You'll miss out on a lot of great Machito recordings, then.
Bechet & Lacy? But yeah, after Trane it seemed that every tenor player felt he HAD to take up soprano, but without developing an instrument-specific approach, IMO. I can do without Shepp & Pharoah on soprano, for instance.
I have no instrument I'd rule out, though harpsichord and celesta are hard sells. Can't stand the sound of Kellaway's harpsichord on Ben's See You at the Fair.
I wouldn't care if Frank Wess and James Moody had never played flute, but jazz would be a poorer place if Rahsaan, Dolphy, Sam Rivers and a few others never did. And Nicole Mitchell & James Newton.