HutchFan Posted April 9, 2019 Report Share Posted April 9, 2019 I'd go, Jim! Have you ever heard "The Bells"?!?! Check out Kondrashin's recording with Moscow PO. (I think it's on YT.) And Bronfman is no slouch. I bet his Liszt will be well worth hearing. Sure, Tchaik will be a little cheesy -- but so what? I'd go for the Rach and the Liszt! Quote Link to comment Share on other sites More sharing options...
Ken Dryden Posted April 9, 2019 Report Share Posted April 9, 2019 ELP actually fired cannons at the end of their interpretation of Pictures at an Exhibition. A cameraman was near one and warned, but he hung around and kept shooting, at least until the cannon shot. There was a commercial video released of it. Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 9, 2019 Report Share Posted April 9, 2019 Think I'll put the energy into this Monday night event. I've been enjoying the various Bang On A Can projects. https://www.mydso.com/buy/tickets/anthracite-fields Julia Wolfe's Anthracite Fields April 15 | 2019 Moody Performance Hall 7:30PM Julia Wolfe COMPOSER Bang on a Can All-Stars Verdigris Ensemble This powerful oratorio, which evokes Pennsylvania coal-mining life, won the 2015 Pulitzer Prize in Music. Called “unforgettably haunting” by the LA Times, this one-hour piece is set to archival footage of coal country, providing context for the dreamlike composition. Please join us in the concert hall following the performance for a moderated discussion about the work. Click here for program notes and artist bios! https://d15gc4eof6ew0j.cloudfront.net/pdf/Anthracite%20Fields%20Program%20Pages.pdf Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 16, 2019 Report Share Posted April 16, 2019 Just got back from Anthracite Fields. Worth leaving home for! Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 19, 2019 Report Share Posted April 19, 2019 Heading out the door to check out "the new guy:: Fabio Luisi CONDUCTS W.G. STILL Poem for Orchestra F. MARTIN Concerto for Seven Winds, Timpani, Percussion and Strings BEETHOVEN Symphony No. 7 Quote Link to comment Share on other sites More sharing options...
Rooster_Ties Posted April 19, 2019 Report Share Posted April 19, 2019 3 minutes ago, JSngry said: F. MARTIN Concerto for Seven Winds, Timpani, Percussion and Strings Pretty sure I have this on one of several (6?) Frank Martin CD's I have, and I recall it being pretty nice!! Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 20, 2019 Report Share Posted April 20, 2019 It was pretty nice. The whole evening was quite enjoyable. Satisfying "present-ness" on the first half, absolute ZONE on the Beethoven - which was conducted with no podium or score, so when the shit started flowing, it looked as organic as it sounded. It felt REAL. This is gonna be fun. Quote Link to comment Share on other sites More sharing options...
Scott Dolan Posted April 20, 2019 Report Share Posted April 20, 2019 Caught Son Volt at Rose Music Hall in Columbia, MO Thursday night. Just an oldschool honky tonk, for the most part. Place was packed, probably around 275-300 in attendance. Son Volt killed, as expected. It was the opening night of their tour, which means I’ve attended three opening nights. And will be attending my fourth in June when I see Phish kick off their 2019 summer tour. Quote Link to comment Share on other sites More sharing options...
mjazzg Posted April 20, 2019 Report Share Posted April 20, 2019 2 hours ago, Scott Dolan said: Caught Son Volt at Rose Music Hall in Columbia, MO Thursday night. Just an oldschool honky tonk, for the most part. Place was packed, probably around 275-300 in attendance. Son Volt killed, Now there is one band I've still to see live who I'd love to see Quote Link to comment Share on other sites More sharing options...
Scott Dolan Posted April 20, 2019 Report Share Posted April 20, 2019 6 minutes ago, mjazzg said: Now there is one band I've still to see live who I'd love to see You’ll love them when you do. They played some of the tunes straight up, but altered many of them. Most notably their horn-less version of Action, which I found superior to the original. And their amazing coda jam they added to Medication, which Jay introduced as a song they’d not done live in six years. Wildest part is the final number of the night was a very interesting cover of the Stones Monkey Man. Highly recommended show! Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 20, 2019 Report Share Posted April 20, 2019 Yeah, this: http://www.theaterjones.com/ntx/reviews/20190419155139/2019-04-19/Dallas-Symphony-Orchestra/Fabio-Luisi-Conducts-the-Dallas-Symphony While Swiss Calvinist composer Martin is not widely known in the U.S., his music is evidently performed more frequently on the European Continent. So, this seems like a message from Luisi. With William Grant Still, Luisi is familiarizing us with our own native music. With Frank Martin, he’s familiarizing us with (kind of) his. One wonders whether that’s going to be a theme of Luisi’s tenure with the orchestra, and so far it seems as if it might be. His concerts next season are similarly a mix of the familiar and the unexpected—Beethoven, Brahms, Copland, Strauss, and Rimsky-Korsakov, yes, but also Augusta Read Thomas, Julia Wolfe, a lesser-known piece by Samuel Barber, and Franz Schmidt’s The Book with Seven Seals. Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 28, 2019 Report Share Posted April 28, 2019 David Robertson CONDUCTS Orli Shaham PIANO STRAVINSKY Fireworks BERNSTEIN Symphony No. 2, "Age of Anxiety" STRAVINSKY The Firebird (Complete) This was a nice evening of music. First time hearing the first two, and the first time hearing the complete Firebird instead of the suite. The Bernstein piece was actually quite good, not a "great" work, but definitely interesting and engaging. Shaham really brought it, too. Support live music! Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted June 2, 2019 Report Share Posted June 2, 2019 My wife and I were fortunate to be invited to a small concert to be held this afternoon in a private home here in Tucson. Classical pianist Peter Takacs will be performing Beethoven Sonatas. Takacs has recorded an 11 CD set of the Beethoven Sonatas and will be bring a few if any of the people there are interested in purchasing the set. Quote Link to comment Share on other sites More sharing options...
