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What vinyl are you spinning right now??


wolff

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Wife took out kids this morning so was free to crank the stereo and play some vinyl(after finishing some chores of course!)

Larry Young "unity" (blue note, stereo "ear")

Kenny Drew "undercurrent" (blue note, music matters 33rpm)

Art Blakey "the freedom rider" (blue note, stereo "ear")

Masabumi Kikuchi "hairpin circus" (Philips, Japan)

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11252172_942523159137737_106657266092845

 

the beavs at dolphins, posted on the Vintage LA page-- and look hes standing directly underneath a record with  hank mobley on it! for reals what was he doin at dolphins anyway promoting that single of his, when you have records like -that- to choose from at dolphins, you got prestige frank wess, jimmy forrest, curtis amy & frank butler down the left end and chico, and look at that quincy jones there, i dont know about that one bein rright up there on the rack between a prestige record and a record with hank on it...

 

 

With Rudy Ray Moore?!?!?! https://twitter.com/recordcrack/status/630057940674699265

Check it out (Wikipedia)..

After his discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams.[5] He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1959), The Beatnik Scene (1962), and A Comedian Is Born (1964).[7][8]

By his own account, he was working at a record store in Hollywood in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore began recording the stories, and assumed the role of "Dolemite" in his club act and on recordings.[9] In 1970–71 he recorded three albums of material, Eat Out More Often, This Pussy Belongs To Me, and The Dirty Dozens, where "with jazz and R&B musicians playing in the background, [Moore] would recite raunchy, sexually explicit rhymes that often had to do with pimps, prostitutes, players, and hustlers."[10]

Beaver Cleaver, indeed...

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Musik der Hamar: Südathiopien - (Museum Collection Berlin/West, GER orig 2LP)

beautiful chants, ritual music and folk song collection, packaged with typical Museum Collection attention to detail, with a fantastic book and photos. Nice, inexpensive pull from the racks at Academy the other day.

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11252172_942523159137737_106657266092845

 

the beavs at dolphins, posted on the Vintage LA page-- and look hes standing directly underneath a record with  hank mobley on it! for reals what was he doin at dolphins anyway promoting that single of his, when you have records like -that- to choose from at dolphins, you got prestige frank wess, jimmy forrest, curtis amy & frank butler down the left end and chico, and look at that quincy jones there, i dont know about that one bein rright up there on the rack between a prestige record and a record with hank on it...

 

 

With Rudy Ray Moore?!?!?! https://twitter.com/recordcrack/status/630057940674699265

Check it out (Wikipedia)..

After his discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams.[5] He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1959), The Beatnik Scene (1962), and A Comedian Is Born (1964).[7][8]

By his own account, he was working at a record store in Hollywood in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore began recording the stories, and assumed the role of "Dolemite" in his club act and on recordings.[9] In 1970–71 he recorded three albums of material, Eat Out More Often, This Pussy Belongs To Me, and The Dirty Dozens, where "with jazz and R&B musicians playing in the background, [Moore] would recite raunchy, sexually explicit rhymes that often had to do with pimps, prostitutes, players, and hustlers."[10]

Beaver Cleaver, indeed...

 

its rudy ray? oh god!

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