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Anyone interested in this stuff should check out David Katz'
Soild Foundation, which came out last year. Very good in my opinion. The Blood & Fire fans among us will recognize the artwork as it was done by the same design team (Intro).
I'll admit I'm a considerably bigger rock steady fan than I am a ska fan, though I certainly love ska. Among my "can't miss" rock steady titles.......
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Alton & Hortense Ellis (Heartbeat) - Their biggest Studio One hits. This is what I usually suggest for folks who are still hung up on the (unfortunate) hippie stigma surrounding reggae in the States. This one never fails. They always come back for more...
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* Slim Smith
This Feeling - A comp of his post-Uniques and post-Techniques material. Produced by Bunny Lee. Slim was arguably the best vocalist on the island and, in any case, one of the most soulful. There is a very clear connection here with U.S. soul singers such as Sam Cooke.
* Delroy Wilson -
Good All Over (Studio One/Coxsone) - Unfortunately this is not available on CD but it has never gone out of print on LP. Another example of the U.S. soul influence on Jamaican vocalists.
* Ken Boothe -
Mr. Rock Steady and
Black, Gold, and Green. Boothe had a gravelly and rough tone, making him comparable to many of the great Memphis Stax singers such as Otis Redding, Rufus Thomas, and Wilson Pickett.
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Solid Gold Coxsone Style (Heartbeat) - An expanded reissue of the original Studio One comp. You simply can't lose with this stuff. More soul-influenced gems. Excellent by any standard. This was the record that turned me into a fan of reggae.
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Nice Up the Dance (Hearbeat) - Don't be fooled by the word "disco". These are old school rock steady jams extended by both their (original) instrumental and dub versions. By this I mean that each track is three times its original length. Each version (vocal/instrumental/dub) is beat-matched with the next, making a seamless and cohesive whole. In most cases, they're up in the 8-to-11 minute range each. Alton Ellis' "Can I Change My Mind" is over 11 minutes and absolutely flawless. I love this record.
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Mojo Rock Steady (Hearbeat) - Another great comp of mostly Studio One material. Many of these songs are staples on my rock steady mix tapes. This is a fantastic collection.
Needless to say, I'm a much bigger Studio One fan than I am the Trojan material. I tend to think of it in much the same way as Stax v Motown. Studio One was more like Stax (i.e. rougher and muddier production, more grit and grime) and, to me anyways, Trojan was more like Motown (i.e. crisper production and more happy-go-lucky songs). This is perhaps an exaggeration--in fact, it probably is--but I still say that Sudio One is where it's at, man. Definately more gritty and grimey. More Otis than Smokey.
This post has been edited by Brandon Burke: 16 April 2004 - 02:30 AM