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J.R. Monterose


Michael Fitzgerald

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Wrapping up another discography, this one of J.R. Monterose.

Hoping someone can supply tracklist/timings for East-West 4004 George Wallington: The Prestidigitator, also composer for the tracks "Jouons" and "The Prestidigitator" and studio, if known.

There will be a few other questions still to come. Preview found here:

http://www.JazzDiscography.com/Artists/Monterose

Thanks -

Mike

Edited by Michael Fitzgerald
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Me again!

George Wallington - "The Prestidigitator", East-West 4004

Recorded April 4-6, 1957, NYC

Tom Dowd, engineer, studio not identified

Jerry Lloyd (bass trumpet)-1

J. R. Monterose (tenor sax) (out on August Moon)

George Wallington (piano)

Teddy Kotick (bass)

Nick Stabulas (drums)

In Salah (Mose Allison) 4:55

Composin' at the Composer (Wallington) 5:37 -1

Jouons (Monterose) 5:58

Rural Route (Mose Allison) 4:25 -1

Promised Land (Mose Allison) 5:40 -1

August Moon (Jerry Lloyd) 4:48

The Prestidigitator (Monterose) 6:32

I checked Ruppli's Atlantic book, studio not identified.

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Fantastic - updated.

Alas, I don't own that volume of the Ruppli Atlantic series. Was East-West (of that period, not the much later one) an Atlantic subsidiary like Atco/Embryo/Cotillion? Or is there some other story? Dowd's presence makes me think it was.

I've never seen CD issues of any of the East-West material. It would make a nice little Mosaic. But I guess the Tommy Potter and Lars Gullin are actually on Metronome.

http://www.jazzdiscography.com/Labels/eastwest.htm

Next up - Will & Junior Bradley: House Of Bradley (or is it "The House Of Bradley") - need timings/sequence - and is "Judy" the Hoagy Carmichael tune?

Thanks!

Mike

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RE: "Was East-West a subsidiary of Atlantic/Atco...?"

On my copy of East-West 4002 'The Jackie Paris Sound' --

Jacket liner:  "A Division of Atlantic Recording Corporation"

Vinyl labels: "A Divison of Atlantic Records, New York, N.Y."

Vinyl groove trail, hand etched: "AT"  and  "11515" or "11516"

Yes, East-West was a wholly owned subsidiary of Atlantic. As Michael has noted, the Lars Gullin & Tommy Potter albums were licensed.

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Next up - Will & Junior Bradley: House Of Bradley (or is it "The House Of Bradley") - need timings/sequence - and is "Judy" the Hoagy Carmichael tune?

"The House of Bradley", Epic LN-3199.

This is a 12" LP with six tracks by Will Bradley w/ strings rec. 1955, interspersed with six tracks by Junior Bradley (Will Bradley Jr). Here are the details on the Junior sides:

A- February 25, 1955, NYC

B - March 9, 1955, NYC

Phil Sunkel (tp), J. R. Monterose (ts), Wade Legge (p), Doug Watkins (b), Junior Bradley (d)

Jaywalkin' (Monterose) A

Spice (Wade Legge) A

Bradley's Beans (Wade Legge) B

Sugar Hips (Wade Legge) B

Brainwasher (Phil Sunkel) A

My Old Flame (Coslow-Johnston) A

No timings are given on original LP. Perhaps if someone has the Fresh Sounds CD, they can provide them for you.

Judy is indeed the Carmichael tune, but it is performed by Will Bradley Sr. Btw, Junior is the drummer on the WB Sr tracks, but I assume that your focus here is on J. R. Monterose.

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No timings are given on original LP. Perhaps if someone has the Fresh Sounds CD, they can provide them for you.

Jaywalkin' (Monterose) 4:40

Spice (Wade Legge) 2:39

Bradley's Beans (Wade Legge) 3:19

Sugar Hips (Wade Legge) 3:23

Brainwasher (Phil Sunkel) 2:43

My Old Flame (Coslow-Johnston) 4:52

The drummer is listed as "Bill Bradley" on the Freshsound CD

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Actually, I would like the non-JR, Bradley Sr. info just to be complete with the issue index, which will show the exact sequence of Sr. and Jr. tracks.

Thanks!

Mike

Side One

Jaywalkin' (Monterose) JB

Judy (Carmichael-Lerner) WB

Spice (Wade Legge) JB

Have You Met Miss Jones? (Rodgers-Hart) WB

Bradley's Beans (Wade Legge) JB

Frenesi (Dominguez) WB

Side Two

Sugar Hips (Wade Legge) JB

My Funny Valentine (Rodgers-Hart) WB

Brainwasher (Phil Sunkel) JB

Little Girl Blue ((Rodgers-Hart) WB

My Old Flame (Coslow-Johnston) JB

Russian Lullaby (Berlin) WB

Details for the WB sides are in Rabin, and presumably elsewhere. Jr is credited as Junior Bradley. Perhaps at some later date he may have come to be known as Bill Bradley.

