. Shouting In That Amen Corner (E) 2:47 (Andy Razaf) 10. Snowball (E) 3:07 (Hoagy Carmichael) 11. But I Can’t Make A Man (F) 2:57 (R. Bloom-V. Young) 12. Give Me Liberty Or Give Me Love (F) 3:15 (L. Robin-R. Rainger) 13. Doin’ The Uptown Lowdown (F) 2:51 (M. Gordon-H. Revel) 14. Heat Wave (G) 2:44 (Irving Berlin) 15. Junk Man (H) (take 2) 3:02 (F. Loesser-J. Meyer) 16. Junk Man (H) (take 3) 3:01 (F. Loesser-J. Meyer) 17. Ol’ Pappy (H) 3:12 (Neiburg-Symes-Livingston) 18. Emaline (H) 3:24 (M. Parish-F. Perkins) 19. I’d Love To Take Orders From You (I) 2:40 (A. Dubin-H. Warren) 20. I’d Rather Listen To Your Eyes (I) 3:06 (A. Dubin-H. Warren) 21. Someday, Sweetheart (I) 3:28 (B & J Spikes) 22. When Day Is Done (I) 3:27 (B.G. DeSylva-R. Katscher) DISC II: 1. It All Begins And Ends With You (J) 2:59 (F. Froeba-J. Palmer) 2. A Porter’s Love Song To A Chambermaid (J) 3:12 (A. Razaf-J.P. Johnson) 3. Picture Me Without You (J) 3:14 (T. Koehler-J. McHugh) 4. It Can Happen To You (K) 3:07 (F. Ahlert-J. Young) 5. Now That Summer Is Gone (K) 2:54 (Seymour Simons) 6. Now That Summer Is Gone (K) (alternate take) 2:53 (Seymour Simons) 7. It’s Love I’m After (K) (take 1) 2:59 (S. Mitchell-L. Pollack) 8. Peter Piper (K) 3:05 (J. Mercer-R. Whiting) 9. For Sentimental Reasons (L) 3:08 (Silver-Sherman-Heyman) 10. It’s Love I’m After (L) 3:08 (S. Mitchell-L. Pollack) 11. ‘Long About Midnight (L) 2:57 (Hill-Mills) 12. More Than You Know (L) 3:14 (Rose-Eliscu-Youmans) 13. A Thousand Dreams Of You (M) 2:57 (L. Alter-P. Webster) 14. Smoke Dreams (M) 3:04 (N. Brown-A. Freed) 15. Slummin’ On Park Avenue (M) 2:39 (Irving Berlin) 16. I’ve Got My Love To Keep Me Warm (M) 2:54 (Irving Berlin) 17. My Last Affair (N) 3:01 (Haven Johnson) 18. Trust In Me (N) 3:01 (Wever-Schwartz-Ager) 19. Where Are You? (N) 3:14 (H. Adamson-J. McHugh) 20. You’re Laughing At Me (N) 2:46 (Irving Berlin) DISC III: 1. Never In A Million Years (O) 2:52 (M. Gordon-H. Revel) 2. There’s A Lull In My Life (O) 2:57 (M. Gordon-H. Revel) 3. Rockin’ Chair (O) (take 1) 3:12 (Hoagy Carmichael) 4. Rockin’ Chair (O) (take 2) 3:13 (Hoagy Carmichael) 5. Little Joe (O) 3:04 (N. Miller-J. Styne) 6. If You Ever Should Leave (P) 3:02 (S. Cahn-S. Chaplin) 7. The Moon Got In My Eyes (P) 2:34 (J. Burke-A. Johnston) 8. Heaven Help This Heart Of Mine (P) 2:41 (Samuels-Whitcup-Powell) 9. It’s The Natural Thing To Do (P) 3:00 (J. Burke-A. Johnston) 10. It’s The Natural Thing To Do (P) (alternate take) 3:01 (J. Burke-A. Johnston) 11. Everyone’s Wrong But Me (Q) 2:58 (S. Cahn-S. Chaplin) 12. Posin’ (Q) 2:27 (S. Cahn-S. Chaplin) 13. Posin’ (Q) (alternate take) 2:31 (S. Cahn-S. Chaplin) 14. The Morning After (Q) 3:21 (Dorsey-Jaffe-Boland) 15. Tears In My Heart ® 3:00 (Samuels-Whitcup-Powell) 16. Worried Over You ® 3:10 (Nelson-Nelson-Rose) 17. Bob White (S) 2:58 (J. Mercer-B. Hanighen) 18. Just A Stone’s Throw From Heaven (S) 3:00 (Plummer-Carpenter-Sacco) 19. Loving You (S) 3:04 (V. Schertzinger-Alderman) 20. Right Or Wrong (S) 3:04 (Victor Schertzinger) DISC IV: 1. I See Your Face Before Me (alternate take) (T) (H. Dietz-A. Schwartz) 2. I See Your Face Before Me (T) 3:00 (H. Dietz-A. Schwartz) 3. Thanks For The Memory (alternate take) (T) 2:37 (L. Robin-R. Rainger) 4. Thanks For The Memory (T) 2:34 (L. Robin-R. Rainger) 5. From The Land Of The Sky Blue Water (alternate take) (T) 2:45 (N. Eberhart-C. Cadman) 6. From The Land Of The Sky Blue Water (T) 2:46 (N. Eberhart-C. Cadman) 7. Lover Come Back To Me (T) 3:14 (O. Hammerstein II-S. Romberg) 8. Lover Come Back To Me (T) (alternate take) 3:05 (O. Hammerstein II-S. Romberg) 9. Always And Always (U) 2:34 (Wright-Forrest-Ward) 10. I Was Doing Alright (U) 2:58 (G & I. Gershwin) 11. I Was Doing Alright (alternate take) (U) 3:02 (G & I. Gershwin) 12. It’s Wonderful (U) 2:41 (Parish-Smith-Wells) 13. Our Love Is Here To Stay (U) 2:45 (G & I. Gershwin) 14. More Than Ever (V) 2:50 (I. Jones-B. Green) 15. The Weekend Of A Private Secretary (V) 2:46 (J. Mercer-B. Hanighen) 16. Please Be Kind (V) 2:34 (S. Cahn-S. Chaplin) 17. There’s A Boy In Harlem (W) 2:40 (R. Rodgers-L. Hart) 18. There’s A Boy In Harlem (W) (alternate take) 3:00 (R. Rodgers-L. Hart) 19. Bewildered (X) 2:58 (T. Powell-L. Whitcup) 20. I Can’t Face The Music (take 1) (X) 2:55 (T. Koehler-R. Bloom) 21. I Can’t Face The Music (take 2) (X) 2:55 (T. Koehler-R. Bloom) 22. Don’t Be That Way (take 1) (X) 2:59 (Goodman-Sampson-Parish) 23. Don’t Be That Way (take 3) (X) 3:00 (Goodman-Sampson-Parish) 24. At Your Beck And Call (X) 2:41 (E. DeLange-B. Ram) DISC V: 1. Says My Heart (Y) 2:54 (F. Loesser-B. Lane) 2. I Let A Song Go Out Of My Heart (take 1) (Y) 2:54 (Nemo-Mills-Ellington) 3. I