Chuck Nessa Posted February 23, 2020 Report Share Posted February 23, 2020 https://tapeop.com/interviews/11/recording-history/?fbclid=IwAR3-CVvDz_YgqpnWNPrRnZoL8o95mg8UOPxTXOjJYN1kIiVsroZDv_NjFwM Quote Link to comment Share on other sites More sharing options...
jlhoots Posted February 23, 2020 Report Share Posted February 23, 2020 Nice!! Quote Link to comment Share on other sites More sharing options...
EKE BBB Posted February 23, 2020 Report Share Posted February 23, 2020 👌👌👌 Quote Link to comment Share on other sites More sharing options...
Misterioso Posted February 23, 2020 Report Share Posted February 23, 2020 Thanks for the link. I found this interesting: "Numbers One and Two introduced the use of a single overhead microphone, which Nessa felt would "get a blend of what the group sounded like." Denon did this 30 years later with many of their classical music recordings (they called it one-point recordings). I have many (all?) of them and like them a lot. Did not know that this technique was used for jazz recordings as well. Quote Link to comment Share on other sites More sharing options...
David Ayers Posted February 23, 2020 Report Share Posted February 23, 2020 Nice sidelight on the history! Quote Link to comment Share on other sites More sharing options...
clifford_thornton Posted February 23, 2020 Report Share Posted February 23, 2020 Amazing. The interviewer, Steve Silverstein, is a friend, musician, and excellent recording engineer as well (mostly in the rock/experimental realm). Operated the short-lived noise LP label Wodger, really nice imprint. Quote Link to comment Share on other sites More sharing options...
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