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Playing Favorites: Reflections on Jazz of the Later 1940's


BillF

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I could not find a cover or Studio photos from the session, but I have it on "Cronological Fats Navarro": His last Studio session from late 1949 with Don Lanphere, and I think Al Haig on piano. Those tunes "Stop" "Go" Wailin´ Wall" and "Infatuation". 

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8 hours ago, Gheorghe said:

I could not find a cover or Studio photos from the session, but I have it on "Cronological Fats Navarro": His last Studio session from late 1949 with Don Lanphere, and I think Al Haig on piano. Those tunes "Stop" "Go" Wailin´ Wall" and "Infatuation". 

Ah, that beautiful last session!

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Edited by BillF
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21 minutes ago, optatio said:

Now spinning ...

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CHUBBY JACKSON Sextet and Big Band. PRESTIGE/BELLAPHON BJS 40137 [s.d.]

I'm unfamiliar with the sextet, but the big band sides have often been teamed with Mulligan tracks from around 1950.

The star-studded big band is fiery - as you might expect from a Jackson outfit - but doesn't sound to have had much rehearsal time.

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1 hour ago, BillF said:

I'm unfamiliar with the sextet, but the big band sides have often been teamed with Mulligan tracks from around 1950.

The star-studded big band is fiery - as you might expect from a Jackson outfit - but doesn't sound to have had much rehearsal time.

See AllMusic Review by Scott Yanow: https://www.allmusic.com/album/chubby-jackson-sextet-and-big-band-mw0000879274 

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  • 1 month later...

  This is a wonderful thread. I was just looking at Stuart Varden’s great web site, Nostalgia: Honoring Fats Navarro http://csis.pace.edu/~varden/navarro/navarro.html

 

Engraved on Fats' tombstone is is well known quote- "I'd like to play a perfect melody of my own, all the chord progressions right, the melody original and fresh - my own." - which seems to me to sum up the swing-to-bop -- bop ethos.

 

And, speaking of Fats, let’s not forget the wonderful young Ernie Henry and Allen Eager– I don’t think they made any leader dates in the 40’s (maybe Eager did a couple of 78s for Savoy and Jade), but they were indispensable presences in the classic Tadd/ Fats bands.
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61vru33LpTL._SX466_.jpg

Reminded of this one by the recent Johnny Mandel tributes. And what a band! Arrangements not just by Mandel, but also Dameron, Gene Roland and George Russell.

And in the ranks: Al, Zoot, Herbie Steward, Frank Socolow, Raney, Fagerquist, not to mention the wonderfully named Porky Cohen!

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  • 5 weeks later...
32 minutes ago, BillF said:

Jazzwax's piece today on Earle Spencer brought a new one to my ears that's certainly worth hearing:the-complete-black-white-recordings-1946

https://en.wikipedia.org/wiki/Earle_Spencer

https://www.jazzwax.com/

Thanks for the rec! I haven't purchased the FSR release (yet), but I am currently listening to the IAJRC LP on Spotify, including the same Black & White 1946-49 recordings. The live recordings from Casino Gardens (1946) on disc 2 of the FSR release are not included.

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Yes, Earle Spencer was an ear-opener to me too - absolutely on a level with other Progressive big bands of the 40s such as Boyd Raeburn, Tom Talbert etc. And Kentonites should find something attractive in his recordings too.

I became aware of him in the 90s when I picked up a secondhand LP of 1946 live recordings by the band on the (U.K.) First Heard label (FH-16). Though the price charged by Mole Jazz was a bit outrageous (for what these First Heard LPs actually are) it was worth it all. A little while later I found a copy of the "The Almost Forgotten Pioneer of Modern Big Band Jazz" LP (IAJRC 41) that included the bulk of his Black & White recordings. An ear-opener too and the kind of thoughtful compilation that fills a gap even in advanced collections.

In fact, the Fresh Sound 2-CD set has its merits (for a new generaiton of listeners) but in this case it really does not offer much that is new over those two IAJRC and First Heard vinyls that have been out there fore some 30+ years.

Edited by Big Beat Steve
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On 28.6.2020 at 3:44 PM, Quasimado said:

  This is a wonderful thread. I was just looking at Stuart Varden’s great web site, Nostalgia: Honoring Fats Navarro http://csis.pace.edu/~varden/navarro/navarro.html

 

 

 

Engraved on Fats' tombstone is is well known quote- "I'd like to play a perfect melody of my own, all the chord progressions right, the melody original and fresh - my own." - which seems to me to sum up the swing-to-bop -- bop ethos.

 

 

 

And, speaking of Fats, let’s not forget the wonderful young Ernie Henry and Allen Eager– I don’t think they made any leader dates in the 40’s (maybe Eager did a couple of 78s for Savoy and Jade), but they were indispensable presences in the classic Tadd/ Fats bands.

Oh yes, I´m also a big fan of Fats Navarro, and the Tadd Dameron bands, especially the live broadcasts from Royal Roost.

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On 25/05/2020 at 4:10 PM, Gheorghe said:

Some classic Afro Cuban. I love this collection, the vocal stuff with the Machito band, and the instrumental features with Howard McGhee and Brew Moore. This was a wonderful thing happening in the late 40´s . 

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Reading this reminds me of this wonderful movie:

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In the unlikely event you haven't seen it, watch it now!

I mean, how many movies star Chano Pozo?

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  • 4 weeks later...
  • 2 weeks later...

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Although recorded in 1954, I think this album is in the right thread here as it's firmly in the spirit of the immediately previous years.

Recorded in Paris during a Basie band visit, it shows early Foster at his most Bird-like, adequately supported by a French rhythm section that features the wonderful Henri Renaud. Shades of Al Haig there!

Edited by BillF
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