Let A Song Go Out Of My Heart (take 2) (Y) 2:52 (Nemo-Mills-Ellington) 4. Moonshine Over Kentucky (take 1) (Z) 2:39 (S. Mitchell-L. Pollack) 5. Moonshine Over Kentucky (take 2) (Z) 2:41 (S. Mitchell-L. Pollack) 6. Rock It For Me (Z) 2:51 (K & S. Werner) 7. After Dinner Speech (take 1) (Z) 2:55 (S. Adams-O. Levant) 8. After Dinner Speech (take 2) (Z) 2:55 (S. Adams-O. Levant) 9. If You Were In My Place (Z) 3:08 (Nemo-Mills-Ellington) 10. Daydreamin’ (All Night Long) (AA) 2:23 (J. Mercer-H. Warren) 11. A Cigarette And A Silhouette (AA) 3:03 (DeLange-Van Heusen-Norvo) 12. (I’ve Been) Savin’ Myself ForYou (AA) 2:23 (S. Cahn-S. Chaplin) 13. You Leave Me Breathless (AA) 2:58 (R. Freed-F. Hollander) 14. Washboard Blues (BB) 2:55 (Carmichael-Callahan-Mills) 15. My Melancholy Baby (BB) 2:47 (G. Norton-E. Burnett) 16. My Melancholy Baby (BB) (alternate take) 2:45 (G. Norton-E. Burnett) 17. ‘Round My Old Deserted Farm (BB) 2:52 (Willard Robison) 18. The Lonesome Road (BB) 2:47 (G. Austin-N. Shilkret) 19. So Help Me (CC) 2:45 (E. DeLange-J. Van Heusen) 20. Small Fry (CC) 2:52 (H. Carmichael-F. Loesser) 21. As Long As You Live (rehearsal take) (CC) 3:00 (B. Hanighen-J. Mercer) 22. As Long As You Live (CC) 2:33 (B. Hanighen-J. Mercer) 23. Born To Swing (CC) 2:19 (H. Nemo-I. Mills) DISC VI: 1. Put Your Heart In A Song (DD) 2:48 (F. Churchill-P. Webster) 2. Wigwammin’ (DD) 2:37 (H. Nemo-I. Mills) 3. The Sunny Side Of Things (DD) 2:26 (F. Churchill-P. Webster) 4. How Can I Thank You ? (DD) 2:37 (W. Bullock-H. Spina) 5. Garden Of The Moon (EE) 2:53 (Dubin-Mercer-Warren) 6. Now It Can Be Told (FF) 2:49 (Irving Berlin) 7. Jump Jump’s Here (take 1) (FF) 2:47 (Bailey-Nemo-Norvo) 8. Jump Jump’s Here (take 2) (FF) 2:54 (Bailey-Nemo-Norvo) 9. I Haven’t Changed A Thing (take 1) (FF) 2:43 (Mills-Nemo-Goldsen) 10. I Haven’t Changed A Thing (take 2) (FF) 2:44 (Mills-Nemo-Goldsen) 11. Love Is Where You Find It (FF) 2:44 (Cole Porter) 12. I Used To Be Color Blind (FF) 2:53 (Irving Berlin) 13. A Tisket, A Tasket (take 1) (FF) 2:40 (E. Fitzgerald-V. Alexander) 14. A Tisket, A Tasket (take 2) (FF) 2:58 (E. Fitzgerald-V. Alexander) 15. This Is Madness (GG) 2:48 (E. DeLange-J. Van Heusen) 16. Who Blew Out The Flame? (GG) 2:42 (S. Fain-M. Parish) 17. With You On My Mind (HH) 2:44 (L. Brown-L. Pollack) 18. My Reverie (HH) 3:00 (C. Debussy-L. Clinton) 19. What Have You Got That Gets Me? (HH) 2:42 (L. Robin-R. Rainger) 20. Old Folks (HH) 2:58 (D. Hill-W. Robison) DISC VII: 1. St. Louis Blues (II) 2:19 (W. C. Handy) 2. You Must Have Been A Beautiful Baby (II) 2:53 (J. Mercer-H. Warren) 3. Have You Forgotten So Soon? (II) 2:46 (Heyman-Coslow-Silver) 4. Have You Forgotten So Soon? (alternate take) (II) 2:45 (Heyman-Coslow-Silver) 5. They Say (JJ) 2:43 (Heyman-Mann-Weiss) 6. Blame It On My Last Affair (JJ) 3:05 (H. Nemo-I. Mills) 7. I Go For That (JJ) 2:40 (F. Loesser-M. Malneck) 8. St. Louis Blues (KK) 2:33 (W. C. Handy) 9. St. Louis Blues (alternate take) (KK) 2:32 (W. C. Handy) 10. I Cried For You (KK) 2:47 (Freed-Arnheim-Lyman) 11. Begin The Beguine (KK) 2:47 (Cole Porter) 12. What Shall I Say? (KK) 2:57 (Peter Tinturin) 13. Cuckoo In The Clock (LL) 2:38 (W. Donaldson-J. Mercer) 14. There’ll Never Be Another You (MM) 2:27 (P. Tinturin-Jacobs) 15. It’s Slumbertime Along The Swanee (NN) 3:00 (Tinturin-Sacco-Smith) 16. ‘Taint What You Do (NN) 2:35 (S. Oliver-T. Young) 17. ‘Taint What You Do (alternate take) (NN) 2:38 (S. Oliver-T. Young) 18. Love Is A Necessary Thing (NN) 3:09 (T. Koehler-H. Arlen) 19. Love Is A Necessary Thing (alternate take) (NN) 3:05 (T. Koehler-H. Arlen) 20. Down Hearted Blues (NN) 2:59 (L. Austin-A. Hunter) 21. I Can Read Between The Lines (NN) 3:05 (R. Norvo-P. Tinturin) DISC VIII: 1. There’ll Be Some Changes Made (OO) 3:10 (B. Higgins-W. Overstreet) 2. Barrelhouse Music (OO) 2:57 (Willard Robison) 3. Arkansas Blues (OO) 3:00 (Lada- M. Williams) 4. Gulf Coast Blues (take 1) (OO) 2:57 (Clarence Williams) 5. Gulf Coast Blues (take 2) (OO) 2:57 (Clarence Williams) 6. You Don’t Know My Mind Blues (OO) 2:51 (Liston-Grey-Williams) 7. Prisoner Of Love (OO) 2:46 (Robin-Columbo-Gaskill) 8. Three Little Fishes (PP) 3:03 (Saxie Dowell) 9. That Sly Old Gentleman (QQ) 2:32 (J. Burke-J. Monaco) 10. Tit Willow (QQ) 2:37 (Gilbert-Sullivan) 11. The Lamp Is Low (QQ) 3:13 (Parish-DeRose-Shefter) 12. And The Angels Sing (QQ) 2:52 (Z. Elman-J. Mercer) 13. It Seems Like Old Times (RR) 2:40 (S. Stept-C. Tobias) 14. Guess I’ll Go Back Home (RR) 3:11 (W. Robison-R. Mayer) 15. Moon Love (RR) 2:52 (Tschaikowsky-David-Davis-Kostelanetz) 16. I’m Forever Blowing Bubbles (RR) 2:28 (Kenbrovin-Kellette-Vincent-Kendis-Brockman) 17. The Little Man