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This recent tribute to pianist Mel Powell, who enjoyed a brilliant jazz career in the 1940s before working primarily in an academic classical realm for the rest of his life, is now up for online listening: Jazz Mission: Mel Powell in the 1940s ... Powell also made several fine jazz albums for the Vanguard label in the mid-1950s that may be the subject of a future program. The 1940s offered so much musical ground to cover that I decided to stick to that particular decade for this episode.

I decided to pay tribute to the Goodman centennial this week with a program devoted to his brief foray into bebop (1947-49): Benny Goodman's Bebop Interlude Mostly small-group, some big band, lots of Wardell Gray, plus appearances from Stan Hasselgard, Mary Lou Williams, and Fats Navarro. Broadcasting tonight at 10 p.m. EST on WFIU and tomorrow night at 10 p.m. EST on Blue Lake Public Radio, but it's already archived for online listening.

I listened to the Benny Goodman Columbia CD Volume III: All the Cats Join In today, and was struck with how fresh, assured, and imaginative the Stan Getz solos on the album were. The three tracks with Getz solos are "Lucky (You're Right, I'm Wrong)," "Rattle and Roll," and "Swing Angel." They're all excellent. "Rattle and Roll" has long been one of my favorite Goodman recordings - it was in that first box of 78s my grandmother gave me around 1974 - but "Lucky" is the Getz solo that really knocks me out: it has drive, harmonic imagination, and is extremely well-constructed. "Swing Angel" is almost as good, but suffers from being only half as long - eight measures as opposed to sixteen in "Lucky." I don't have the Mosaic Goodman box set, and am unlikely to get it, since I feel that I more recordings than I can listen to. But it has those three tunes, and alternate takes of all. Getz's first solo with Goodman is not on the Mosaic set - "Give Me the Simple Life," from November 20, 1945. The tenor solo is nearly as good as the three I mentioned above, but shows a little rhythmic uncertainly right at the beginning. Are there Getz solos on any Goodman recordings other than the four I've mentioned? In any case, these solos show remarkable talent and originality from an 18-year old.