
I'd suggest to start the discussion at Saturday 27th of January?
Keep swinging
Durium
Edited by Durium, 24 January 2007 - 01:27 PM.
Posted 24 January 2007 - 01:23 PM

Edited by Durium, 24 January 2007 - 01:27 PM.
Posted 26 January 2007 - 09:22 AM
Posted 26 January 2007 - 01:18 PM
it's a strain (been ready for days now).
Posted 27 January 2007 - 04:14 AM
Posted 27 January 2007 - 06:46 AM
Posted 27 January 2007 - 08:34 AM
Edited by Durium, 27 January 2007 - 11:36 AM.
Posted 27 January 2007 - 09:25 AM
Posted 01 February 2007 - 01:50 PM
Posted 02 February 2007 - 05:30 AM
Posted 02 February 2007 - 07:10 AM
Posted 02 February 2007 - 07:31 AM
I'm going to guess that "Running wild" is by that other popular violinist, Svend Asmussen.
I can't imagine a 39 year old disciple of Grant Green. Let me see, he'd have been 10 when GG died. Ah, Peter Bernstein!
Edited by Durium, 02 February 2007 - 07:32 AM.
Posted 02 February 2007 - 07:53 AM
I'm going to guess that "Running wild" is by that other popular violinist, Svend Asmussen.
Okeh !! You hit the right man, Svend Asmussen. Let's find out the rest of the information: Who's playing the guitar?I can't imagine a 39 year old disciple of Grant Green. Let me see, he'd have been 10 when GG died. Ah, Peter Bernstein!
You did it again !! Peter Bernstein is the guitar player !! But who's the leader of that group, who plays trombone without vibrato ( T), clean articulated ( S) and keeps the tune quite straight (T), who reminds of J.J. Johnson (S) and Kai Winding (MG)? And what about the trumpet player?
Keep swinging
Durium
Posted 02 February 2007 - 09:11 AM
Well, I guess I could do some discographical research
Posted 03 February 2007 - 03:27 PM
Posted 04 February 2007 - 06:27 AM
Is it worth mentioning that 7 - the Gerry Mulligan tune referred to - is "Walkin' Shoes"? I thought this hardly worth saying but it has not been specified so far has it?
Posted 13 February 2007 - 12:44 PM
Posted 15 February 2007 - 01:03 AM
Edited by dutchmanx, 15 February 2007 - 01:04 AM.
Posted 15 February 2007 - 11:05 AM
Posted 15 February 2007 - 01:53 PM
Thanks Dutchmanx for your commends;
1 sorry I use to skip such tracks
You're right - see this as a funny intro to illustrate how much fun these musicians have in reproducing the hot 1920s sound.
2 skipped this too because of this creaking sound
Well - this recording was originally released on LP ...........
Thanks Dutchmanx
350 x | Keep swinging
Durium
Posted 16 February 2007 - 01:40 PM
Posted 16 February 2007 - 02:07 PM
Weekend .... so time to have a look on your remarks, King Ubu to the second cd
#1 Merdre alors!`
French - indeed - one of those French revival bands - Kansas City Kitty. You like it or you hate this kind of stuff. Up to now, no-one came with a name of this famous, almost legendary French revival band. It became famous in the 1970s and it stopped suddenly, at the peak of their success in 1978. The leader of the band has founded a new band, a small jazz band ( !! ) a few years ago and he still swings !! I'd love to know the name of that first band.
#2 More retro stuff? Tune sounds familiar but I can't pin it down. Nice one.
Well, not really retro stuff, although the man who plays on a kind of Brazilian ukulele plays the very first tune he learned to play in the late 1920s !!
#3 "Sweet Sue"? If it's Django, it would likely be Rostaing on tenor? Not sure where to put this one...
It is Oscar Aleman with the song Sweet Sue ( Stereojack found out first) - It is a recording from the late 1930s and it was not made in France, as Oscar was on a tour with Josephine Baker. During some days off he was invited by the violin player who was fascinated by his craftmanship on the guitar and invited him for a jam session that was recorded. Well enough indication. Go ahead ........
#4 This is a similar performance, same tune as #3, but now definitely a new and retro one. Not my favourite, but pleasant enough.
No it's not the same tune - It's Running Wild (T.S.) and M.G. found out that it was Svend Asmussen on the violin. Any idea when this was recorded and who is the guitar player?
#5 Now this is another one played to death, I guess, but it took me years of jazz listening until I finally heard it, and I love it! It's "Skylark" (Hoagy Carmichael), right? Lovely trombone sound, but I'm not sure at all who this could be, guitar and sound of this makes me think it's not that old... maybe Carl Fontana or someone similar? Bill Watrous in a quiet peaceful moment? Guitar is very nice, too! Oh, wait, is this J.J.? The second solo reminds me of him a lot, but I don't have anything of his with guitar backing...