Who Wasn’t There (SS) 2:29 (H. Adamson-B. Hanighen) 18. Ghost Of A Chance (SS) 3:08 (Crosby-Young-Washington) 19. You’re The Moment In My Life (SS) 2:32 (Henry Nemo) 20. You And Your Love (SS) 2:55 (J. Mercer-J. Green) DISC IX: 1. Don’t Dally With The Devil (TT) 3:15 (Willard Robison) 2. Ain’t That Good News (TT) 3:06 (William Johnson) 3. Sometimes I Feel Like A Motherless Child (TT) 3:03 (trad.) 4. Make With The Kisses (UU) 2:47 (J. Mercer-J. Van Heusen) 5. Make With The Kisses (UU) 3:00 (J. Mercer-J. Van Heusen) 6. Heaven In My Arms (UU) 2:52 (O. Hammerstein II-J. Kern) 7. I Thought About You (UU) 2:32 (J. Mercer-J. Van Heusen) 8. Faithful Forever (VV) 2:58 (L. Robin-R. Rainger) 9. That Lucky Fellow (VV) 2:23 (O. Hammerstein II-J. Kern) 10. Bluebirds In The Moonlight (VV) 3:14 (L. Robin-R. Rainger) 11. Blue Rain (WW) 2:50 (J. Mercer-J. Van Heusen) 12. I’ve Gone Off The Deep End (WW) 2:37 (l. Robin-R. Rainger) 13. I Shoulda Stood In Bed (WW) 2:28 (L. Robin-R. Rainger) 14. Darn That Dream (XX) 2:58 (E. DeLange-J. Van Heusen) 15. Darn That Dream (alternate take) (XX) 2:58 (E. DeLange-J. Van Heusen) 16. Peace, Brother (XX) 2:38 (E. DeLange-J. Van Heusen) 17. Peace, Brother (alternate take) (XX) 2:39 (E. DeLange-J. Van Heusen) 18. Nobody Knows The Trouble I've Seen (YY) 3:04 (trad.) 19. Swing Low Sweet Chariot (YY) 2:44 (trad.) 20. All The Things You Are (YY) 2:37 (J. Kern-O. Hammerstein II) 21. Hold On (YY) 2:47 (Hall Johnson) DISC X: 1. Wham (alternate take) (ZZ) 3:11 (T. Miller-E. Durham) 2. Wham (ZZ) 3:17 (T. Miller-E. Durham) 3. Little High Chairman (ZZ) 3:10 (Willard Robison) 4. Easy To Love (ZZ) 2:50 (Cole Porter) 5. Give Me Time (AAA) 3:16 (Alec Wilder) 6. They Can’t That Away From Me (AAA) 3:06 (G & I. Gershwin) 7. A Bee Gezindt (AAA) 2:57 (Henry Nemo) 8. After All I’ve Been To You (AAA) 3:09 (O’Flynn-Redmond-David) 9. Don’t Take Your Love From Me (alternate take) (AAA) 3:09 (Henry Nemo) 10. Don’t Take Your Love From Me (AAA) 3:10 (Henry Nemo) 11. Fools Rush In (BBB) 3:16 (J. Mercer-R. Bloom) 12. From Another World (BBB) 2:41 (R. Rodgers-L. Hart) 13. I’m Nobody’s Baby (BBB) 2:56 (Davis-Ager-Santly) 14. Give Me Time (BBB) 3:05 (Alec Wilder) 15. How Can I Ever Be Alone? (CCC) 2:38 (O. Hammerstein II-A. Schwartz) 16. Tennessee Fish Fry (CCC) 2:36 (O. Hammerstein II-A. Schwartz) 17. I’ll Pray For You (CCC) 3:01 (R. King-S. Hill) 18. Blue (And Broken Hearted) (CCC) 3:00 (Clark-Leslie-Handman) 19. Arthur Murray Taught Me Dancin’ In A Hurry (alternate take) (DDD) 3:00 (J. Mercer-V. Schertzinger) 20. Arthur Murray Taught Me Dancin’ In A Hurry (DDD) 3:03 (J. Mercer-V. Schertzinger) 21. I’ll Be Around (alternate take) (DDD) 3:22 (Alec Wilder) 22. I’ll Be Around (DDD) 3:20 (Alec Wilder) 23. My Little Cousin (DDD) 3:06 (Schwartz-Prizant-Lewis-Braverman-Cohen) DISCOGRAPHY For the purposes of this discography, only the first issue number of each master is listed. The 78 label abbreviations are: Br for Brunswick, Col for Columbia, OK for Okeh, Par for Parlophone (England) and Voc for Vocalion. (A) EDDIE LANG AND HIS ORCHESTRA: Andy Secrest (cor), Charlie Margulis (tp), Bill Rank (tb), Bernard Daly, Charles Strickfaden (as), Izzy Friedman (cl, ts), Henry Whiteman (vln), Hoagy Carmichael (p), Eddie Lang (g), Mike Trafficante (b), George Marsh (d), Mildred Bailey (voc). NYC, October 5, 1929 403031-A What Kind O’ Man Is You? Par (E) R840 403031- What Kind O’ Man Is You? previously unissued Note: Matrix 403032 and 403033 do not include Bailey. ________________________________________________________________________ (B) FRANK TRUMBAUER AND HIS ORCHESTRA: Andy Secrest (cor), Harry Goldfield (tp), Bill Rank (tb), Charles Strickfaden (as), Izzy Friedman (cl, ts), Frank Trumbauer (C-melody, as), Min Leibrook (bass s), Joe Venuti (vln), Roy Bargy (p), Eddie Lang (g), George Marsh (d), Mildred Bailey (voc). NYC, May 8, 1930 404008-A I Like To Do Things For You OK 41421 Note: Discographies list Jeannie Lang as the vocalist. Matrix 404007 does not include Bailey. ________________________________________________________________________ © MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Bunny Berigan (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), unknown (ts), Fulton McGrath (p), Carl Kress (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc), Glenn Miller, Herb Spencer (arr). NYC, April 8, 1933 13208-B Is That Religion? (GM-arr) previously unissued 13208-A Is That Religion? (GM-arr) Br 6558 13209-A Harlem Lullaby (HS-arr) Br 6558 Note: Matrix 13207 does not include Bailey. Although discographies have listed Larry Binyon (ts) and Dick McDonough (g) for this session, both were playing a job in New England. Carl