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Thanks for this discog (and the others, Mike)... I love JR's playing, both 'inside' and 'outside.' I always see the Munich record billed as a Monterose date, so it's interesting to see he wasn't the leader. I know Hans Dulfer was a follower of his work, and it is interesting to see Monterose playing with the Soulbrass rhythm section. That duet with Bennink on side one of the Paradiso record just kills...

Amen to one of the most curious and underrated tenor players in modern jazz!

:tup

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Re: Progressive LP PRO 7049 - J.R. Monterose: Lush Life:

I have a Japanese issue of the same LP - Progressive (Japan) KUX-136-G, but the title is Welcome Back, J.R.!.

Track order is different:

A1 - Lush Life

A2 - Giant Steps

A3 - My Old Flame

B1 - Luan (no hyphen in title)

B2 - Evelyn's Delight

B3 - Marty's Place

Recording date listed on back cover and insert is May 18, 1979.

Edited by paul secor
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I visited my local record shop today and was amazed to find a copy

of "The Prestidigitator". Not mint condition mind you but in VG it was certainly

worth all of the $15 price tag and the cover is very clean. I've been looking for a

reasonably priced copy of this one for years. Someone was kind enough to share a cassette copy of this with me several years ago.

What is the possibility of this gem ever being released on CD?

Were the masters lost in the big Atlantic fire??

A very nice example of JR's playing in his early period.

I'm a huge JR fan and recall him performing here in the Albany, NY area

back in the late 1970's.

Don

Me again!

George Wallington - "The Prestidigitator", East-West 4004

Recorded April 4-6, 1957, NYC

Tom Dowd, engineer, studio not identified

Jerry Lloyd (bass trumpet)-1

J. R. Monterose (tenor sax) (out on August Moon)

George Wallington (piano)

Teddy Kotick (bass)

Nick Stabulas (drums)

In Salah (Mose Allison) 4:55

Composin' at the Composer (Wallington) 5:37 -1

Jouons (Monterose) 5:58

Rural Route (Mose Allison) 4:25 -1

Promised Land (Mose Allison) 5:40 -1

August Moon (Jerry Lloyd) 4:48

The Prestidigitator (Monterose) 6:32

I checked Ruppli's Atlantic book, studio not identified.

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Thanks Mike.

Maybe there is still hope............

In the meantime I'll just have to listen to

my scratchy LP.

I'm sure the European's will rip off a copy

in a few more years if a legit copy isn't produced

by then.

Don

The story that is always told is that *unissued* masters were lost in the fire, so anything that was ever issued by Atlantic *should* be unaffected.

Mike

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I recall reading somewhere that he had

taken up the guitar but I understood it was

sort of a 2nd instrument almost for personal

recreational purposes.

In any event whenever I saw JR in the late 1970's

he only performed on the tenor and soprano saxes.

He did get a very nice sound on the soprano.

As an aside, I don't think I ever saw him play without

his sunglasses on. And I'm talking late at night in a

dimly lit bar. I used to wonder how he could see;

but then that didn't appear to be a concern of his.

Don

just wondering - Monterose switched to guitar for a while - anyone ever hear him play it?

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The original Jaro LP is extremely rare and brings big bucks

on ebay. My copy is the Jaro LP reissue that came out a few years

ago. It was produced to look just like the original but can be had for

around $10.

The sound on this is fantastic; easily one of the nicest sounding

jazz discs from the era.

Don

For instance, I'm sitting in an office getting the sweats about listening to "The Message" when I get home.

:eye:  :excited:

Jaro original? What is the pressing quality like on this label? :excited:

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I have never seen the Japanese reissue but that would certainly

be a great alternative.

I pulled out my copy of JRs "Bebop Loose & Live" LP today. It's

from 1981 on the Cadence label and the photos on the cover show

him performing with that wode shoulder strap you mention. I'm sure

the primary attraction is that it distributes the weight of the sax over

a wider surface area so it doesn't "cut in" to you. More recently

shoulder harnesses have been developed which take the idea to

another level. Many saxophonists don't like them though because

they feel "trapped in" and they tend to limit the amount of freedom

of movement. The tenor sax is a rather heavy instrument.

Don

There was a Japanese LP issue of this some years ago (East West P-6140).

J.R. slung his sax from a bandalero style wide shoulder strap: not unique but quite unusual.

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