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Deepak

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Everything posted by Deepak

  1. A recent arrival, listening to now- one of Leonhardt's recordings of the Goldberg Variations.
  2. Peter- since you own Lucchesini's cycle I am very surprised you find Buchbinder's RCA superior? I would love to read more about why you think this. I heard Buchbinder's RCA a while ago and it didn't stand out in my mind. Interestingly I see that Buchbinder has recorded this cycle three times! I am not sure anyone else has done that besides Alfred Brendel and Takahiro Sonoda. I have been re-listening to Lucchesini's 109-111 over the last few weeks and these are to me some of the very finest late Beethoven interpretations I've ever heard. He is a master of tempo (I find I am nearly always agreeing with his tempo choices, except for the opening movement of the Hammerklavier) and really drawing everything out in these final three sonatas. Along with his tremendous dynamic range, powerful left hand articulation, and tone all qualities that really lend themself to that celestial quality of late Beethoven. You're welcome. Ramor aren't what I would consider a first choice. They are more sentimental, romantic performances and there are some intonation issues now and then with both violinists. I am quite fond of Bartok's String Quartets (for me Beethoven and Bartok's are the greatest string quartet cycles), so I am always looking for alternative interpretations. My first two choices for complete Bartok sets are Hungarian Quartet (still in print on DG) and Tatrai.
  3. Ramor Quartet. I have them on LP and enjoy them quite a bit, but would prefer digital for the lower noise floor.
  4. I'm looking to add some more BN Works CDs (TOCJ-4xxx or 15xx) to my collection, if you have any you're looking to sell please send me a message. I am not picky on condition or care about things like obis. I am also looking for both Books of the WTC recorded by Jorg Demus reissued in the mid 90s by MCA. Thank you.
  5. That combining of releases that have similar name is absurd. I was looking for a certain Bartok String Quartet cycle for a long time and Amazon had it listed for a few bucks, of course clicking on purchase took you to an entirely different quartet's recording of those works!
  6. You're welcome, and I completely understand about Momox Shop, I'm going through a nightmare with them now. It baffles me how they can treat customers so poorly in these times of declining music sales. I don't know if you have any Rudolf Serkin, to me this is one of the easiest "no brainer" bargain sets of Beethoven, I can't think of a better way to spend $15 if you don't have it I can't say anything about the sound quality though, all my Serkin CDs pre-date that set and I completed my collection with the big Sony box of his. Serkin makes my list of the truly elite Beethoven interpreters. From all the live recordings I've heard of him, he is one that played as well live as in the studio. Though he never recorded a complete cycle and a few sonatas in that box have superior performances not available in it (from what I can tell that set is his newest recordings and officially approved), even his "lesser" performances (almost comical to say that given his high level of interpretation even on them) are wonderful. And you get a full complement of the piano conerti, the ones on that box with Ormandy are great.
  7. T.D. - since you mentioned Heidsieck and were looking for a more eccentric set this is definitely one that is at the very top of my list in interpretation. I was not that impressed with Pienaar, his interventions don't bring anything new to the table for me. They seem superficial and done for the sake of recording a cycle to be different. Whereas Heidsieck and Sherman's usually (more below on Sherman) sense. I'll copy and paste what I posted to GMG after hearing Sherman's cycle: I've now made it through Russell Sherman's cycle. I remember hearing it a while ago on Tidal streaming, listening to it in order and immediately being turned off by it as at least for my tastes the Op. 2 sonatas were really, really off putting to me. And then reading one of Jed Distler's reviews where he gave one of the discs a comically bad 2/10 rating; it just didn't have me interested in hearing more. I am sort of puzzled why Jed Distler felt the need to slam it to that extent when he often extols the virtues of Schnabel. Fast forward to a few weeks ago I came across these for cheap and then decided to complete the set. Besides the Op. 2 sonatas which I'm still not a big fan of I think this is an extremely interesting cycle. Sherman's tremendous dynamic range, tonal color and his obsession with really bringing out the voices makes for a very interesting non-reference cycle. If you can look past his sometimes reckless use of rubato, tempo stretching, the little pauses he takes, etc. What I have founds helps is "listening to them from afar" instead of honing on these things, with that frame of mind Sherman has some tremendous ideas. This will be one of those great cycles I'll be enjoying for years, I think the way he breaks up the sonatas by volume was very well done as this isn't a cycle I'd want to listen to from start to finish but instead focus on in the order he presents them. These were some sonatas I listed after someone asked for some recommendations: The Pastoral Sonata is a real high point. Others are 10/3, an unusual Appassionata, 109 and Op 90. Op. 110 is also good. If it came down to a choice between Heidsieck and Sherman it would be a tough choice. Sherman has more sonatas where he goes too far with his idiosyncrasies like the Op. 2 sonatas, in that regard Heidsieck is more consistent. Heidsieck's recordings of the final 3 sonatas are also some of the finest I have ever heard (along with Lucchesini's). Either way these are two cycles that I absolutely would not want to be without and will be enjoying them for decades to come. Jed Distler trashed one of Sherman's volumes and it's one of his reviews I feel could not be further from the mark. Since you mentioned Jed Distler in a later reply, I have found he writes in a strictly objective style. If you play piano you will immediately understand what he is saying. I want more than from a reviewer; tell me about the pianist's realization of the works, their insights, their "depth" of interpretation (sorry hate to use that word). Having said that I find his tastes lean from the conservative to the ultra conservative when it comes to interpretations. I'm often left scratching my head in many of his 8-10/10 artistic quality ratings that are nothing more than fairly straight forward, very well played recordings. On a true scale of 5 being average I would be marking these recordings far lower. Truly great interpretation goes beyond merely playing the notes at written tempi markings, accents, etc. Even something as simple as allegro con brio appassionato should tell an interpreter that much. Fortunately most of the great pianists know this already.
  8. Zino Francesscati box from Sony. And EMI to reissue a set of Michael Rabin's recordings.
  9. Thanks Larry. I'm currently sampling Prazak, I initially wrote them off after just hearing selected movements, but I think they warrant more listening now.
  10. Besides Vegh, Quartetto Italiano and Budapest I am interested in exploring some other complete sets of Beethoven's string quartets. Are there any that can hang with those three? Or any individual CDs (or smaller sets) that are just as good. I have heard Takacs and Emerson, IMO not for me.
  11. If anyone has this CD box set of Andrea Lucchesini's Beethoven piano sonata cycle they would be looking to sell please send me a message, it will be quicker than just replying here since I'll get an email notification. Thanks! Edit: how about offering $320, would really like to hear this exceptional cycle!
  12. It took me some time to get used to Richter playing WTC on this recording, he adds some small flourishes here and there.
  13. Selling this Mosaic CD box set. All around in very clean, almost like new condition. This is sold
  14. Deepak

