Albert Mangelsdorff dies
#32
Posted 26 July 2005 - 02:56 PM
In no order of preference:
Now, Jazz Ramwong (pacific jazz 10095)
w/ Gunter Kronberg, Heinz Sauer, Gunter Lenz and Ralf Hubner
Tension (CBS) same group as above
Never Let it End (MPS) same as above
Live in Tokyo (enja 2006) same group as above (minus Kronberg)
"ZoKoMa" with Attila Zoller, and Lee Konitz
The Wide Point (MPS/BASF) w/ Elvin Jones and Palle Danielson
Tromboneliness (MPS/BASF) solo
Live in Montreaux (MPS 15572) w/ J.F. Jenny Clarke and Ronald Shannon Jackson
Tension, Never Let in End and Now Jazz Ramwong are smoking! Hard core european hard bop/post bop. Lots of Eastern themes, esp on Ramwong.
Those are just the ones I like the best. Everything he recorded had merit. There are no losers imho.
Edited by slide_advantage_redoux, 27 July 2005 - 01:20 AM.
#35
Posted 27 July 2005 - 03:29 AM
I am thinking that they haven't released Never let in End on disc yet. I wish they would. I bought my vinyl copy on Ebay and it is well used. No skips, but considerable surface noise.
If I am not mistaking, there were two 2CD sets titled Three Originals Vol 1 and 2, each with 3 MPS albums on them. Don't have these myself either though.
EDIT: AMG tells me:
- Three Originals #1 : Wide Point/Trilogue/Albert Live in Montreux (MPS)
- Three Originals #2 : Never Let It End/Jazz Tune I Hope/Triple Entente (MPS)
Edited by couw, 27 July 2005 - 03:30 AM.
#36
Posted 27 July 2005 - 06:05 AM
If I am not mistaking, there were two 2CD sets titled Three Originals Vol 1 and 2, each with 3 MPS albums on them. Don't have these myself either though.
EDIT: AMG tells me:
- Three Originals #1 : Wide Point/Trilogue/Albert Live in Montreux (MPS)
- Three Originals #2 : Never Let It End/Jazz Tune I Hope/Triple Entente (MPS)
Yep, I have the second one with Never Let It End and A Jazz Tune I Hope, a smoking 1978 session with Elvin... good stuff. (By coincidence, I was listening to these discs the morning I found out Albert had died)
These sets came out in 1995 (cat no. for the second one is MPS 529090-2); never came across the first one and I can't imagine they stayed around too long. Pity, these discs are great enough to convince me I need more Mangelsdorff in my collection.
#37
Posted 27 July 2005 - 06:36 AM
As far as the Konitz/Tristano influence is concerned - of course Mangelsdorff acknowledged this, but also the influence of Charlie Parker et al.
I think it was the more intellectual appearance of the cool school that was more attractive at the time, as the hard bop school with it R & B tinge was harder to relate to for them - it was too close to the rock'n'roll craze of the time, and dance music and mass hysteria was the last thing German jazz musicians wanted to seriously deal with.
When that was over, there was no fear of contact anymore with rock grooves, as is shown by his collaborations with Jaco Pastorius, Al Mouzon and the like, or the United Jazz and Rock Ensemble or the Klaus Lage Band.
#38
Posted 27 July 2005 - 06:41 AM
German top trombonist Albert Mangelsdorff's listing of 10 most important jazz musicians, published in the 1980 German expanded edition of "The Book of Lists" (US edtion in 1977 by William Morrow, New York):
1. Billie Holiday
2. Duke Ellington
3. Art Tatum
4. Charlie Parker
5. Lennie Tristano
6. Dizzy Gillespie
7. Sonny Rollins
8. John Coltrane
9. Eric Dolphy
10. Charles Mingus
#39
Posted 27 July 2005 - 09:32 PM
Not to overlook his "normal" playing- great melodic structure, difficult angular lines, thoughtfully constructed solos covering the entire range of the instrument.
And through it all a great sense of humor. Some of the stuff he plays is so wacked it just cracks me up. I would have loved to have known him.
One of the very few major innovators on the instrument.
RIP
#40
Posted 27 July 2005 - 09:57 PM
ALBERT MANGELSDORFF - And His Friends -MPS (GERMANY) MPS 73752CD
also:
ALBERT MANGELSDORFF -LIVE IN TOKYO (Enja/Weber 2006)
Personnel:
*Albert Mangelsdorff, trombone
*Heinz Sauer, tenor saxophone
*Günther Lenz, bass
*Ralf Hübner, drums
Tracks:
Swing & Swing ˇ Open Space ˇ Mah#sale ˇ Triple Trip
They both look "very interesting"
#41
Posted 28 July 2005 - 01:46 AM
Another big influence on Albert not yet mentioned in these posts was bird calls. Albert used to carry a recorder out into fields and forests to record bird sounds in their habitat, then try and imitate these sounds on his trombone.
