Steve Reynolds

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About Steve Reynolds

  • Rank
    Funkateer
  • Birthday 04/25/1960

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  • Gender Male
  • Location Wayne, NJ
  • Interests music of all sorts that gets my heart pumping, live improvisational music, Car auctions on TV, Red Sox & Patriots

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  1. Modern/Avant New Releases: A running thread

    I saw his NYC trio a few years back and it was mortifying. Grueling, slow and beyond retro. The best stuff he played was Monk and when he played medium and/or faster tempos which for all 3 times was regrettably maybe 20% of the sets. fwiw my comments on Amado is that he is original, creative and original WITHOUT using extended techniques. However many of the current great improvisors do use these methods organically within their playing. Nothing at all wrong with that.
  2. Modern/Avant New Releases: A running thread

    Eskelin’s playing has become very conservative. As far as who thinks what Tony said one night after a long 2 sets of skronky oblique intense abstract improvised music - that “nobody seems to get what I’m doing” or something to that effect. plus a few people I see often at shows are not fans of his playing for whatever reason. Too rough, extreme or whatever / not sure? Malaby is NOT an easy listen for sure and he rarely takes the easy way out and never plays for cheap thrills. Btw - as far as Ellery they still play together / they sat/played together both on tenor last year with Satako Fujii’s large ensemble and sat talking at least a half hour after the show:)
  3. Modern/Avant New Releases: A running thread

    Thanks for the post. 8 or 10 years ago I thought I’d never be interested in Brotzmann again. Over the past 5 years I’ve probably listened to more BROTZMANN than any other saxophonist. fwiw many people here who go to NYC shows don’t like Malaby that much either while me and a few others think he’s the best tenor (and soprano) saxophonist on the scene in NYC today.
  4. When Jazz populated NYC

    In 2011-12 when I attended, there were plenty of tables/seats.
  5. When Jazz populated NYC

    I saw both Anthony Braxton’s 65th Birthday celebration as was as Misha Mengelberg’s last U.S. concert appearance with Instant Composer’s Pool (with Han Bennink, Wolter Wierbos, Michael Moore, Tobias Delius, etc.) at Le Poisson Rouge and both concerts were astounding - and the sound and sight lines were magnificent.
  6. Modern/Avant New Releases: A running thread

    I’m also very interested in more “creative” projects and I know Amado does not use many or even any “extended” techniques and plays within traditional forms but I really don’t hear him as predictable and certainly not “very” predictable. That being said, I don’t listen to THAT much current improvised music made within such a traditional format such as this (sax-bass-drums). I certainly am probably more interested in music with electronics, various string infested ensembles and more oblique abstract challenging improvised and composed music - BUT I do believe this recording, as well as the recent trios with McPhee, Edwards & Kogel, recent Parker-Guy-Lytton or recordings or performances from Butcher-Edwards-Sanders or Delius or Malaby or Baars or Laubrock Dunmall or Matt Nelson with various bassists or drummers are mostly NOT making pretty boring retro free jazz music. But you are not alone. The recent trio release with Charles Gayle, Edwards & Sanders might be old school retro free jazz but if it’s boring that would be a surprise to me. I was shocked at how vibrant it was. Maybe one of my favorite 4 or 5 new releases from the past couple of years. I almost didn’t buy it as I figured Gayle was shot, the format was “retro”, etc. I sure was wrong about Gayle and the trio format in general. I wonder what you would think of “Old Smoke” with Steve Basczkoski, Brandon Lopez & Chris Corsano. I saw the great saxophonist with Lopez & Cleaver play a couple of sets of music last month that was as exciting as Parker-Guy-Lytton might have been 30 years ago. Smoking burning hot and not retro in the least. Maybd it’s Amado’s measured or restrained approach that has you not liking him. I find his improvising very vital in a way that separates him from the more traditional fire breathers and the younger more abstract players like Michael Foster.
  7. Over the past year or so: On saxophones: Matt Nelson, Albert Cirera, Steve Backzowski, Julius Gabriel, Torben Snekkestad & Anna Högberg On bass: Goncalo Almeida, Hernani Faustino, Elsa Bergman & Brandon Lopez (Lopez more than a year but he deserves special mention as he is the real deal on a very high level) On drums: Onno Govaert, Tyler Damon, Ryan Packard & Lucas Niggli (again for Niggli more than a year but he also deserves special kudos as his playing is beyond belief) On guitar: Bill Nace, Bill Orcutt, Henry Kaiser & Tashi Dorji On trumpet: Susana Santos Silva & Purcy Pursglove
  8. What live music are you going to see tonight?

    Reminder that I’m seeing Ches Smith’s trio with Mat Maneri & Craig Taborn a few of us trying to figure out/guess who the “very special guest” on guitar is @ The Stone @ The New School @ 8:30
  9. Mal Waldron's Mal-1

    Mal, Verve, Black & Blue Quadrologue at the Utopia - both volumes Mal, Dance & Soul maybe my favorite Mal recordings
  10. Modern/Avant New Releases: A running thread

    The Attic: Summer Bummer with a new drummer named Onno Govaert with Rodrigo Amado on tenor & Goncalo Almeida on double bass 3 improvised pieces making up 45 minutes recorded live on 8/26/2018 even more amazing than the first one - intense yet restrained - as good of a sax-bass-drums trio can be in this era. Stunning from all angles. on No Business records
  11. What live music are you going to see tonight?

    As an aside, Lunge by Strong Language from maybe 2002 with Sanders & Brand is one of my desert island recordings. Plus it’s an example of how this music should be presented sound quality wise.
  12. What live music are you going to see tonight?

    Not to get into an ECM sound discussion but I’ve heard versions of the pieces of The Bell live and instead of music that is soothing and somewhat interesting, what that music or other pieces of music by the trio sounds like live has little in common with that watered down gauzy recording. Especially Mat & Ches. When Mat starts playing doom metal chords it’s all over.
  13. What live music are you going to see tonight?

    Sounds great. 4 of my all-time favorites. 2 sets? How many in the crowd? at least I can say I’m seeing a different 3 of my all-time favorite improvisors next Tuesday @ The Stone @ New School Ches Smith with Mat Maneri & Craig Taborn plus with a “very special” guest guitarist not all-improvised as it will be a set based on Ches Smith’s sketches/guideposts maybe the 5th time I’ve seen the trio and the first with a guest. All performances have been A minus to close to the best sets of music I’ve ever seen. Best show was their first concert March 2013 on a Sunday night 2 sets @ Cornelia Street Cafe when it WAS fully improvised. For sure one of the best 2 sets of music I’ve ever experienced. At least 2 of the other sets I’ve seen them play rivaled that blistering performance.
  14. Some great stuff but he misses almost all European based free jazz/improv and ignores a huge number of important brilliant innovative musicians