Kress is our choice as guitarist since he is the voice on the underground recording of “Manure Is On The Air” which the Columbia files show as being recorded as a tag to this Dorsey Brothers session. ________________________________________________________________________ (D) MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Manny Klein (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (cl, ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc). NYC, June 6, 1933 13427-A There’s A Cabin In The Pines Br 6587 13428-A Lazy Bones - Note: Matrix 13426 does not include Bailey. Discographies list Berigan but he was on tour with the Paul Whiteman Orchestra during the date of this session. ________________________________________________________________________ (E) MILDRED BAILEY acc. by DORSEY BROTHERS ORCHESTRA: Same as (D) except Bunny Berigan (tp) replaces Klein. NYC, September 5, 1933 13955-A Shouting In That Amen Corner Br 6655 13956-A Snowball - ________________________________________________________________________ (F) DORSEY BROTHERS ORCHESTRA: Bunny Berigan, Mannie Klein (tp), Tommy Dorsey (tb), Jimmy Dorsey (cl, as), Larry Binyon (cl, ts), Fulton McGrath (p), Dick McDonough (g), Artie Bernstein (b), Stan King (d), Mildred Bailey (voc). NYC, October 17, 1933 14157-A But I Can’t Make A Man Br 7542 14159-A Give Me Liberty Or Give Me Love Br 6680 14160-A Doin’ The Uptown Lowdown -1 - -1 add Chick Condon (voc). Note: Matrix 14154, 14155, 14156 and 14158 do not include Bailey. The Columbia files show that 14 men were used on matrix 14157. Aural evidence, however, suggests the above personnel with a possible inclusion of another reed (either Lyle Bowen or Jim Crossan). The personnel for 14159 and 14160 are as above. ________________________________________________________________________ (G) CASA LOMA ORCHESTRA: Sonny Dunham, Grady Watts, Bobby Jones (tp), Pee Wee Hunt, Billy Rauch (tb), Clarence Hutchinrider (cl, as), Glen Gray (as, ldr), Kenny Sargeant (as), Pat Davis (ts), Mel Jenssen (vln), Joe Hall (p), Gene Gifford (g, arr), Stanley Dennis (b), Tony Briglia (d), Mildred Bailey (voc). NYC, October 28, 1933 B-14199-A Heat Wave (prob. GG-arr) Br 6679 Note: Matrix B-14200 does not include Bailey. ________________________________________________________________________ (H) BENNY GOODMAN AND HIS ORCHESTRA: Mannie Klein, Charlie Margulis (tp), Sonny Lee (tb), Benny Goodman (cl), Coleman Hawkins (ts), Arthur Schutt (p), Dick McDonough (g), Artie Bernstein (b), Gene Krupa (d), Mildred Bailey (voc), George Bassman (arr). NYC, February 2, 1934 W152702-2 Junk Man Col 2892-D W152702-3 Junk Man - W152703-2 Ol’ Pappy (GB-arr) - W152704-2 Emaline Col 2907-D Note: Both takes of W152702 appeared at different times on Col 2892-D. Matrix W152701 does not include Bailey. ________________________________________________________________________ (I) MILDRED BAILEY AND HER SWING BAND: Chris Griffin (tp), Chu Berry (ts), Teddy Wilson (p), Dick McDonough (g), Artie Bernstein (b), Eddie Dougherty (d), Red Norvo (xyl) –1, Mildred Bailey (voc). NYC, September 20, 1935 18090-1 I’d Love To Take Orders From You Voc 3056 18091-1 I’d Rather Listen To Your Eyes - 18092-1 Someday, Sweetheart Voc 3057 18093-1 When Day Is Done –1 - ________________________________________________________________________ (J) RED NORVO AND HIS ORCHESTRA: Bill Hyland, Stew Pletcher, Eddie Meyers (tp), Leo Moran (tb), Frank Simeone, Slats Long (as, cl), Herbie Haymer (ts, cl), Joe Liss (p), Dave Barbour (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, August 26, 1936 19749-1 It All Begins And Ends With You Br 7732 19750-1 A Porter’s Love Song To A Chambermaid Br 7744 19752-1 Picture Me Without You Br 7732 Note: Matrix 19751 does not include Bailey. The Columbia files show that Simeone handled the 1st alto book while Long played 3rd alto and solo clarinet. With this session or any other subsequent Norvo / Bailey session we have not assigned an arranger credit after each title since it is a safe to assume that Eddie Sauter is the arranger (unless noted otherwise). ________________________________________________________________________ (K) RED NORVO AND HIS ORCHESTRA: Same as (J) except Al Mastren (tb) replaces Moran, Hank D'Amico (cl, as) replaces Long and possibly Louis Mucci (tp) replaces Sauter. NYC, October 19, 1936 20092-1 It Can Happen To You Br 7761 20093-1 Now That Summer Is Gone Br 7767 20093-2 Now That Summer Is Gone previously unissued 20094-1 It’s Love I’m After Hep (E) 1019 (CD) 20095-1 Peter Piper Br 7767 Note: Matrix 20096 does not include Bailey. _______________________________________________________________________ (L) MILDRED BAILEY AND HER ORCHESTRA: Ziggy Elman (tp), Artie Shaw (cl), Ben Webster (as "Francis Love") (ts), Teddy Wilson (p), Dave Barbour (g), John Kirby (b), Cozy Cole (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, November 9, 1936 20217-1 For Sentimental Reasons Voc 3367 20218-1 It’s Love I’m After - 20219-1 ‘Long About Midnight Voc 3378 20220-1 More Than You Know -1 - -1 omit Shaw. Note: Some discographies have listed Johnny Hodges as being present on matrix 20218 probably because of the sax break after Bailey’s first chorus. ________________________________________________________________________ (M) RED NORVO AND HIS ORCHESTRA: Bill Hyland, Louis Mucci, Stew Pletcher (tp), Al Mastren (tb), Frank Simeone, Hank D'Amico (cl, as), Herbie Haymer (ts, cl), Bill Miller (p), Dave Barbour (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). Chicago, January 8, 1937 C-1733-2 A Thousand Dreams Of You Br 7815 C-1734-2 Smoke Dreams - C-1735-2 Slummin’ On Park Avenue Br 7813 C-1736-2 I’ve Got My Love To Keep Me Warm - Note: Col C3L 22 (LP) incorrectly lists C-1736-1. ________________________________________________________________________ (N) MILDRED BAILEY AND HER ORCHESTRA: Roy Eldridge (tp), Scoops Carry (as), Herbie Haymer (ts), Teddy Cole (p), John Collins (g), Truck Parham (b), Zutty Singleton (d), Mildred Bailey (voc). Chicago, January 19, 1937 C-1751-2 My Last Affair Voc 3449 C-1752-1 Trust In Me - C-1753-1 Where Are You? Voc 3456 C-1754-2 You’re Laughing At Me - _______________________________________________________________________ (O) MILDRED BAILEY AND HER ORCHESTRA: Same as (M) except add Charles Lamphere (as, cl). Chicago, March 23, 1937 C-1857-1 Never In A Million Years Voc 3508 C-1858-2 There’s A Lull In My Life - C-1859-1 Rockin’ Chair Voc 3553 C-1859-2 Rockin’ Chair Voc 3553 C-1860-1 Little Joe Voc 3553 Note: Both takes of matrix C-1859 appeared at different times on Voc 3553. ________________________________________________________________________ (P) MILDRED BAILEY AND HER ORCHESTRA: Buck Clayton (tp), Edmond Hall (cl), Herschel Evans (ts), James Sherman (p), Freddie Green (g), Walter Page (b), Jo Jones (d), Mildred Bailey (voc). NYC, June 29, 1937 21332-1 If You Ever Should Leave Voc 3615 21333-1 The Moon Got In My Eyes Voc 3626 21334-2 Heaven Help This Heart Of Mine Voc 3615 21335-1 It’s The Natural Thing To Do Voc 3626 21335-2 It’s The Natural Thing To Do previously unissued Note: Col C3L 22 (LP) incorrectly lists 21334-1. ________________________________________________________________________ (Q) RED NORVO AND HIS ORCHESTRA: George Wendt, Louis Mucci, Stew Pletcher (tp), Al Mastren (tb), Charles Lamphere, Hank D’Amico (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Herbie Haymer (ts, cl), Bill Miller (p, arr), Red McGarvey (g), Pete Peterson (b), Maurice Purtill (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, July 9, 1937 21374-2 Everyone’s Wrong But Me Br 7928 21375-1 Posin’ - 21375-2 Posin’ previously unissued 21376-2 The Morning After Br 7932 Note: Matrix 21377 does not include Bailey. Hep 1019 (CD) incorrectly lists 21374-1. The July 1937 issue of Metronome mentions that Lee Castle had replaced Stew Pletcher sometime during the spring or summer. Pletcher is definitely back in the band, replacing Castle, for the next session. ________________________________________________________________________ ® RED NORVO AND HIS ORCHESTRA: Same as (Q). LA, September 22, 1937 LA-1440-A Tears In My Heart Br 7970 LA-1441-A Worried Over You - Note: Matrix LA-1442 and LA-1443 do not include Bailey. ________________________________________________________________________ (S) MILDRED BAILEY AND HER ORCHESTRA: Same as (Q). LA, September 27, 1937 LA-1444-A Bob White -1 Voc 3712 LA-1445-A Just A Stone’s Throw From Heaven - LA-1446-A Loving You Voc 3758 LA-1447-A Right Or Wrong - -1 Johnny Mercer is the whistler. ________________________________________________________________________ (T) MILDRED BAILEY AND HER ORCHESTRA: Jimmy Blake (tp), Hank D'Amico (cl), Chu Berry (ts), Teddy Wilson (p), Allen Reuss (g), Pete Peterson (b), Dave Tough (d), Mildred Bailey (voc). NYC, January 10, 1938 22265-1 I See Your Face Before Me Col C2K 52943 (CD) 22265-2 I See Your Face Before Me Voc 3931 22266-1 Thanks For The Memory Meritt 12 (LP) 22266-2 Thanks For The Memory Voc 3931 22267-1 From The Land Of The Sky Blue Water previously unissued 22267-2 From The Land Of The Sky Blue Water Voc 3982 22268-1 Lover Come Back To Me - 22268-2 Lover Come Back To Me Meritt 12 (LP) ________________________________________________________________________ (U) RED NORVO AND HIS ORCHESTRA: Zeke Zarchy, Barney