That influence is made obvious on his first (of three - solo albums, which was entitled "Trombirds". The cover (on the original MPS/BASF LP at least) has a photograph of a trombone festooned with feathers galore. One of his compositions on that record is entitled "Blues for a Cellar Lark" (cellar lark meaning a jazz musician; which makes sense since they spend most of their working hours underground - at least in many European clubs (his own "Jazz Keller" no exception)
Also most probably influenced by Olivier Messiaen's works based on bird songs, notably 'Catalogue d'Oiseaux' among other compositions. Messiaen taught at the famous Summer school in Darmstdat a number of years.
#42
Posted 28 July 2005 - 02:33 AM
Any recommendations regarding these two titles?
ALBERT MANGELSDORFF - And His Friends -MPS (GERMANY) MPS 73752CD
also:
ALBERT MANGELSDORFF -LIVE IN TOKYO (Enja/Weber 2006)
Personnel:
*Albert Mangelsdorff, trombone
*Heinz Sauer, tenor saxophone
*Günther Lenz, bass
*Ralf Hübner, drums
Tracks:
Swing & Swing ˇ Open Space ˇ Mah#sale ˇ Triple Trip
They both look "very interesting"
The Mangelsdorff and his Friends album features 6 duets with 6 different players: Don Cherry, Elvin Jones, Karl Berger (vib), Attila Zoller, Lee Konitz and Wolfgang Dauner. Indeed a very interesting album, but be prepared for some outward playing. Most of this is mid tempo stuff without a clear song structure but full of melodies developing and degrading.
Live in Tokyo features the quintet sans Kronberg. It has been a while since I spun the LP, I'll need to dig it out. I remember it as a pretty loose affair, at least when compared with Now Jazz Ramwong and (One) Tension. Of course it being live explains a lot in that respect, but there is also a departure towards freeer structures from the group dynamics that characterises NJR and (O)T. This live album is still song oriented with themes and players taking turns soloing though. Sauer is one of those intense screetchy players with very distinct tone and phrasing. Lenz is simply amazing.
If you get a chance, check out Now Jazz Ramwong by the quintet, an absolute classic.
Edited by couw, 28 July 2005 - 02:34 AM.
#43
Posted 28 July 2005 - 02:39 AM
Any recommendations regarding these two titles?
ALBERT MANGELSDORFF - And His Friends -MPS (GERMANY) MPS 73752CD
This is the only one I know, ironically I'd been enjoying it so much over recent weeks that I'd been scouring the web for other CDs by AM just before his death was announced. Recommended.
#44
Posted 28 July 2005 - 03:08 AM
Any recommendations regarding these two titles?
ALBERT MANGELSDORFF - And His Friends -MPS (GERMANY) MPS 73752CD
also:
ALBERT MANGELSDORFF -LIVE IN TOKYO (Enja/Weber 2006)
Personnel:
*Albert Mangelsdorff, trombone
*Heinz Sauer, tenor saxophone
*Günther Lenz, bass
*Ralf Hübner, drums
Tracks:
Swing & Swing ˇ Open Space ˇ Mah#sale ˇ Triple Trip
They both look "very interesting"
The Mangelsdorff and his Friends album features 6 duets with 6 different players: Don Cherry, Elvin Jones, Karl Berger (vib), Attila Zoller, Lee Konitz and Wolfgang Dauner. Indeed a very interesting album, but be prepared for some outward playing. Most of this is mid tempo stuff without a clear song structure but full of melodies developing and degrading.
Live in Tokyo features the quintet sans Kronberg. It has been a while since I spun the LP, I'll need to dig it out. I remember it as a pretty loose affair, at least when compared with Now Jazz Ramwong and (One) Tension. Of course it being live explains a lot in that respect, but there is also a departure towards freeer structures from the group dynamics that characterises NJR and (O)T. This live album is still song oriented with themes and players taking turns soloing though. Sauer is one of those intense screetchy players with very distinct tone and phrasing. Lenz is simply amazing.
If you get a chance, check out Now Jazz Ramwong by the quintet, an absolute classic.
I am a big fan of the "pre-multiphonic" stage in Albert's career. Those quartet and quintet recordings are fantastic. After Albert started becoming known for his MP playing, somehow his basic trombone playing ability got overshadowed. Not in all circles mind you. But when you mention his name, it seems everyone comments on the MPs. This is understandable though.
But when it comes to the issue of chops, range, tone and technical prowess (in the traditional sense), Albert could stand next to any jazz trombone player; his chops and technical prowess was top shelf. He could flat out play trombone well.