No no no - not Skylark, but Day Dream as several list members found out and the guitar player is Peter Bernstein (M.G.) Nearly all trombone players were mentioned, but no-one found who really played the trombone. Well I'll give some indication. He started his career, like so many young musicians, in Art Blakey's Jazz Messengers. And the trumpet player started his career about the same time, but with another tutor ......... Can you imagine that I have seen this trumpet player at least six or seven times in concert already?
#6 Nice and mellow one... Chet Baker? (That would make me guess Philip Catherine, Jacques Pelzer)
No, you're searching in the wrong part of Europe ..... I think you should visit Scandinavia and, I already suggested that the alto is played by a lady ...... The trumpet player is not Chet Baker, but also started to play trumpet as a professional early 1950s. He played mostly in Scandinavia, but toured through Europe and played with visiting Americans, like Thad Jones, Bob Brookmeyer, John Lewis and Warne Marsh. and the guitar player is also on .........track 4
#7 A Mulligan-associated tune... is that "Bernie's Tune"? I haven't heard the album with Annie Ross... sounds like it could be indeed Mulligan himself on baritone. I enjoy the baritone a lot, this laziness and the dry sound. Doesn't really sound like what I've heard of Annie...
I'm sure that the baritone player is very happy with your suggestion that he sounds like Gerry Mulligan. It's not Bernie's Tune, but Walking Shoes which was already suggested before. The singer is not Annie Ross - It is a registration of a tour that wanted to remember the 75th birthday of a famous trumpet player with a series of concerts. The woman sings the part of the trumpet player ........ and maybe you can connect this with the sound of the baritone sax. The tour was in 2005 and 2006.
#8 More nice trumpet... nice piano solo, good groove going on beneath. Trumpet and alto are good, too, but I don't really have an idea who this could be, although the alto sounds somewhat familiar. Nice to have kind of a shout-chorus before the final theme arrives, something pretty old-fashioned that not many bands do nowadays.
Well, most of the list members like this track, but no-one has found out in which direction they have to think. I'll give some indications. The leader of the group ( I'm not telling what instruments she plays) is married with another famous musician and at home (well it isn't actually her land of birth ) they are famous because of their orchestra. I heard her playing in a solo concert and was fascinated by her charming personality ....... ( and of course her music )
#9 "I'll Remember April" again. A few quotes too many in the violin solo... Retro stuff again, not bad, but not really my cup of tea, sorry.
Another track difficult to trace. most members are fascinated by the violin - well I wrote before that this man played most of his career another instrument, although it looks like a violin ...... The piano man is much more famous and a very skilled musician - I heard him in concert last year and was really astonished about his piano playing, which reminded me to Erroll Garner sometimes. And the bass player and guitar player both are very well know ...... no doubt about that.
#10 More old-fashined stuff... not bad at all, I think, but the Django-like sentimental guitar doesn't really work for me. It does swing, though! Sax is nice.
Isn't that nice ... you mention that it swings ... well that word is in the name of the group too. You heard the guitar player before, two times up to now .......
#11 Another latin track with nice trumpet... tune sounds familiar, but maybe that's just because of the deceptively simple melody.
It is a Brazilian tune and I already suggested before that the bass player toured with Chet Baker. The trumpet player now lives in Europe, but he came to the US in 1970 where he studied at Berklee. He played with musicians like Paquito D'Rivera, Charlie Rouse, Jimmy Heath, Gary Bartz, Nick Brignola, Mark Murphy and Jim Hall and Horace Silver ( and this is only a selection ) BTW: If you know the name of this trio you also know the names of the other two members ....
#12 More lyrical trumpet with guitar... is that one of your preferred combinations? This one doesn't do a lot for me, it may be fine, very good musicians, but it just doesn't reach out to me.
Well, I like the way the guitar player plays ( he made a beautiful album last year with a blind piano player ) and I also like the way the trumpet player sounds. Normally they don't play together, but the trumpet player was so nice to play on a few tracks of his album.
#13 Entering fun territory again to end? Very nice! Al & Zoot? I like this a lot, it's very simple with just the two tenors, but it sounds like much more!
Great, Zoot was already suggested but Al Cohn is of course the other saxophone player on these unaccompanied saxophones. But what might be the title of this improvisation?
#14 A lullaby? Ah, nice, there enters the tuba! A cute outro!
I'll See You Again .... isn't that a nice way to say goodbye. BTW: The correct title is I'll © You Again. all titles of this CD have something with that ©. The saxophone player normally plays the alto saxophone, but this time he plays the ......... yes you're right, the © melody sax.
