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BFT #29 Disc 1 Answers


Upright Bill

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I will post the actual answers this weekend because I'm working FAR too many hours right now. Sorry for the delay.

However, for now, here is the list of Bassists I originally selected:

Bill Johnson

Wellman Braud

John Kirby

Walter Page

Bob Haggart

Slam Stewart

Milt Hinton

Jimmy Blanton

Isreal Crosby

Oscar Pettiford

Curly Russell

Gene Ramey

Tommy Potter

Eddie Safranski

Chubby Jackson

Ray Brown

Harry Babasin

Paul Chambers

Doug Watkins

Sam Jones

Percy Heath

Charles Mingus

Red Callender

Wilbur Ware

Ahmed Abdul-Malik

John Ore

Larry Gales

Jymie Merritt

George Morrow

George Duvivier

Red Mitchell

Leroy Vinnegar

Monty Buwig

Monk Montgomery

Joe Mondragon

Curtis Counce

Albert Stinson

Joe Comfort

Scott Lafaro

Jimmy Garrison

Bob Cranshaw

Butch Warren

Larry Ridley

Charlie Haden

Ron Carter

Richard Davis

Eugene Wright

Chuck Isreals

Gary Peacock

Eddie Gomez

Marc Johnson

Dave Holland

Peter Ind

Wilbur Little

Rufus Reid

Lynn Seaton

To avoid moving into a third disc (actually 3rd and 4th) I eliminated many of them. I will try to explain why each was selected as well.

Oh yeah, and I'll identify all the cuts.

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After a lot of mental torture I ended up with this list of bassists for disc 1:

Bill Johnson: Father of Slap Bass

Wellman Braud: Showed that the Bass could replace the tuba on a recording

John Kirby: Doubled on tuba and The Bass

Walter Page: One of the first Bassists to also be a successful Band Leader

Bob Haggart: Wrote the first Jazz-Bass method book

Slam Stewart: His ability to play arco and scat an octave above

Milt Hinton: The most recorded bassist in jazz history

Jimmy Blanton: First Bassist to take a melodic approach to soloing on the bass

Isreal Crosby: An underrated but brilliant bassist

Oscar Pettiford: First Bassist to truly explore bebop. Incredible 8th note walking lines as well as solos that would sound good on any instrument.

Curly Russell: Played with all the major Bebop greats.

Gene Ramey: A student of Walter Page and played equally well in Bebop and Swing bands.

Tommy Potter: Made his mark backing up Charlie Parker.

Eddie Safranski: A very popular Bassist during the transition from Swing to Bebop.

Chubby Jackson: Played a 5 string Bass with a high C string.

Ray Brown: RAY BROWN! Nothing more needs to be said.

Harry Babasin: The Bear. One of the first fusion Bassists, bringing together Jazz and Brazilian music.

Paul Chambers: The most influential Bassist. Soloist, solid rhythm section member. Amazing!

Doug Watkins: Solid walker and soloist. Worked with many of the greats.

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The Cuts:

Album: Song

Blue Clarinet Stomp: Bully Fiddle Blues

Duke Ellington 1929: Freeze And Melt

John Kirby: Zooming At The Zombie

Count Basie: 1936-1938 : Roseland Shuffle

Bob Haggart: Portrait Of Bix Featuring Tom Pletcher: Peg O' My Heart

Bowin', Singin' Sam: Deuces Wild

The Judge At His Best: What Am I Here For

Duke Ellington: Solos, Duets & Trios : Sophisticated Lady (Take 1)

Albert Ammons : 1946-1948: Hiroshima

The New Oscar Pettiford Sextet: Chasin' the Bass

Art Blakey: A Night At Birdland, Volume 1: A Night in Tunisia

Thelonious Monk: Genius of Modern Music Vol. 1: Nice Work If You Can Get It

Miles Davis: Jazz Showcase: Blue Haze

Don Elliott: Double Trumpet Doings: Dominick Seventh

Bebop Revisited Volume 1: Boomsie

Live at Scullers Jazz Club: Whirlybird

Jazz In Hollywood: Snootie Little Cutie

Mosaic Select 5_ Paul Chambers (Disc 2): Four Strings

Olio: Dakar

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After a lot of mental torture I ended up with this list of bassists for disc 1:

(snip)

Gene Ramey: A student of Walter Page and played equally well in Bebop and Swing bands.

Tommy Potter: Made his mark backing up Charlie Parker.

Eddie Safranski: A very popular Bassist during the transition from Swing to Bebop.

Chubby Jackson: Played a 5 string Bass with a high C string.

(snip)

You cite Tommy Potter above as the bassist on the track sandwiched by Monk and Elliott. That track, Miles' "Blue Haze" has Percy Heath on bass, not Potter.

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