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Christiern
More to come on this sad news.

jazzbo
sad.gif ohmy.gif
Daniel A
His Wikipedia entry says he passed away 4 pm on the 23rd. No source given.

A very fine trombonist indeed.
AllenLowe
damn - one of my favorites - I didn't even know he was still alive -
Larry Kart
He made so many nice records, especially in the '50s and early '60s -- under his own name, with Lucky Thompson, Seldon Powell, Quincy Jones' "This Is How I Feel About Jazz," a gorgeous "If You Could See Me Now" on "Gil Evans And Ten," and "Ballad of the Sad Young Men" on Gil's second Pacific Jazz album. Lord knows he was quick, and usually inventive-quick, but he got me to most on ballads, had a lovely, hauntingly diffuse tone on them, as though he were playing into a beret. There was a long interesting interview with Cleveland in Cadence a few years back.
catesta
The "who left us in 2008" list keeps getting longer.


RIP sad.gif
Kalo
QUOTE (AllenLowe @ Aug 26 2008, 08:44 PM) *
damn - one of my favorites - I didn't even know he was still alive -


QUOTE (Larry Kart @ Aug 26 2008, 09:43 PM) *
He made so many nice records, especially in the '50s and early '60s -- under his own name, with Lucky Thompson, Seldon Powell, Quincy Jones' "This Is How I Feel About Jazz," a gorgeous "If You Could See Me Now" on "Gil Evans And Ten," and "Ballad of the Sad Young Men" on Gil's second Pacific Jazz album. Lord knows he was quick, and usually inventive-quick, but he got me to most on ballads, had a lovely, hauntingly diffuse tone on them, as though he were playing into a beret. There was a long interesting interview with Cleveland in Cadence a few years back.


What Allen and Larry said.



sidewinder
Very sad news - such unbelievable fluency in the upper register and one of the very best tones around (which Gil Evans, Quincy Jones, Tadd Dameron etc. all recognised and made much use of on record). RIP sad.gif

Probably the 'best sounding' jazz trombonist of them all, in my personal opinion. Still playing around 1998/99 at least - I'm sure he was in a trombone section I saw back then.
JohnS
Very sad news, a superb player and one of my favourites.

I'll spin some of his Emarcys later.



Big Beat Steve
QUOTE (Kalo @ Aug 27 2008, 12:10 AM) *
QUOTE (AllenLowe @ Aug 26 2008, 08:44 PM) *
damn - one of my favorites - I didn't even know he was still alive -


QUOTE (Larry Kart @ Aug 26 2008, 09:43 PM) *
He made so many nice records, especially in the '50s and early '60s -- under his own name, with Lucky Thompson, Seldon Powell, Quincy Jones' "This Is How I Feel About Jazz," a gorgeous "If You Could See Me Now" on "Gil Evans And Ten," and "Ballad of the Sad Young Men" on Gil's second Pacific Jazz album. Lord knows he was quick, and usually inventive-quick, but he got me to most on ballads, had a lovely, hauntingly diffuse tone on them, as though he were playing into a beret. There was a long interesting interview with Cleveland in Cadence a few years back.


What Allen and Larry said.


Agree too.

R.I.P.


BTW, wouldn't this thread have a better place in the "Artists" section??
AllenLowe
yes, I'm with Larry - I also considered him to be light years ahead of JJ Johnson in feeling - and yes, also, great Cadence interview which I have in a file somewhere -
JSngry
First heard him on that Sonny Period/EverestArchive side, took a few years to find out who it was, but yeah, none of the other "hyper fluent" trombonists of the era ever hit me like Cleveland did. He just had that thing. Or at least the version of it that I felt the most. Well, ok, Knepper did, but I don't think that's the same thing, strictly speaking in trombone terms.

Can't be sad about this though. Guy played his ass of for decades, afaik didn't end up destitute or anything, and then he died. The last thing is something we all gonna do, not so the first two. So Hip hip HOORAY for Jimmy M-F-in' CLEVELAND, y'all, who won at life. Save the tears for those who didn't, don't, and won't.
LarryCurleyMoe
Loved Jimmy's sound. He will be missed.
Peter Friedman
I always liked Jimmy Cleveland's playing. I recall buying his 4 LPs on Emarcy/Mercury when they were first issued. Now have all that material on a 2 CD set on Lonehill.
Holy Ghost
More sad news. RIP.

mikeweil
Sad news indeed - he was the only one among those extremely "hyper fluent" (as Jim called it) trombonists that ever moved me, because he had so much feeling and soul at the same time. He was really the top trombonist on the New York scene in the late 1950's when he recorded his first album, and all those excellent sessions with Lucky and Quincy - these are highly recommended. He made a good living in the studios, I understand, but could have recorded a jazz session more often than he did after 1960.

R.I.P.
Big Al
"Stardust" on Johnny Hodges with Billy Strayhorn and THE Orchestra

Clark Terry's self-titled Emarcy album

The opening notes of Jobim's "Desafinado" from The Composer of Desafinado Plays

And that's just the tip. What wonderful playing he did bestow upon us. Thanks Jimmy. RIP.
Denis
Such a marvellous musician.
Great tone. Wonderful technique.

So sad.

Denis
Free For All
Very sad to hear of his passing.

He was an amazing player- he added so much spirit and taste to the many sessions in which he participated. "Hyperfluent" -what a great way to describe his playing, Sangrey!

I had the opportunity to meet and hang with him at a trombone conference in the early 80s. We went out to dinner- what a kind and generous person he was to spend so much time with a young novice like me! I always will remember that hang fondly. I wish he had continued to record later in his life, but I'm glad there is so much great music by Jimmy Cleveland to enjoy.

Truly distinctive and unique voices don't come along all that often, and he was one of a kind. And it's heartening to read that he was appreciated by so many here.

Rest in Peace
BruceH
QUOTE (JSngry @ Aug 27 2008, 06:48 AM) *
First heard him on that Sonny Period/EverestArchive side, took a few years to find out who it was, but yeah, none of the other "hyper fluent" trombonists of the era ever hit me like Cleveland did. He just had that thing. Or at least the version of it that I felt the most. Well, ok, Knepper did, but I don't think that's the same thing, strictly speaking in trombone terms.

Can't be sad about this though. Guy played his ass of for decades, afaik didn't end up destitute or anything, and then he died. The last thing is something we all gonna do, not so the first two. So Hip hip HOORAY for Jimmy M-F-in' CLEVELAND, y'all, who won at life. Save the tears for those who didn't, don't, and won't.



Good point Jim.
montg
QUOTE (Larry Kart @ Aug 26 2008, 08:43 PM) *
He made so many nice records, especially in the '50s and early '60s -- under his own name, with Lucky Thompson, Seldon Powell, Quincy Jones' "This Is How I Feel About Jazz," a gorgeous "If You Could See Me Now" on "Gil Evans And Ten," and "Ballad of the Sad Young Men" on Gil's second Pacific Jazz album. Lord knows he was quick, and usually inventive-quick, but he got me to most on ballads, had a lovely, hauntingly diffuse tone on them, as though he were playing into a beret. There was a long interesting interview with Cleveland in Cadence a few years back.


Thanks Larry for pointing out Cleveland's solo on "Ballad..." I just dug out it and spun it, very beautiful.
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