Thanks a lot for these two discs!
You're welcome
Posted 16 February 2007 - 02:19 PM
Posted 16 February 2007 - 02:36 PM
Posted 16 February 2007 - 04:04 PM
So that's Toshiko on #8?
Not Jan Allan on #6?
It is, but who is that great baritone that sound like Gerry and who can sing like Chet's playing. And in a previous message I told that both the bass player and the drummer played with ......... Chet. In my web log dedicated to Valentine's Day ( My Funny Valentine ) you can see both musicans !!And then #7 was a tour in memory of Chet?
Posted 16 February 2007 - 04:10 PM
Judging from your clues, Durium, the guitarist on 9 & 10 must be Oscar Aleman. Or am I reading you wrong?
MG
Posted 16 February 2007 - 04:43 PM
Posted 17 February 2007 - 06:09 AM
Posted 17 February 2007 - 10:15 AM
Thanks RDK for your commends on disc two.
Some tracks have been labeled already, so I'll point to those answers. ; others are still anonymous
1. Can’t tell if this is really old (and European) or a put-on to sound old. The guys are obviously having a blast, but I can’t tell if it’s legit. On its own, this is a bit too goofy; I suspect it would work much better for me in the context of an entire album/set.
It's indeed French traditional jazz
2. This one’s growing on me…
3. Django?
No not Django at all. but his friend and rival Oscar Aleman. I'm still searching for the discographical information.
4. Gotta be Grappelli in there somewhere…
Not Grappelli, but Svend Asmussen
5. Bone and guitar? Lovely.
The trombone player is still not recognized .....
6. Very pretty.
7. Love that deep, rich bari sound! Odd meter (?) to the tune, but overall I really like this – but not so much the vocal parts.
It's a tribute to Chet Baker ...... ( with the Gerry Mulligan pianoless Quartet )
8.
9. “I’ll Remember April.” Again, perhaps Grappelli, but he sounded more like him in #4.
No, Grappelli is not in the track - he isn't even in this selection
10.
11. Like this. No clue though…
12. Again, very nice, tasteful…
13. Ah, finally something very different! I like this. Swings more than most sax duets.
It's Al Cohn and Zoot Sims, members figured out, although the title is not yet found.
14. Sweet, but a bit too precious perhaps – like a lullaby. Good bookend with #1.
Posted 17 February 2007 - 10:19 AM
Just quickly, I'm too tired to browse now, but I got the Allan track:
Jan Allan / Christina von Bülow Quartet
Stockholm (SE), Allan's Home Studio at Lindingö
December 1993
Jan Allan - trumpet
Christina von Bülow - alto sax
Jacob Fischer - guitar
Jens Skov Olsen - bass
Don't know what title it is, but I guess it could be "Marionett"? Or that crabby Saga? Fischer is a fine player, I've got him on a CD somewhere, as sideman.
Posted 17 February 2007 - 10:52 AM
Welcome Sngry with your commends on disc two.
Some tracks have been labeled already - I'll respond to the unknown tracks and give some indications to help you.
TRACK ONE - Not really relevant to my lifestylebut....yeah. that's interesting. Can't tell if it's from an old recording session or if it's a new one made to sound old. But I'm laughing my ass of either way, and that's always a good thing. And it really is a nifty chart played quite well. All told, I'm leaning towards it being an old recording, and whover came across outtakes like these gets my thanks. And no matter how old it is, that tuba player's kicking ass!
It's fun ........... and this French band playing traditional jazz was very very popular in the 1970s in Western Europe. They stopped in 1978, but the leader started a new "little orchestra" a few years ago with this kind of stuff. Real hot jazz !!
TRACK TWO - Again, not really relevant to my lifestyle, but hey, there's some serious playing going on. Always happy to hear that. I'd really like to see a hula dancer get it on with this one!
The rhythm you hear is made by the guitar player himself with his feet and he used to dance on stage while playing the guitar ( on this track he is playing a Brazilian mandoline or ukulele, called a cavaquinho). If you have vistited my web log you might understand about what artist I'm refering.
TRACK THREE - "Sweet Sue", in that HCOF basic bag. Very nice, and I'll not even attempt to guess who it is. Django would be too obvious. Everybody and everything sounds totally of its time, and I mean that as a compliment.
No, it isn't Django, it's the other great guitar player, that played in France in the 1930s, but, due to the fact that he wasn't French, never got the appreciation in France. It's Oscar Aleman , but so far no-one found out at what session this recording was made. !!
