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Peter Bernstein, any thoughts?


Hardbopjazz

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2004 thread

Bernstein turned up on several tracks in Mike Weil's recent blindfold test (#66), so you may also wish to read that discussion thread.

Bernstein has been around for a long time now, and I think he's become quite an influence on a lot of young players.

Solo guitar is not something I've heard much from him, but I've never seen him in person. I have no doubt that he's a fine solo player... like a lot of other past greats who rarely were recorded in that setting. It's unfortunate that this aspect of guitar playing has always been more difficult to market.

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He seems to be the first call guitarist in New York, because just about every time I've seen a mainstream group at a club in New York in the last four or five years and there is a guitarist, it is Peter Bernstein. At first I thought he was competent but kind of bland, but I've found him to be more distinctive the last few times I've seen him and am liking him more and more (though I haven't bought one of his leader CDs yet).

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Interesting take. It echoes that of a guitarist friend of mine, who is considerably more favorably inclined to what he calls "Scobertheny" guitar than to the heirs of Grant Green. But little by little he has come around to the Peter Bernstein camp and now has great esteem for him, and even buys the CDs. I like Bernstein a lot, too.

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I will catch him tomorrow night at Smalls in NYC. He is playing solo guitar. I use to see him a lot in the 90s when he played with Lou Donaldson. I also caught him twice with Dr. Lonnie Smith.

What do you think of his playing?

I like Pete's playing, and he's a gentleman. I know him since he's 21.
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Peter Bernstein had a very interesting CD released not long ago. It's a trio date titled MONK on the Xanadu label.

Peter's approach to Monk tunes is rather unique and well worth hearing.

I had an opportunity to hear Bernstein play live a couple of years ago at a Jazz Party and he was highly impressive.

At this point, Peter Bernstein is one of my favorite living guitar players.

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I like his playing - very beautiful guitar sound, still very defined, a good feeling for melody, not so technically orientated, but striving for musical statements. It's hard to compile an organ BFT without constantly stepping over him.

I will check out that Monk disc. Sound clips indicate it might be the better disc compared to Bobby Broom's. Who's playing bass and drums?

Edited by mikeweil
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  • 2 years later...

I just recently became hip to Peter Bernstein's playing via his sideman dates on the Criss Cross label. I guess better late than never? His work with Melvin Rhyne for example is superb. I really dig what this guy is doing. Sticking with the Criss Cross label for now, any thoughts on his dates as a leader?

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He seems to be the first call guitarist in New York, because just about every time I've seen a mainstream group at a club in New York in the last four or five years and there is a guitarist, it is Peter Bernstein. At first I thought he was competent but kind of bland, but I've found him to be more distinctive the last few times I've seen him and am liking him more and more (though I haven't bought one of his leader CDs yet).

I've only seen him once, and "bland" was my impression. But considering all the comments here and the fact that he IS a first call guitarist, I should revisit some of his albums.

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He seems to be the first call guitarist in New York, because just about every time I've seen a mainstream group at a club in New York in the last four or five years and there is a guitarist, it is Peter Bernstein. At first I thought he was competent but kind of bland, but I've found him to be more distinctive the last few times I've seen him and am liking him more and more (though I haven't bought one of his leader CDs yet).

I've only seen him once, and "bland" was my impression. But considering all the comments here and the fact that he IS a first call guitarist, I should revisit some of his albums.

If Sonny Rollins added him to his band, he can't be shabby.

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I just recently became hip to Peter Bernstein's playing via his sideman dates on the Criss Cross label. I guess better late than never? His work with Melvin Rhyne for example is superb. I really dig what this guy is doing. Sticking with the Criss Cross label for now, any thoughts on his dates as a leader?

Earthtones on Criss Cross is very good.

His work as a sideman with Larry Goldings is some of my favorite.

The Monk album is also very good and much more interesting than Broom's Monk album, imo.

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I just recently became hip to Peter Bernstein's playing via his sideman dates on the Criss Cross label. I guess better late than never? His work with Melvin Rhyne for example is superb. I really dig what this guy is doing. Sticking with the Criss Cross label for now, any thoughts on his dates as a leader?

Tom, you may like his Brain Dance date on Criss Cross, which also has Eric Alexander. The version of "You Leave Me Breathless" on that album is something I re-visit often. I like Peter's playing a lot, and I wish I could grab a lesson or two with him. Maybe someday... :shrug[1]:

Anyone hear the newish guy on Criss Cross named Jonathan Kreisberg? Love his phrasing.

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Tom, you may like his Brain Dance date on Criss Cross, which also has Eric Alexander. The version of "You Leave Me Breathless" on that album is something I re-visit often. I like Peter's playing a lot, and I wish I could grab a lesson or two with him. Maybe someday... :shrug[1]:

when i lived in nyc he was very open to giving lessons. he had a regular gig at Smoke and you could just walk up and ask him. he is, of course, very busy, but he seemed like a very personable fellow. you should ask him for lessons.

my opinion: he's one of the best jazz guitar players alive. he's not necessarily an innovative game-changer on his instrument like, say, frisell, davis, metheny, hendrix, tyner, etc... but for straight-ahead jazz blues, in the pocket standards, "tasty" interpretations of great tunes, he's basically 2nd to none in my mind. amazing player w/ a BEAUTIFUL tone.

Edited by thedwork
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I generally concur... He's got a new CD out on the Smallslive label... Good one!

Tom, you may like his Brain Dance date on Criss Cross, which also has Eric Alexander. The version of "You Leave Me Breathless" on that album is something I re-visit often. I like Peter's playing a lot, and I wish I could grab a lesson or two with him. Maybe someday... :shrug[1]:

when i lived in nyc he was very open to giving lessons. he had a regular gig at Smoke and you could just walk up and ask him. he is, of course, very busy, but he seemed like a very personable fellow. you should ask him for lessons.

my opinion: he's one of the best jazz guitar players alive. he's not necessarily an innovative game-changer on his instrument like, say, frisell, davis, metheny, hendrix, tyner, etc... but for straight-ahead jazz blues, in the pocket standards, "tasty" interpretations of great tunes, he's basically 2nd to none in my mind. amazing player w/ a BEAUTIFUL tone.

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