paul secor Posted February 20, 2017 Report Share Posted February 20, 2017 From the Mosaic Jazz Gazette and JazzTimes - John Snyder on Record Producing (and other Stuff): https://jazztimes.com/features/john-snyder-the-meaning-of-production/ Quote Link to comment Share on other sites More sharing options...
JohnS Posted February 20, 2017 Report Share Posted February 20, 2017 Thanks Paul, interesting read. Quote Link to comment Share on other sites More sharing options...
Hot Ptah Posted February 23, 2017 Report Share Posted February 23, 2017 I loved those A&M Horizon LPs when they were first released, and also the Ornette albums which he mentions. It is very interesting to read about the background. Quote Link to comment Share on other sites More sharing options...
mjzee Posted February 23, 2017 Report Share Posted February 23, 2017 Very interesting reading. Humanizes everyone involved, including the business people. Quote Link to comment Share on other sites More sharing options...
JSngry Posted February 23, 2017 Report Share Posted February 23, 2017 I really like how he "got" Creed Taylor & CTI, still, imo, some of the most misunderstood jazz records ever. I've met very few people on either side of the fence who got what Taylor was up to, they like or dislike it without getting the whole thing about artfully constructed settings and contexts. it wasn't just about selling records, it was about creating settings, making "vocal records" with "jazz instrumentalists" (I got this concept handed to me by reading Marc Myers lines to the Wes Verve box, it was one of those lightbulb moments for me). At it's worst, it was horrible, but at its best (or near best), it was brilliantly successful as music and as product alike, and I still maintain that something like Sunflower or Salt Song would still be works of art with or without mass sales success. It's like "concertos" for the soloists, as opposed to blowing sessions, or even working band or project band records. Quote Link to comment Share on other sites More sharing options...
Chuck Nessa Posted February 24, 2017 Report Share Posted February 24, 2017 So in 1974, Discount Records store on Washington in downtown Boston - Freddie Hubbard browses for an hour or so and eventually asked for the person in charge. My office was in the back and I was summoned to the front counter for what was perceived as a disgruntled customer. When I appear, he hugs me and thanks me profusely. He said we had all the Blue Notes in stock and that was "the real shit and I know you don't make any money with all this inventory". Quote Link to comment Share on other sites More sharing options...
paul secor Posted February 24, 2017 Author Report Share Posted February 24, 2017 Great story. Quote Link to comment Share on other sites More sharing options...
Mary6170 Posted February 27, 2017 Report Share Posted February 27, 2017 Ornette's "Dancing In Your Head" was a surprise at the time, that he would record with an all electric band. It is interesting to read the story behind its release. Quote Link to comment Share on other sites More sharing options...
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