His first role model for trombone playing was JJ....listening to Albert's clean technique and pure tone, it is easy to see. (and he played the JJ horn; the King 3B)
While admittedly he didn't swing in the conventional sense; he had his own thing going on.
Jazzscot, I wholeheartedly concur; Now Jazz Ramwong is most definitely a classic...on any continent! The tempos of those tunes were mad! (ie: "Set em up") Great tunes on the entire album.
Okay, even though its 3 in the effing morning, I am going to go play that record as soon as I finish this post!
Edited by slide_advantage_redoux, 28 July 2005 - 03:09 AM.
#46
Posted 28 July 2005 - 04:07 AM
Do you have "Tension" on CBS (rec. '63 with same personnel as NJR) Pics are below.
On this earlier LP:
side one
Club Trois
Blues du Domicile
Set 'em up
side two
Varie
Tension
Ballade for Jessica Rose
As you see, four of the tunes also appear on NJR, but on this release, they stretch out (except for "Ballade...", which ironically is - to the second - the same length take as recorded on NJR!
I was lucky to land these early Albert sides. A friend from college and record collector decided he needed a car, and he asked me to liquidate a big part of his sides. The first thing I did was pull the ones I wanted, then I sold the others and made him happy. That was over 20 years ago. (I KNOW he regrets it now! The car is undoubtedly long gone)
Edited by slide_advantage_redoux, 28 July 2005 - 04:14 AM.
#47
Posted 28 July 2005 - 04:17 AM
- Now Jazz Ramwong (8:58)
- Sakura Waltz (3:24)
- Blue Fanfare (6:40)
- Three Jazz Moods (6:10)
- Burunkaka (3:26)
- Raknash (4:41)
- Theme from Vietnam (0:56)
- Es Sungen Drei Engel (7:33)
Interestingly, both these and the Live in Tokyo were released in Eastern Germany as well at the time.
Edited by couw, 28 July 2005 - 07:06 AM.
#48
Posted 28 July 2005 - 04:19 AM
As you see, four of the tunes also appear on NJR, but on this release, they stretch out (except for "Ballade...", which ironically is - to the second - the same length take as recorded on NJR!
so are these actually different takes or were some solos deleted from the original One Tension masters?
#49
Posted 28 July 2005 - 06:49 AM
As you see, four of the tunes also appear on NJR, but on this release, they stretch out (except for "Ballade...", which ironically is - to the second - the same length take as recorded on NJR!
so are these actually different takes or were some solos deleted from the original One Tension masters?
Back in the mid '60s Horst Lippmann, producer of the lps, told me the PJ was a combination of the 2 originals and Dick Bock did his usual scissors job on the tapes.
#50
Posted 28 July 2005 - 07:17 AM
Back in the mid '60s Horst Lippmann, producer of the lps, told me the PJ was a combination of the 2 originals and Dick Bock did his usual scissors job on the tapes.
Thanks, that explains then. As together they already make up for 42 minutes, I gather the Ramwong tracks were also edited?
A real shame to put this music out in incomplete form.
#51
Posted 28 July 2005 - 07:27 AM
My NJR (both LP and CD) has this sequence:
- Now Jazz Ramwong (8:58)
- Sakura Waltz (3:24)
- Blue Fanfare (6:40)*
- Three Jazz Moods (6:10)
- Burunkaka (3:26)
- Raknash (4:41)
- Theme from Vietnam (0:56)
- Es Sungen Drei Engel (7:33)
John,
I could not resist and padded a DGA order w/ the disc titled "Abstractions" (NJRmwng) from Wewerka.
The title * "Blue Fanfare" weighs in at 10:19. All others are nearly the same with a few extra seconds on each.
#52
Posted 28 July 2005 - 02:02 PM
I was just sent this by a friend in England. It is an obituary that appeared there; much more detailed than any of the previous ones posted on here.
http://tinyurl.com/co48z
#53
Posted 28 July 2005 - 02:41 PM
I am glad to have these LPs, but its a real drag to know that they were scissored up by a producer. Oh well.
http://tinyurl.com/co48z
the uncut version of Ramwong is available on CD here
The CD MwGArm mentions apparantly has an alternate take of Blue Fanfare. These Wewerka discs are a bit of a hassle to come by though.
#54
Posted 16 September 2005 - 06:09 PM
Thanks (belatedly) for the music Albert.
#58
Posted 16 April 2012 - 01:43 AM
Tonight everyone should purchase John Lewis & Albert Mangelsdorff: Animal Dance.
Is this on CD now? It took me what seemed like forever to find the vinyl. It is on Atlantic I think. (LPs are upstairs)
Not a lot of love for Collectables cd's around here, but this was released in 1999:
http://www.amazon.co...34558570&sr=1-1
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