Zudecoff, Jimmy Blake (tp), Wes Hein (tb), Hank D’Amico (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Charles Lamphere, Jerry Jerome (ts, cl), Bill Miller (p, arr), Alan Hanlon (g), Pete Peterson (b), George Wettling (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 21, 1938 22322-1 Always And Always Br 8069 22323-1 I Was Doing All Right Br 8068 22323-2 I Was Doing All Right previously unissued 22324-2 It’s Wonderful Br 8069 22325-1 Love Is Here To Stay Br 8068 Note: Discographies and even the Columbia files list 2 trombones present, but aural evidence supports both Leonard Goldstein and Jerry Jeromes' claim that only Wes Hein was used for this date. To complicate matters further, the original charts are scored for 2 trombones on all but the last title. Hep 1040 (CD) incorrectly lists 22324-1. ________________________________________________________________________ (V) RED NORVO AND HIS ORCHESTRA: Same as (U). NYC, February 10, 1938 22406-2 More Than Ever Br 8085 22407-2 The Weekend Of A Private Secretary Br 8088 22408-1 Please Be Kind - Note: Hep 1040 (CD) incorrectly lists 22406-1 and 22407-1. Matrix 22405 does not include Bailey. ________________________________________________________________________ (W) RED NORVO AND HIS ORCHESTRA: Same as (U). NYC, February 23, 1938 22460-1 There’s A Boy In Harlem previously unissued 22460-2 There’s A Boy In Harlem Br 8089 Note: Matrix 22457, 22458 and 22459 do not include Bailey. ________________________________________________________________________ (X) MILDRED BAILEY AND HER ORCHESTRA: Same as (U). NYC, March 14, 1938 22564-1 Bewildered Voc 4036 22565-1 I Can’t Face The Music Voc 4016 22565-2 I Can’t Face The Music - 22566-1 Don’t Be That Way - 22566-3 Don’t Be That Way - 22567-1 At Your Beck And Call Voc 4036 Note: Both takes of matrix 22565 and 22566 appeared at different times on Voc 4016. ________________________________________________________________________ (Y) RED NORVO AND HIS ORCHESTRA –1 / MILDRED BAILEY AND HER ORCHESTRA –2: Same as (U) except unknown (poss. Joe Allard) replaces Goldstein. NYC, April 19, 1938 22754-1 Says My Heart –1 Br 8135 22755-1 I Let A Song Go Out Of My Heart –2 Voc 4083 22755-2 I Let A Song Go Out Of My Heart –2 - Note: Matrix 22753 and 22756 do not include Bailey. Both takes of matrix 22755 appeared at different times on Voc 4083. ________________________________________________________________________ (Z) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (Y). NYC, April 21, 1938 22767-1 Moonshine Over Kentucky –1 Voc 4109 22767-2 Moonshine Over Kentucky –1 - 22768-1 Rock It For Me –1 Voc 4083 22769-1 After Dinner Speech –2 Br 8171 22769-2 After Dinner Speech –2 - 22770-1 If You Were In My Place –1 Voc 4109 Note: Both takes of matrix 22767 appeared at different times on Voc 4109 and both takes of matrix 22769 appeared at different times on Br 8171. ________________________________________________________________________ (AA) RED NORVO AND HIS ORCHESTRA: Same as (Y). NYC, May 2, 1938 22840-2 Daydreaming (All Night Long) Br 8145 22841-2 A Cigarette And A Silhouette Br 8171 22842-2 (I’ve Been) Savin’ Myself For You Br 8145 22843-1 You Leave Me Breathless Br 8135 ________________________________________________________________________ (BB) MILDRED BAILEY AND HER ORCHESTRA: Same as (Y). NYC, May 9, 1938 22905-1 Washboard Blues Voc 4139 22906-1 My Melancholy Baby (BM-arr) Voc 4474 22906-2 My Melancholy Baby (BM-arr) previously unissued 22907-1 ‘Round My Old Deserted Farm Voc 4139 22908-1 The Lonesome Road Voc 4474 ________________________________________________________________________ (CC) MILDRED BAILEY AND HER ORCHESTRA: Jack Owens, Jack Palmer, Barney Zudecoff (tp), Andy Russo, Al George (tb), Hank D’Amico, Frank Simeone (as, cl), Maurice Kogan, George Berg (ts, cl), Bill Miller (p), Alan Hanlon (g), Pete Peterson (b), George Wettling (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). Liederkranz Hall, NYC, June 29, 1938 23178-1 So Help Me Voc 4253 23179-2 Small Fry Voc 4224 TO 1707-1 As Long As You Live (You’ll Be Dead If You Die) (rehearsal take) previously unissued 23180-1 As Long As You Live (You’ll Be Dead If You Die) Voc 4253 23181-1 Born To Swing Voc 4224 Note: The “TO” prefix on matrix 1707-1 refers to “test only”. ________________________________________________________________________ (DD) RED NORVO AND HIS ORCHESTRA: Same as (CC) except add Buck Ram (arr). NYC, June 30, 1938 23182-2 Put Your Heart In A Song Br 8182 23183-1 Wigwammin’ Br 8194 23184-1 The Sunny Side Of Things (BR-arr) Br 8182 23185-1 How Can I Thank You ? Br 8194 Note: The conductor’s score and Br 8182 are the