TRACK FOUR - "Running Wild". More fine playing, but too much of this good thing is, for me, too much. And this coming after the two previous cuts, is too much. Sorry.
Maybe it has some relation to the two previous tracks !
TRACK FIVE - "Day Dream", a beautiful tune. Sounds like JJ or somebody out of his bag, maybe Curtis. Definitely one of the top-tier players in that bag. Guitar, I'm not sure about. Possibly Burrell, judging by the accompaniment, but I'm not sure. Lovely cut, and perhaps a more recnet recording than I had first thought.
The guitar player was already labeled as Peter Bernstein, but the trombone player is still the great unknown !!
TRACK SIX - Again, no idea. Nice tune, and nice playing, but the end result is a little too "comfortable" for my taste. "Relaxed", "mellow", etc, are all fine with me, but "comfortable" is just one step beyond that. Sometimes I'm ok with it, sometimes not. Right now I'm not. But hell, it's a beautiful tune marvellously played, so it's 100% my problem, not theirs. And the altoist sounds really familiar...
King Ubu found out the personel of this group, but not yet the correct session.
Info up to now:Christina von Bülow Trio (featuring Jan Allan): Christina von Bülow as, Jan Allan tp, Jacob Fixcher g, Jens Skov Olsen b.
TRACK SEVEN - "Walking Shoes". At first, I was sure I was going to hate this. The tune itself is one of my favorite Mulligan things, and it skirts the line between "cute" & "clever" as closely (and successfully) as anything can in my book. So I hear a vocalist, and I'm thinking, "UH-oh!" But it actually turned out quite nicely. The bari player seems to have a little bit (or more) of mocking in his playing that I appreciate. And the vocal playing Chet's part works. Like I said, probably one singlemost favorite Mulligan piece, and they made it work in a way that was simultaneoulsy affectionate and mocking. Works for me.
They made a 2CD as a tribute to Chet Baker's musical heritage. This group toured around the Netherlands last year with a lot of success. The first set was dedicated to Chet's early work ( this track isd from that part) and the second set was his final period. I also suggested, that the rhyhm section played with Chet in the famous Japan session.
TRACK EIGHT - Interesting tune. Pianist's time sounds rushed in the solo, and there's no breath in the lines. Trumpet is more poised, but sounds like he/she's not really deep into the tune yet. Same for the alto, although there's a bit more probing going on. Sounds like the whole affair could have used more seasoning, but realistically, that's not always possible. Oh well.
This tune was labeled as a Toshiko Akiyoshi session. No more info so-far.
TRACK NINE - See #4
This track has nothing to do with track 4, except that both tracks have a violin player and a guitar player !!
TRACK TEN - See #4 again, except that the lyrics on this one really bug me. This whole retro-romantic glamor thing bugs the piss out of me. It's supposed to be "classy" or "charming" or something like that, but as far as I'm concerned it's pure bullshit. Frankly, it makes me want to puke and/or take a .45 to the perps' groins before they can reproduce.
I understand this isn't your piece of cake. Ok !! - I loved the concert in July 2005. Only the guitar player doubles on both tracks ( # 4 and # 10 ) and I hid him in three tracks on this second CD.
Nothing personal, sorry.
You can't reach me hear on the other side of the screen.![]()
TRACK ELEVEN - Pleasant, maybe "comfortable", but coming on the heels of #10, it's impossible to offer an objective evalation. Pianist's touch seems a little "stiff", which is merely an obervation, nothing more. Might well be a matter of indigenous phraseology.
TRACK TWELVE - Dude, you're mellowing me to death!![]()
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I guess it's ok, but again, after that thing on #10, I'm really needing a slap in the face to get over it, and so far it hasn't come. But this is certainly not bad on its own terms. Kinda 70s ECM-ish, altough I don't think it is that.
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TRACK THIRTEEN - Zoot/Al? Definitely Zoot, probably not Al, although there was just one moan that says yes it is. Don't know this particlar cut, but yeah. This is "corny but cool" if you know what I mean. Really, you could put Gene Krupa from "Sing Sing Sing" underneath it, put everybody in zoot suits, and it would be a hit on the Neo-Swing circuit. But this is not at all contrived. These are just two guys being who they are. So good for them, and thanks for including it. I enjoyed it.
You're right, it's Zoot Sims and ............... Al Cohn on two unaccompanied saxophones. Any idea about the title of this tune?
TRACK FOURTEEN - Very dry humor here.![]()
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Or so I hope.
Not as much here that I enjoyed as much as the material on Disc 1, but enough to leave me feeling that it was neverhteless time well spent. Thanks!
I'm glad you liked my selection Sngry, although you found it difficult to concentrate on the end .........![]()
One year online | Keep swinging
Durium
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