medjuck Posted March 2, 2015 Report Share Posted March 2, 2015 http://www.newsweek.com/through-chuck-stewarts-lens-history-jazz-310085 Quote Link to comment Share on other sites More sharing options...
paul secor Posted March 2, 2015 Report Share Posted March 2, 2015 Thanks for the link. Quote Link to comment Share on other sites More sharing options...
Chuck Nessa Posted March 2, 2015 Report Share Posted March 2, 2015 Many thanks. I will never forget going to his office to select a cover shot for the Lucky Thompson record I issued. He pulled out a huge folder of large format transparencies and let me go through the lot. I selected an image, he produced large scissors, cut it out of the strip and handed it to me. A gigantic Coltrane print hung on the wall - it later appeared on the cover of Stellar Regions. Quote Link to comment Share on other sites More sharing options...
MomsMobley Posted March 2, 2015 Report Share Posted March 2, 2015 Many thanks. I will never forget going to his office to select a cover shot for the Lucky Thompson record I issued. He pulled out a huge folder of large format transparencies and let me go through the lot. I selected an image, he produced large scissors, cut it out of the strip and handed it to me. A gigantic Coltrane print hung on the wall - it later appeared on the cover of Stellar Regions. also-- http://www.northjersey.com/news/his-life-s-work-is-a-melody-of-images-1.1031318 and, lest we forget the creator of the single greatest jazz (& more) photography book there can ever be, "The Sound I Saw" by Roy DeCarava-- http://www.nytimes.com/2009/10/29/arts/29decarava.html?pagewanted=all&_r=0 Quote Link to comment Share on other sites More sharing options...
marcello Posted March 3, 2015 Report Share Posted March 3, 2015 I love the both of them! I have the Billie Holiday print (on the left) from Mr. DeCarava on my study wall. Quote Link to comment Share on other sites More sharing options...
paul secor Posted March 3, 2015 Report Share Posted March 3, 2015 Many thanks. I will never forget going to his office to select a cover shot for the Lucky Thompson record I issued. He pulled out a huge folder of large format transparencies and let me go through the lot. I selected an image, he produced large scissors, cut it out of the strip and handed it to me. A gigantic Coltrane print hung on the wall - it later appeared on the cover of Stellar Regions. also-- http://www.northjersey.com/news/his-life-s-work-is-a-melody-of-images-1.1031318 and, lest we forget the creator of the single greatest jazz (& more) photography book there can ever be, "The Sound I Saw" by Roy DeCarava-- http://www.nytimes.com/2009/10/29/arts/29decarava.html?pagewanted=all&_r=0 The Sound I Saw is a personal favorite. Picked up a signed copy years ago. Quote Link to comment Share on other sites More sharing options...
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