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  1. Ok, old news/past history/etc here, and nobody's fault but my own for being so far behind this particular curve, but I'm just now getting into Glenn Gould playing the Well-Tempered Clavier, and I find it a totally unique experience. It seems like he separates his hands/lines in a way I've never heard done before, almost as if it's two pianos, not two hands. And his time...sometimes it seems leviational or out-of-body. Perhaps time and increased familiarity will lessen the impact of these impressions, but I'd be very much interested in hearing what people with a much more informed familiarity with these performances have to say about them, pro or con. Thanks for sharing!
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