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porcy62

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Everything posted by porcy62

  1. My copy of EZZ-THETIC! is a first New Jazz pressing and the tracks are the following: A1 Lee Konitz & Miles Davis–Odjenar - Written-By – Russell - 2:52 A2 Lee Konitz & Miles Davis–Hi Beck - Written-By – Lee Konitz - 3:05 A3 Lee Konitz & Miles Davis–Yesterdays - Written-By – Kern* - 2:25 A4 Lee Konitz & Miles Davis–Ezz-Thetic - Written-By – Russell* - 2:52 A5 Lee Konitz & Miles Davis–Indian Summer - Written-By – Herbert* - 2:34 A6 Lee Konitz & Miles Davis–Duet For Saxophone & Guitar - Written-By – Lee Konitz - 2:38 B1 Teddy Charles & Jimmy Raney–Edging Out - Written-By – Teddy Charles - 4:12 B2 Teddy Charles & Jimmy Raney–Nocturne - Written-By – Teddy Charles - 2:50 B3 Teddy Charles & Jimmy Raney–Composition For Four Pieces - Written-By – Jimmy Raney - 1:34 B4 Teddy Charles & Jimmy Raney–Night In Tunisia - Written-By – Gillespie*, Paparelli* - 6:46
  2. The correct one sounds : the King is fine on drums, bass and piano, the LT is muddy, BUT IMHO the LT got the right tone of Shorter's sax, the King is too sweet, too polite.
  3. It's a great session. The King sounds far better then the twofer. About King pressings I compared yesterday Shorter's Soothsayer King and LT, the King is fine on drums, bass and piano, the LT is muddy, BUT IMHO the LT got the right tone of Shorter's sax, the King is too sweet, too polite. A Tone Poet would be the right choice if would exist. now spinnin' Kaleidoscope
  4. I usually judge the art not the artist, a bad guy like Caravaggio left something that enriches and improves the beauty of our world. Said that Clapton wasn't Caravaggio and I agree that he was particulary hateful about immigrants and the covid. I am not very impressed by his work, even with the Cream. Personally I have the same nuisance toward Roger Water and his position against Israel, definitely anti-semitic IMO. But art is art, artists are human beings, being a good man doesn't make better paintings or better quartets as supporting good causes doesn't make better music. In general as we judge art within his historical and artistic context, we should judge the artist, no surprise that in the works of men living in times where racism, machismo, slavery, ecc, were common sense we could find these elements. For sure Clapton does not live in the times of Suleiman the Magnificent or Elizabeth I, so he is unforgivable.
  5. Thanks for sharing. My father was a great classical music fan, mostly Mozart, Rossini and Haydn. I still play his records regularly.
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