ejp626 Posted July 31, 2019 Report Share Posted July 31, 2019 Last night saw Angela Hewitt playing Bach's Goldberg Variations (completely from memory, which is an incredible feat in its own right). The place was packed, and they actually had some people (20 or so) seated on the stage itself! This makes the third time I've seen Goldberg live, and while the other performances were good, Hewitt is in another class altogether. She's coming back around in April to play Bach's Art of the Fugue (for piano, not organ), and that should also be outstanding. What made last night a bit more special is that they had the author Madeleine Thien come out before and talk about the connection between her novel, Do Not Say We Have Nothing, and the Goldberg Variations. Quote Link to comment Share on other sites More sharing options...
Д.Д. Posted October 25, 2019 Report Share Posted October 25, 2019 Saw ORF Radio-Symphonieorchester Wien with Marin Alsop conducting at Konzarthaus here in Vienna yesterday. The program was: 1. Christopher Rouse Rapture (1999–2000) 2. Lera Auerbach Evas Klage. O Blumen, die niemals blühen werden (2019) 3. Paul Hindemith Symphonie »Mathis der Maler« (1933–1934) 4. Paul Hindemith Sancta Susanna. Oper in einem Akt op. 21 (1921) First off, ORF Radio-Symphonieorchester Wien is excellent. I was surprised how good they are, I always thought of them as a distant hack-job cousin to Wiener Philharmoniker and Wiener Symphoniker. I was clearly wrong. I am curious if this was actually always a good orchestra or it's a recent development - perhaps soulpop would know. On the music, the Rouse piece was interesting and colorful with great tympani flourishes. I have never heard of Rouse (who died a few weeks ago, as I learned), and I will definitely be investigating more. Auerbach's piece on the other hand, was an awful saccharine pastiche (sort of Schnittke / Slyvestrov thing, ECM-ready) with over-long citation from Purcell's "Music for a While" (which was anyway the best part of the piece) and overbearing Ondes Martenot. Moreover, it was preceded by a long rambling speech from the composer (this was the world premiere of this crap) where she mentioned that the "music contains humor". When a composer feels the need to point out that she has humor in the work that is about to be performed it's probably time to head for the door. But it was mercifully short. Nice touch was that the soloists were the "last" instruments - meaning, last (as opposed to first) violin, last alto, etc. - who played superbly, I really wonder how much of a difference there is between first and last violin in an orchestra of such caliber. As always with Viennese audience (particularly when the composer is present), long and enthusiastic applause. Hindemith's "Mathis der Maler" was excellent, as expected. I am fairly familiar with the piece (in different performances), and I always felt that there are just too many ideas packed in there with a bit of a disjunctive overall feel to it. But these are all beautiful ideas, anyway. The brass were great on that one. I set on the first balcony raw, the sound was perfect. I did not stay for the opera. Had enough of positive musical impressions for the evening. Quote Link to comment Share on other sites More sharing options...
JSngry Posted October 25, 2019 Report Share Posted October 25, 2019 We've had a few Rouse things hear at the DSO, I think him and Jaap were tight, and I've heard him on various "modern classical" podcasts. RIP to ho him, and he obviously made a mark in his time. But I've yet to hear a work that sounds really...organic to my tastes. But that's just based on what I've heard to date. 8 minutes ago, JSngry said: We've had a few Rouse things hear at the DSO, I think him and Jaap were tight, and I've heard him on various "modern classical" podcasts. RIP to him, and he obviously made a mark in his time. But I've yet to hear a work that sounds really...organic to my tastes. But that's just based on what I've heard to date. Quote Link to comment Share on other sites More sharing options...
