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"Cafe Society: the Wrong Place for the Right People"


ghost of miles

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This week's Night Lights program Cafe Society: the Wrong Place for the Right People takes a look at New York City's first integrated nightclub, a diverse musical panorama where artists such as Teddy Wilson, Frankie Newton, Big Joe Turner, Pete Johnson, Hazel Scott, Josh White and Lena Horne all performed, and a gathering spot for Popular Front entertainers and intellectuals. It's also the place where Billie Holiday debuted her version of "Strange Fruit," the anti-lynching song that became an early civil-rights anthem. The program features music from all of the previously-mentioned artists, as well as remarks from cultural historian Michael McGerr and Terry Trilling-Josephson, widow of Cafe Society owner Barney Josephson and co-author of his newly-published memoir.

 

"Cafe Society: the Wrong Place for the Right People" airs tonight at 11 p.m. EST on WFIU-Bloomington, at 9 p.m. Central Time on WNIN-Evansville, and at 11 p.m. Central Time on KOSU-Oklahoma City. It also airs tomorrow evening at 10 p.m. EST on Blue Lake Public Radio and KMBH-Brownsville, TX. It is already archived for online listening.

Edited by ghost of miles
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Williams actually played at Cafe Society in the 1940s as well. I included a short piece from The Zodiac Suite in the original version of the Night Lights show but had to drop it to make the 59:00 time limit. I may re-do the program as a standalone, non-Night Lights special and will probably try to smuggle the Williams track back into it.

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  • 4 weeks later...
  • 9 months later...

This week's Night Lights program Cafe Society: the Wrong Place for the Right People takes a look at New York City's first integrated nightclub, a diverse musical panorama where artists such as Teddy Wilson, Frankie Newton, Big Joe Turner, Pete Johnson, Hazel Scott, Josh White and Lena Horne all performed, and a gathering spot for Popular Front entertainers and intellectuals. It's also the place where Billie Holiday debuted her version of "Strange Fruit," the anti-lynching song that became an early civil-rights anthem. The program features music from all of the previously-mentioned artists, as well as remarks from cultural historian Michael McGerr and Terry Trilling-Josephson, widow of Cafe Society owner Barney Josephson and co-author of his newly-published memoir.

We're re-airing Cafe Society: the Wrong Place for the Right People this weekend; it's already archived for online listening.

Next week: "Chicago Calling: Unsung Heroes of the City's Hardbop Scene."

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  • 8 years later...

So, a bit of a crazy story here:  a few weeks ago I scheduled the Night Lights Cafe Society show to re-air last week.  Just a few days ago I received an invitation to come out and give a talk about Cafe Society at the very site of the former club (the original downtown Cafe Society that opened in December 1938) as part of a plaque-unveiling event.  The basement space at 2 Sheridan Square looks quite different now (it's the home of the Axis Theater Company), but it will still be a thrill to stand in the same space where Billie Holiday, Teddy Wilson, Frankie Newton, Albert Ammons, and so many other jazz artists whom I love once performed.  In the meantime, here's the Night Lights program again, which includes commentary from Barney Josephson's widow Terry and historian Michael McGerr, as well as some broadcasts from the club itself:

Cafe Society: The Wrong Place For The Right People

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A very interesting Bird recording at Cafe Society is the one, where he plays a lot of the "Bird with Strings" repertoire just with his regular quintet. With much solo space for the other great members of his group too: Kenny Dorham, Al Haig, and even the rare but great bass feature of Tommy Potter on "Talk of the Town"......

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On 6/19/2018 at 2:41 AM, Gheorghe said:

A very interesting Bird recording at Cafe Society is the one, where he plays a lot of the "Bird with Strings" repertoire just with his regular quintet. With much solo space for the other great members of his group too: Kenny Dorham, Al Haig, and even the rare but great bass feature of Tommy Potter on "Talk of the Town"......

I haven't heard that recording yet--the immediate chronology of Cafe Society after Barney Josephson gets out of the game in 1949 is rather mysterious to me. I know that Josephson generally didn't book bebop groups at either Cafe Society Downtown or Uptown, and in his memoir he says he "shuttered" Cafe Society Downtown in early 1949 (after enduring a lot of attacks from media figures like Walter Winchell and Westbrook Pegler for his leftwing connections).  But somebody must have been operating it into the next year, if Parker was recorded there in mid-1950.  Getting to stand in that space and play Billie Holiday's recording of "Strange Fruit" for a small audience with all of the lights turned off (we projected the famous photo from the Commodore recording session on a small screen while the music played) was quite a thrill, btw. There's an interesting post-Cafe Society history associated with that basement as well; in the 1970s it was the site of the Ridiculous Theater Company, which the manager of the current theatrical company occupying the space (Axis) told me warrants a chapter in the annals of queer theater. 

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12 hours ago, mjzee said:

I saw Alberta Hunter twice at the Cookery; she was wonderful.  I remember there was a movie theater across the street on 8th Street, where they debuted Remember My Name.

I saw her in the early 80s when my wife to be and I were dating; it was well worth it. 

Edited by Brad
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