same, confirming the arranger credit. ________________________________________________________________________ (EE) RED NORVO AND HIS ORCHESTRA: Same as (CC). NYC, July 26, 1938 23293-2 Garden Of The Moon Br 8202 Note: Matrix 23294 does not include Bailey. ________________________________________________________________________ (FF) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (CC). Liederkranz Hall, NYC, July 28, 1938 23299-1 Now It Can Be Told –1 Voc 4282 23300-1 Jump Jump’s Here –2 Br 8202 23300-2 Jump Jump’s Here –2 - 23301-1 I Haven’t Changed A Thing –1 Voc 4282 23301-2 I Haven’t Changed A Thing –1 - 23302-2 Love Is Where You Find It –1 Voc 4345 23303-2 I Used To Be Color Blind –1 - 23304-1 A Tisket, A Tasket –2 Hep (E) 1050 (CD) 23304-2 A Tisket, A Tasket –2 Col CK 53424 (CD) Note: Both takes of matrix 23300 appeared at different times on Br 8202 and both takes of matrix 23301 appeared at different times on Voc 4282. ________________________________________________________________________ (GG) RED NORVO AND HIS ORCHESTRA: Same as (CC). NYC, September 12, 1938 23454-1 This Is Madness Br 8230 23455-1 Who Blew Out The Flame? - Note: Matrix 23456 and 23457 do not include Bailey. ________________________________________________________________________ (HH) MILDRED BAILEY AND HER ORCHESTRA: Same as (CC). NYC, September 14, 1938 23463-2 With You On My Mind previously unissued 23464-1 My Reverie Voc 4406 23465-1 What Have You Got That Gets Me? - 23466-1 Old Folks Voc 4432 ________________________________________________________________________ (II) RED NORVO AND HIS ORCHESTRA –1 / MILDRED BAILEY AND HER ORCHESTRA –2: Same as (CC) except add The Three Ickeys (Terry Allen, Mildred Bailey, Red Norvo) (voc). NYC, September 29, 1938 23516-1 St. Louis Blues –1 previously unissued 23517-2 You Must Have Been A Beautiful Baby –1 (TTI - voc) Br 8240 23519-1 Have You Forgotten So Soon? –2 Voc 4432 23519-2 Have You Forgotten So Soon? –2 Col P3 13618 (LP) Note: Matrix 23518 does not include Bailey. Matrix 23516 was remade with Bailey and the John Kirby band at the January 18, 1939 session. ________________________________________________________________________ (JJ) MILDRED BAILEY AND HER ORCHESTRA –1 / RED NORVO AND HIS ORCHESTRA –2: Same as (CC) except unknown (ts, cl) replaces Kogan. Liederkranz Hall, NYC, December 8, 1938 23810-1 They Say –1 Voc 4548 23811-2 Blame It On My Last Affair –1 Voc 4632 23812-1 I Go For That –1 Voc 4548 23813 Funny Little Snowman –2 unissued, master no longer exists Note: Matrix 23809 and 23814 do not include Bailey. ________________________________________________________________________ (KK) MILDRED BAILEY AND HER ORCHESTRA: Charlie Shavers (tp), Buster Bailey (cl), Russell Procope (as), Billy Kyle (p), John Kirby (b), O'Neil Spencer (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, January 18, 1939 23516-3 St. Louis Blues Voc 4801 23516-4 St. Louis Blues Col CG 33557 (LP) 23986-2 I Cried For You Voc 4619 23987-2 Begin The Beguine -1 - 23988-1 What Shall I Say? -1 Voc 4632 -1 omit Norvo. Note: Col C3L 22 (LP) lists matrix 23516 with take 1 but it is actually take 3. In the summer 1999 issue of the International Association Of Jazz Record Collectors journal it is noted that Eddie Sauter is the arranger on all of the Bailey / Kirby sessions. ________________________________________________________________________ (LL) RED NORVO AND HIS ORCHESTRA: 3 unknown (tp), Wes Hein, poss. Andy Russo (tb), George Koenig (cl, as), Leonard Goldstein (cl, as, bari, b-cl), Stuart MacKay, Stew Anderson (ts, cl), Les Burness (p), Alan Hanlon (g), Pete Peterson (b), Buddy Christian (d), Red Norvo (xyl), Mildred Bailey (voc), Eddie Sauter (arr). NYC, February 20, 1939 24093-2 Cuckoo In The Clock Voc 4698 Note: Matrix 24091 and 24092 do not include Bailey. ________________________________________________________________________ (MM) RED NORVO AND HIS ORCHESTRA: Same as (LL). NYC, February 27, 1939 24177-1 There’ll Never Be Another You Voc 4738 Note: Matrix 24173 through 24176 do not include Bailey. ________________________________________________________________________ (NN) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). NYC, February 28, 1939 24178-1 It’s Slumbertime Along The Swanee Voc 4708 24179-1 ‘Taint What You Do - 24179-2 ‘Taint What You Do previously unissued 24180-1 Love Is A Necessary Thing -1 Voc 4749 24180-2 Love Is A Necessary Thing -1 previously unissued 24181-1 Down Hearted Blues -1 Voc 4800 24182-1 I Can Read Between The Lines -1 Voc 4749 -1 omit Norvo. ________________________________________________________________________ (OO) MILDRED BAILEY AND HER OXFORD GREYS: Mary