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Hey all, a new Night Lights is up for online listening, profiling the early-period jazz recordings of "Mission: Impossible" composer Lalo Schifrin. It includes two selections from his recordings as a member of Dizzy Gillespie's group, music from his collaborations with Bob Brookmeyer and Paul Horn, and some of his leader dates as well: Jazz Mission Possible: Lalo Schifrin's Early Years
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Last week's Night Lights show--an attempt to fill out the story of the so-called "Bad Day At Black Rock," in which Ornette Coleman, Bill Evans, Keith Jarrett, and Charles Mingus were all supposedly dropped from the label in a single day--now up for online listening: The Great Columbia Jazz Purge: Coleman, Evans, Jarrett and Mingus Some more information and links at the bottom of the post, including a long quote from Clive Davis included in Chris Albertson's 1971 Saturday Review article about Miles Davis.
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This week on Night Lights it's "Word From Mingus," a program of Charles Mingus' 1950s spoken-word collaborations with poet Langston Hughes, monologuist Jean Shepherd, and actor Melvin Stewart. We'll also hear Mingus' own performance of his piece "Chill of Death," written when Mingus was a teenager in the late 1930s and recorded for release on the 1972 album LET MY CHILDREN HEAR MUSIC. You can listen to the program live this Saturday night on WFIU at 11:05 p.m. (8:05 California time, 10:05 Chicago time) here, or listen to it in the Night Lights archives, where it will be posted Monday afternoon. Next week: "The Late Miss D." Dinah Washington's Roulette recordings.
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This week on Night Lights--delving into the 1957 film, soundtrack, and cultural significance of Sweet Smell of Success with film expert James Naremore (author of MORE THAN NIGHT: FILM NOIR IN ITS CONTEXTS) and Indiana University music professor and Dial M for Musicology blogger Phil Ford. Playwright Clifford Odets, actors Burt Lancaster and Tony Curtis, director Alexander Mackendrick, and the Chico Hamilton Quintet all helped shape the direction of a movie that's become a cinematic classic. The program is archived for online listening: Sweet Smell of Success Air times for Night Lights around the U.S.
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“The Jazz Message of Yusef Lateef: The 1960s”
ghost of miles posted a topic in Jazz Radio & Podcasts
Finally able to post this program, which features music from Lateef’s richly diverse 1960s discography and commentary from Mark Stryker: The Jazz Message of Yusef Lateef: The 1960s ... it’s a sequel to the earlier program The Jazz Message of Yusef Lateef: The 1950s, which also includes commentary from Mark.- 2 replies
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Last week's Night Lights show, which draws on the recent Mosaic set of Woody Herman's recordings for Decca, MGM, and Mars, and which includes commentary from set annotator Jeff Sultanof, is now up for online listening: Woody Herman's Trip To Mars
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Jazz and Jack Kerouac ...includes info about the program, a link to the entire 26-minute underground film Pull My Daisy (narrated by Kerouac, jazz score by David Amram), Larry Kart's excellent essay on the topic (which he posted here in a Kerouac thread on the board), a video clip of Kerouac reading from On the Road on The Steve Allen Show, a talk by Sam Charters about Kerouac and jazz, and more. The program will air this evening at 11:05 p.m. EST on WFIU, at 9 p.m. Central Time on WNIN, and at 10 p.m. EST Sunday evening on Michigan's Blue Lake Public Radio. The program will be posted for online listening Monday morning in the Night Lights archives. Next week: "The Incomplete Sonny Berman."
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A new Night Lights show up for online listening: Jazz Women of the 1990s
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Jazz pianist Billy Taylor was also a broadcaster and educator who helped found the Jazzmobile organization in 1960s Harlem and wrote the civil-rights anthem “I Wish I Knew How It Would Feel To Be Free.” Celebrate his centennial today with a new Night Lights show that includes clips from his appearances on the 1958 TV show The Subject Is Jazz and his work as a jazz journalist for CBS News Sunday Morning With Charles Kuralt: The Teacher: Billy Taylor
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Last week's Night Lights show, Diggin' Diz: A Musical Portrait of Dizzy Gillespie in the 1940s, put together in honor of the Gillespie centennial, is now archived for online listening. The program includes the rare 1944 broadcast of Gillespie and bassist Oscar Pettiford's quintet performing "A Night In Tunisia."
