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I need a good jazz book to read.


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Ross Russell's book is interesting but far too fictional to be taken seriously by any scholar or historian. He knew Bird well and I have often wondered why he felt a need to embellish.

So far, IMO, there is no definitive Parker bio, but there are more reliable sources out there. Stanley Crouch has allegedly been working on a Parker bio for a very long time, but--based on his previous writings--I don't expect it to prove worth the wait. Let's see, he may surprise us all.

I enjoyed Ross Russell's Bird Lives although it is one of those books that (like Miles' autobiography) ought to be taken with a hefty dollop of salt. Pulp fiction with saxophones but entertaining nonetheless.

The great thing about these threads is being reminded of things you meant to get round to. I've just dug out Scott DeVeaux's book The Birth of Bebop: A Social and Musical History. I was totally absorbed by it on reading it about five years ago and I think it's due for a re-read.

please don't advocate for Russell - it is a complete work of fiction - I knew a few musicians mentioned in that book and they, without exception,  held it in nothing but contempt -

how about some specifics folks, where russell's "fiction" varies from the "facts?"

:)

how about some specifics folks, where russell's "fiction" varies from the "facts?"

:)

well?

c'mon guys! you talk about russell fictionalizing bird's story but you don't give me any specifics!!! how am i supposed to know what to believe and what not to believe??!!! :wacko:

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Cool it, Brighty.

Perhaps you don't realize how insistent you are.  Look it up yourself.  We've got better things to do with OUR TIME than to search-n-dissect Russell's hazy yarns to save YOUR TIME.

Yeah, I'm sure everyone is busy. But one does begin to wonder whether Russell is more disliked than inaccurate.

--eric

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Cool it, Brighty.

Perhaps you don't realize how insistent you are.  Look it up yourself.  We've got better things to do with OUR TIME than to search-n-dissect Russell's hazy yarns to save YOUR TIME.

hey bill that is some serious hostility!! i guess you never heard that if you don't have something nice to say . . . oh never mind.

i was looking to continue a discussion, not pick a fight!

:blink:

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Sorry, "rat," but I know of no knowledgeable person who has read Ross' book and not concurred with the assessments expressed in this thread. Ross Russell was a likable guy--it is his book that is being discussed here and it is his book that is universally criticized. Suggesting that anyone here harbors a dislike for Ross is the kind of nonsense we hear regularly from Wynton admirers who simply cannot fathom how anyone could find fault with his music without having some kind of hate agenda.

Ross Russell's book is an interesting read, but it is too fictional to be taken seriously by scholars or Bird fans who seek the truth. One might say that the book is a Schaap-ized version of Charlie Parker's life (although Schaap wasn't around when it was written). Too bad, because Ross relationship with Bird was more than a passing acquaintance, and he had the distinct advantage of being able to speak directly to many who knew and worked with Bird.

As for pointing out the fictionalized parts of the book, BM, it is really asking too much in this case, for this is a biography that is only loosely based on actual events and people.

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reading my post above, it sounds unnecessarily hostile - I just meant to reiterate that I knew a fair amount of musicians who participated in events supposedly described by Russell, and they, to a man, told me many things he described simply did not occur -

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I took a long drive with Curley Russell, must have been around 1978, and the subject of this book came up - Curley was much amused by the book, had been there for much of the beginnings of bebop, and regarded it as complete fiction - AL Haig felt exactly the same way -

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