Lou Williams (p), Floyd Smith (g), John Williams (b), Eddie Dougherty (d), Mildred Bailey (voc). Liederkranz Hall, NYC, March 16, 1939 24228-1 There’ll Be Some Changes Made Voc 5268 24229-1 Barrelhouse Music Voc 4802 24230-1 Arkansas Blues Voc 4801 24231-1 Gulf Coast Blues Voc 4800 24231-2 Gulf Coast Blues - 24232-1 You Don’t Know My Mind Blues Voc 4802 24233-1 Prisoner Of Love Voc 5268 Note: Both takes of matrix 24231 appeared at different times on Voc 4800. ________________________________________________________________________ (PP) RED NORVO AND HIS ORCHESTRA: Same as (LL) except unknown replaces Goldstein. NYC, April 11, 1939 24345-C Three Little Fishes Voc 4785 Note: Matrix 24342, 24343 and 24344 do not include Bailey. Although discographies list this session as April 6th, the metal part dates it as the 11th. ________________________________________________________________________ (QQ) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). Liederkranz Hall, NYC, April 24, 1939 24427-A That Sly Old Gentleman Voc 4815 24428-A Tit Willow -1 Voc 4845 24429-A The Lamp Is Low - 24430-A And The Angels Sing -2 Voc 4815 -1 The Columbia files list this as a “modern rhythm adaptation by Charles Cooke”. -2 omit Norvo. ________________________________________________________________________ (RR) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK) except Cozy Cole (d) replaces Spencer. NYC, June 14, 1939 24763-A It Seems Like Old Times Voc 4939 24764-A Guess I’ll Go Back Home Voc 4966 24765-A Moon Love Voc 4939 24766-A I’m Forever Blowing Bubbles -1 Voc 5086 -1 omit Norvo. ________________________________________________________________________ (SS) MILDRED BAILEY AND HER ORCHESTRA: Same as (KK). NYC, June 27, 1939 24820-A The Little Man Who Wasn’t There -1 Voc 4966 24821-A Ghost Of A Chance Voc 5086 24822-A You’re The Moment In My Life -2 Voc 5006 24823-A You And Your Love -2 - -1 the spooky voice heard is that of Buster Bailey. -2 omit Norvo. ________________________________________________________________________ (TT) MILDRED BAILEY acc. by ORCHESTRA AND THE CHARIOTEERS: Melvin Solomon (tp), Mitch Miller (oboe / eng-horn), Robert Burns, Jimmy Carroll (cl), Carl Prager (b-cl), Eddie Powell (fl), Ray Barr (p), Frank Worrell (g), Lou Shoobe (b), William Gussak (d), Mildred Bailey, The Charioteers (voc), Eddie Sauter (arr), Alec Wilder (arr, dir). Liederkranz Hall, NYC, September 21, 1939 25372-1 Don’t Dally With The Devil Voc 5209 25373-1 Ain’t That Good News previously unissued 25374-1 Sometimes I Feel Like A Motherless Child Voc 5209 Note: The Columbia files show that there were only 3 rhythm used on this date. ________________________________________________________________________ (UU) BENNY GOODMAN AND HIS ORCHESTRA: Ziggy Elman, Jimmy Maxwell, Johnny Martell (tp), Red Ballard, Vernon Brown, Ted Veseley (tb), Benny Goodman (cl), Toots Mondello, Buff Estes (as), Jerry Jerome, Bus Bassey (ts), Fletcher Henderson (p, arr), Arnold Covey (g), Artie Bernstein (b), Nick Fatool (d), Mildred Bailey (voc), Eddie Sauter (arr). NYC, October 20, 1939 26194-A Make With The Kisses (FH-arr) Col 35313 26194-B Make With The Kisses (FH-arr) Phon (Swd) Nost 7610 (LP) 26195-A Heaven In My Arms Col 35308 26196-A I Thought About You (ES-arr) Col 35313 Note: Matrix 26197 does not include Bailey. A third take of “Make With The Kisses” and a second take of “I Thought About You” is known to exist but they are no longer in the physical possession of Columbia Records and were not made available for us to transfer. ________________________________________________________________________ (VV) BENNY GOODMAN AND HIS ORCHESTRA: Same as (UU). NYC, October 24, 1939 26201-A Faithful Forever (ES-arr) Col 35289 26203-A That Lucky Fellow (FH-arr) Col 35308 26204-A Bluebirds In The Moonlight (FH-arr) Col 35289 Note: Matrix 26202 does not include Bailey. A second take of both “That Lucky Fellow” and “Bluebirds in The Moonlight” are known to exist but are no longer in the physical possession of Columbia Records and were not made available for us to transfer. __________________________________

My copy of Can-Am 1700 shows; Side A Cracklin' Bread (7:52) Ted's Tempo (7:28) Playhouse March (6:48) Side B Straight Ice (12:30) Quicksand (7:45) - the back cover states "All tunes written by Ted Curson and original" - both sides of the label have "Ted Curson/Nosruc Music/BMI" after the listed tracks John Vancouver BC

Hi Bertrand, Could you update us on your contributions to the paperback edition (released March 2007)? Were the majority of the errors taken care of? Thanks John Vancouver BC PS: my apologies if this has been addressed in another thread