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Count Basie and Paul Robeson team up to salute Joe Louis, Gil Scott-Heron pays tribute to Billie Holiday and John Coltrane, Freddie Hubbard delivers a jazz skyhook for Kareem Abdul-Jabbar, Duke Ellington paints a musical picture of Mahalia Jackson, and more on this recent edition of Night Lights: Portraits In Black: Jazz Tributes To African-American Heroes Coming up this week: "Ready For Freddie Redd."
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"FInal Miles: Miles Davis On Warner Brothers"
ghost of miles posted a topic in Jazz Radio & Podcasts
Last week's Night Lights show up, with a special thanks to Jsngry, who allowed me to use a quote from an old Organissimo post of his concerning the topic at hand: Final Miles: Miles Davis On Warner Brothers The web post also includes links to the full-length studio outtake of "Can I Play With U?" (the Prince song and recording originally intended for Tutu), Miles' appearance at Prince's 1987 New Year's Eve concert at Paisley Park, and much more. -
A recent Night Lights profile of Buddy Rich that includes excerpts from a 1969 interview with WFIU jazz host Dick Bishop is now up for online listening: Put On Earth To Play Drums: The Buddy Rich Story The web-post includes a link to the 1969 interview in its entirety, in which Rich discusses everything from his musical origins and time with the Artie Shaw and Tommy Dorsey big bands to the state of jazz circa 1969.
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"Jazz His Way: Frank Sinatra" on Night Lights
ghost of miles posted a topic in Jazz Radio & Podcasts
Here's a Night Lights program that originally aired last December for the Sinatra centennial and re-aired this past week, now archived for online listening: Jazz His Way: Frank Sinatra It gathers some rarely-heard encounters with Louis Armstrong and Ella Fitzgerald along with broadcasts and recordings made with Nat King Cole, Benny Goodman, Coleman Hawkins, Count Basie, Red Norvo, and others.- 2 replies
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A happy 87th birthday today to pianist Barry Harris, and three days late to Toshiko Akiyoshi. Here's this week's Night Lights program, celebrating them both: Bud's Buds: Barry Harris And Toshiko Akiyoshi
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This past week’s Night Lights show focused on Duke Ellington’s weekly broadcasts to help sell war bonds for the U.S. government while World War II remained underway in the Pacific. It includes some little-known Ellington compositions and unusual arrangements, as well as several of Ellington’s promotional spots for war-bond sales and some news bulletins that occasionally broke into the broadcasts: “The Duke Is On The Air”: Duke Ellington’s Summer 1945 Treasury Shows
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Posting this a bit early, since the holiday's coming up this weekend: Night Lights in the key of screeeech, with stalking monsters, road-weary Draculas, and the true tale of the jazz-loving New Orleans Mysterious Axman all part of this week's Halloween celebration. (As well as an early Gil Evans arrangement) Strange Enchantment: Jazz For Halloween
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This week on Night Lights it’s “Away From the Spaceways: John Gilmore.” Tenor saxophonist John Gilmore, who influenced John Coltrane and helped to pioneer the challenging techniques of 1960s avant-garde saxophone, spent most of his career with Sun Ra and his Arkestra, recording outside of Sun Ra’s band on only a handful of occasions. (Much discussion of Gilmore in the thread I started here while working on this program). His powerful, edgy style combined aspects of hardbop and outside playing; we’ll hear examples of it with pianists Andrew Hill and Paul Bley, as well as recordings that Gilmore made with McCoy Tyner, Elmo Hope, Pete LaRoca, and Art Blakey (a rare broadcast version of the ballad “I Can’t Get Started”), in addition to his 1957 Blue Note date with fellow tenor saxophonist Clifford Jordan. “Away From the Spaceways” airs Saturday, October 21 at 11:05 p.m. EST on WFIU and at 9 p.m. Central Time on WNIN-Evansville. It will be posted Monday afternoon in the Night Lights archives. Next week: "Down at the 90th Floor: Dick & Kiz Harp."
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On a recent Night Lights show Boston jazz historian Richard Vacca revisits George Wein's 1950s nightclub with me. Broadcast performances from Charlie Parker, Lee Wiley, Erroll Garner, Ella Fitzgerald, Chet Baker, Dave Brubeck, and more, including a Storyville reading list and basic discography: Jazz From Storyville
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