    RVG - RIP

    Very sad news, my condolences to his friends and family. Rest in peace.
  15. Forget the Hoffman board, just do a search here regarding MM reissues. How about two huge complaints from the 33 rpm series Music Matters saying that "print through" is present on the Midnight Blue tape. It's not, it's a pressing issue and you can hear the pre-echo exactly once every revolution. There is no other version of Midnight Blue that has the groove pre-echo including the SACD or hi-res download that came out within years of MM's reissue. Or any other commonly available CD. Music Matters didn't want to scrap a bunch of vinyl and recut it again. The gross distortion found on Blakey's cymbals on Somethin' Else. Not present on any other version. Edit: I thought of another one, their dreadful sounding reissue of Newk's Time which Joe Harley says due to Sonny walking around the studio. These are drop outs/damage on the master tape that they were trying to fix, anyone that has listened to this reissue can clearly hear this. Years later Bernie Grundman would confirm it in a video.
  16. Ugh, sorry about that guys. So this is the their list of reissues. Which one of these is the supposed "found master tape"
  17. Sorry I shouldn't have mashed the submit thread as fast as I did Figured most people knew the needle drop tape story about Duke Pearson's Wahoo that I could leave out the artist.
  18. From Music Matters website "... This is to announce that we have taken our last walk through the vaults, selecting the final titles for this incredible series to close out the season with a real flourish. What a lineup! We've got 13 titles, handpicked from the best of the best, and one lost master tape that was finally found after thirty years. If they were a baseball team we would compare them to New York's "Murderer's Row" in 1927, Brooklyn's "Boys of Summer" with the '52 Dodgers, or the great "Gas house Gang" from the '34 Cardinals. So here they come, our "Big Blue Machine" from the depths of the Blue Note Vault, one last time, one last game, and then gone forever. ..." They aren't spelling it out that it is the Wahoo master tape that was found which is what leaves me skeptical given some of their past practices, but it is one of the titles in their latest reissues.
  19. UCCI-9014 Ascension Does anyone know how this sounds? Is this the only other digital version that has both takes?
  20. Bump, I still have this. $30 shipped in the USA for both sets.
  21. I didn't realize it was still in print. How about $30 shipped in the USA for both sets.
  22. +1 one of my favorites as well. Did you end up comparing the LT999 to the Conn CD?
  23. First is Gil Melle's Complete Blue Note recordings (double CD set). This is an Amazon in demand CDR, being OCD I ended up getting the factory pressed version as well which turned out to be digitally identical. The only difference is there is a barcode on the CDs. Condition is all around excellent, (purchased new) $20 shipped in the USA. Second item is Gil Melle's Complete Prestige recordings (double CD set). This is a factory pressed version. Condition is also all around excellent and was purchased new. $40 shipped in the USA
  24. Thanks for all the suggestions. I see recurring mentions of Ornette Coleman, one of my favorite musicians and I agree he fits the thread bill perfectly.
  25. I did a search through Google and couldn't find any threads on this. I'm looking for some free jazz that "swings". I realize this is subjective, but I have an open mind and will go with your interpretation. Some examples for me that swing- Air's Air Time, Ornette Coleman's Free Jazz, This Is Our Music, Don Cherry's Complete Communion. Julius Hemphill Dogon AD, Horace Tapscott The Giant Is Awakened, Sonny Rollins East Broadway Run Down. These are just some off the top of my head. Thumbs up to Homefromtheforest for giving me the idea to start this thread (from discussion on another site).
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