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YOU GOT TEN MINUTES LEFT TO LIVE!!!


JSngry

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Well ten minutes is time for two songs, if you pick carefully, so I'm going with

Gene Harris, "Blues for Ste Chapelle," one of my favorites of Gene's "happy" blues originals.

To be followed by

Maria Muldaur, He Don't Have The Blues Anymore

https://www.youtube.com/watch?v=AwLDp8cPjm4

It will run a bit past ten minutes, so Death can come back and hear that I'm ready to go as Maria takes me out:

He's not worried about his rent

You know his money's all been spent

He don't care if they repossess his car

He no longer is afraid

You know his debts have all been paid

No, he don't have the blues anymore

He's got a smile on his face

that cannot be erased

No, he don't have to worry like before.

Lord, he's finally settled down

Stopped all that running 'round

No, he don't have the blues anymore

One by one he's said goodbye

to the trouble and all the strife

Now he's headed where he's never been before

He no longer feels alone

He's finally found a happy home

Oh, he don't have the blues anymore

All his friends were glad to see

that he's finally been set free

And they took him and they laid him in the ground

He's finally got it made

He's just resting in the shade

Oh, he don't have the blues anymore

Now he's gone beyond the sky

with the angels up on high

and he's headed right for Heaven's open door

He's been pardoned and released

Finally filled with a heavenly peace

Oh, he don't have the blues anymore

Great choice. Maria's really underrated-- as is her ex.

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I would probably start side one of the 10" lp shown below - Creole Love Call, Washington Wabble, Blues I Love to Sing and (if I linger a while) Harlem River Quiver.

This music has been central to my life for over half a century.

380425226258.jpg

whoa...I just about died seeing that album cover...intense.

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I'd have to go full-bore retrospective and put this on (LP version, the folks' Glenn Miller Story soundtrack LP on decca) because it's the only thing I can think of that I've heard for literally as long as I can remember, had the record for even before I could remember, and about the only thing that meets those criteria that I can still run into with full embraces, always have always will.

Besides, by the time that thing's over and I've done danced it out, hey, fuck it, we're good for anything now, let's go.

4e31c330a3895_144166n.jpg

Born/Adopted into a Glenn Miller world, surreptitiously & permanently abducted by that funny little man in the white coat, onward through the fog into the light, often looking back but never moving back, always home/never home, what becomes of the broken-headed?

How 'bout Billy Kyle and that 9th chord at the very end, how's that for ending by taking the next step up?

Well I'm older than you so I do remember when my family got this record. What I don't remember is whether the song was split in two on the Lp.

BTW it's fitting that it was used in The Glen Miller Story: I have a Jack Teagarden record of a live concert on which he introduces Basin Street by saying that he and Glen Miller wrote the introduction to it at the request of Ben Pollack. Pops plays, but doesn't sing, the intro: it's the part that goes "Won't you come along with me...".

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