ejp626 Posted November 18, 2019 Report Share Posted November 18, 2019 Saw a very strong concert this afternoon - Daniel Hope with the Zurich Chamber Orchestra at Koerner Hall in Toronto. The main feature was Vivaldi's Four Seasons for strings and harpsichord and also accompanied by guitar or lute, depending on the "season." That was an interesting twist. They opened with a very fine Bach Concerto for Two Violins in D Minor, BWV 104. They earned (or at least performed) three encores. No question there is a bit difference in Europe and North America towards the encore at a classical concert. Generally, I find them extremely rare, unless it is a European orchestra on tour here. The first encore was the last movement of a different Vivaldi concerto, then Gershwin's I Got Rhythm! and finally Weill's September Song. An interesting change of pace. Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted November 19, 2019 Report Share Posted November 19, 2019 Tomorrow evening my wife and I will be attending a concert by the Naumburg Trio. This is part of the Arizona Friends of Chamber Music evening series. They will be performing the following 3 pieces: Beethoven - Piano Trio in E-flat Major, WoO 38 Shostakovich - Piano Trio No.1 in C Minor, Op.8 Schubert - Piano Trio No.2 in E- flat Major, D.929 Quote Link to comment Share on other sites More sharing options...
JSngry Posted January 11, 2020 Report Share Posted January 11, 2020 Getting back into the concert season tonight with this, at the DSO: Fabio Luisi CONDUCTS Lise Lindstrom SOPRANO COPLAND Quiet City JULIA WOLFE Fountain of Youth [Dallas Premiere] BARBER Andromache’s Farewell RIMSKY-KORSAKOV Scheherazade Quote Link to comment Share on other sites More sharing options...
JSngry Posted January 12, 2020 Report Share Posted January 12, 2020 Fabio Luisi is definitely going to be fun to have around. Quote Link to comment Share on other sites More sharing options...
JSngry Posted April 4, 2021 Report Share Posted April 4, 2021 Went out(!!!!!) to catch Helene Grimauld with the DSO last night, Schumann's Piano Concerto in A minor...I don't know if I've ever experience a freer-feeling playing in my life, at least not in this musical world. Her playing was like running water. Amazing experience. Quote Link to comment Share on other sites More sharing options...
Hoppy T. Frog Posted April 8, 2021 Report Share Posted April 8, 2021 No live concerts in Baltimore/Washington until some outdoor concerts by the Baltimore Symphony in June, to say farewell to Marin Alsop. But the BSO plans a full 2021-2022 season. Quote Link to comment Share on other sites More sharing options...
mr jazz Posted April 9, 2021 Report Share Posted April 9, 2021 Keystone Korner in Baltimore reopening soon! Quote Link to comment Share on other sites More sharing options...
Hoppy T. Frog Posted April 9, 2021 Report Share Posted April 9, 2021 6 hours ago, mr jazz said: Keystone Korner in Baltimore reopening soon! Tonight in fact! Quote Link to comment Share on other sites More sharing options...
mikeweil Posted April 16, 2023 Report Share Posted April 16, 2023 (edited) I am curious what classical music the organissimo board members hear in concert - from medieval to baroque and classical, romantic, to brandnew compositions of living composers. JSngry hipped to this existing thread, so I decided to copy my two recent posts here. Yesterday afternoon - April 1, 2023 that is - my wife and I took the trip to a small Frankfurt church that has a short Vesper on the first Saturday every month. Cellist Leonie Maier and harpsichordist Ortrun Sommerweiß, my favourite among those who graduated from the Frankfurt academy in recent years, played cello sonatas by Lanzetti, Geminiani and Telemann, and a solo harpsichord sonata by Haydn. It was excellently performed. A few weeks ago we saw Alexander von Heissen perform his concert exams with harpsichord concertos by J.S. & C.P.E. Bach and Joseph Haydn, and a wide range of solo pieces a week later, from Byrd to Bach. Wednesday evening (April 12) we saw another Frankfurt student play her exams concert, Seulki Bae from Korea, in a well programmed and performed solo recital on a copy of a Henri Hemsch harpsichord built by Christian Fuchs (whose workshop happens to be in the 18th century building my grandparents lived in). Great pieces by Geminiani, Gerd Domhardt (a 20th century composer), J.S. Bach, Johann Mattheson, Händel, Christian Gottlob Neefe (Beethoven's teacher in Bonn), and a flute sonata by Louis-Gabriel Guilleman which was a real tour de force for the flutist. We could talk briefly to the period performace department director, she was delighted to see us again, and even more that we will attend most of the concerts by her students. The was a choir rehearsal for a welcome performance for the newly inscribed students - this really is a house full of music! Let's revive this thread! Edited April 16, 2023 by mikeweil Quote Link to comment Share on other sites More sharing options...
_forumlogo.png.a607ef20a6e0c299ab2aa6443aa1f32e.png)
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.