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Question for you Musicians


Dan Gould

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Been watching a lot of jazz video the past couple of weeks, and I gotta say, its kind of disconcerting to see someone blowing a chorus with their eyes open. I'm so used to seeing guys with eyes shut, its kind of weird to see Sonny Stitt staring ...

So, which is it? I always presumed you were more in touch with the moment and your muse with eyes shut, but then I've seen more than a couple of guys with eyes open ....

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Depends. Mostly open these days, as the abilty/discipline/whatever to focus from within has become greater, but occasionally it's necessary.

Note - eyes open in no way automatically means that you're looking at something. I've had my eyes open and not really been looking at anything. It's just that it's a more "natural" state, for me, anyway, usually, to let your eyes remain open than it is to close them. The name of the game is focus, and that ideally comes entirely from within, and by any means necessary.

Of course, if there's a game on TV while I'm playing, that goes all to hell... :g

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When the Pistons were playing the Lakers in the Finals last year, the second game in LA was on TV whilst Organissimo was playing.  I was calling out simple tunes and on total autopilot for that whole game! :)

Didn't think you guys KNEW any simple tunes. :P

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For me the reason to close my eyes is to remove the visual stimulation and place more emphasis on the ears as the primary information-gatherers. If I don't have to read music I prefer to close my eyes, and to me it more readily opens channels of communication with the other musicians. If I do have my eyes open I tend to "be in a stare" and not look at anything or anyone in particular.

Of course there are also the times when playing in a crowded club that the eyes must remain open basically to avoid collisions of trombone slide and humans/beverages (I've pegged a few waitresses and knocked a few drinks over in my day, and (I'll admit) not all by accident). I think that I should just get some of that police tape and create a safety zone around me.

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One thing Joe and I did years ago was run a rehearsal with blindfolds on. It was our drummer's idea (not Randy... this was before the Randissimo) and it was really interesting.

We need to do that again. It really makes you concentrate on your ears. The eyes can get in the way sometimes (also true for modern recording... looking at a computer screen while mixing can be misleading).

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A better question is: Shoes on, or off?

When I pracice at home my piano is on hardwood and I try to keep it clean for my better half. But I realize that when barefoot I don't play as well. I think because I like to kick the beat on the floor or the piano itself when I am with a band or performing solo. Though I am a terrible dancer.

Eyes usually open, but glazed. Closed on stage when the lights are blinding.

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Hey, I used to be a drummer. . . . I kept my eyes open and watched the dancers (assuming there were dancers, there were 90% of the time). I sort of fed on their participation. And watching people dancing is calming and pleasing (I was usually pretty nervous at the beginning of any gig).

And in rehearsals in one band that represented more than half my experience I always watched the pick hand of the guitarist that wrote most of the material and felt he was the boss. He was a stickler for perfection and he had these intricate arrangements with stop time breaks etc. that sort of nettled me. . . (I wanted to GROOVE). By watching this pick hand I somehow was cued in more as to where the song was and was going.

I know few drummers who play a lot with eyes closed!

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For me the reason to close my eyes is to remove the visual stimulation and place more emphasis on the ears as the primary information-gatherers. If I don't have to read music I prefer to close my eyes, and to me it more readily opens channels of communication with the other musicians. If I do have my eyes open I tend to "be in a stare" and not look at anything or anyone in particular.

Of course there are also the times when playing in a crowded club that the eyes must remain open basically to avoid collisions of trombone slide and humans/beverages (I've pegged a few waitresses and knocked a few drinks over in my day, and (I'll admit) not all by accident). I think that I should just get some of that police tape and create a safety zone around me.

Yeah Free....as a fellow dinosaur rider, I can relate. Years ago I was on a club gig when a lady decided to leave the stage area. Somehow I managed to hook her knitted shawl with my water key (no, it is not a spit valve thank you very much!). It happened so quickly that when I had time to react, my outer slide was out of my hands and down to 5th position, moving fast. I opened my eyes only to meet her glare (a "how fucking dare you snag my shawl" sort of glare).

Luckily I retrieved the outer slide intact and undamaged.

Yes, we trombonists have to occasionally keep the peepers open.

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i'm a drummer but i don't gig (when O when). however when i practice with eyes closed i sometimes seem to get a little more imaginative yet tasteful (more economic?), enhanced spatial reasoning or something. less distracted by reflected flourescent sparkle sparkle on the hardware and cymbals, i don't know. seems to be about building a sonic environment independent of the physical environment.

denying the lust of the eyes . . .

OH gee haven't hit that drum in a while, i'll hit!

AH that crash looks lonely. BRTJSHSHSHHHHHHH

blah blah blah

how sad, i'm slowly maturing i guess.

Edited by joeface
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Years ago I was on a club gig when a lady decided to leave the stage area. Somehow I managed to hook her knitted shawl with my water key (no, it is not a spit valve thank you very much!). It happened so quickly that when I had time to react, my outer slide was out of my hands and down to 5th position, moving fast. I opened my eyes only to meet her glare (a "how fucking dare you snag my shawl" sort of glare).

Luckily I retrieved the outer slide intact and undamaged.

:blink: Wow...all I remember from playing as a kid in band is that no one trusted us enough to sit in front of us. They thought we would purposely try to knock their heads with our slides. Okay, we would, but they didn't really know that...

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  • 2 weeks later...

I like to close my eyes when I play, but as previously related, sightlessly improvising a passionate solo with a trombone is like holding a mace and a machete on separate strings and spinning until you're dizzy, and then some. It can get embarassing.

And, as I like to play with my bell real close to the mic, I too often find myself eating it, and for half an hour I've been distorted and blisteringly loud. That too is embarassing.

Doesn't stop me, though.

Andrew Austin

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