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Upright Bill

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Posts posted by Upright Bill

  1. Nice to see that I was able to ID quite a few of the sidemen if not the actual bassists you were highlighting.  I'm especially patting myself on the back right now for correctly guessing Idrees Sulieman on trumpet for Red Mitchell's feature on "Chocolate Cadillac".

    On another note however, I lament your decision to provide links to the albums rather than actually listing the session leaders with personnel and dates.  It's gonna make my update to the BFT track list slow going. :rolleyes:

    Good choice of music on both discs in terms of your overall theme.  :tup

    I apologize for the way I listed the answers. I would have liked to have given more info about the bassists as well as listing all of the sidemen. However, time did not permit. I will attempt to assist you as much as possible.

  2. what??!!! no william parker or barre phillips??!!! :o

    :P

    The number of great Bassists I left out far exceeds the number included. :(

    When I started this project (long before I first heard of Organissimo or its BFT) I thought it would be easy to select the 25 greatest Jazz Bassists. How extremely naive of me. :blush:

  3. The cuts for Disc 2 are:

    Album: Song

    Changes And Things: Sam's Things

    The Eminent Jay Jay Johnson Volume 1: Turnpike (alternate take)

    Bebop Revisited Volume 1: Mischievous Lady

    The Chicago Sound: Be-Ware

    Jazz Sounds Of Africa: La Ibkey

    Cecil Payne: Scotch and Milk : Scotch and Milk

    Clifford Brown: Study in Brown: George's Dilemma

    Chocolate Cadillac: Chocolate Cadillac

    Leroy Walks Again!: Motherland

    The Mastersounds: I Could Write A Book

    Sonority: Bella Rosa

    Passing Thoughts: Hotel Le Hot

    Soloflights: Ode To Jimi

  4. The Bassists selected for Disc 2 are:

    Sam Jones: Jazz Bassist and cellist.

    Percy Heath: Impeccable time and ecellent note choices mark this cornerstone of Jazz history.

    Red Callender: Charles Mingus' first Bass instructor

    Wilbur Ware: While others of his era were focused on Jimmy Blanton's harmonic and melodic innovations, Wilbur was expanding Blanton's rhythmic style.

    Ahmed Abdul-Malik: Ahmed Abdul-Malik was one of the first musicians to integrate non-Western musical elements into jazz

    John Ore: Monk's Bassist from 1960 to 1963. While playing with Jazz's best he studied Bass at Juilliard.

    George Morrow: Participated in the some of the classic recordings of modern Jazz with Clifford Brown and Max Roach. After leaving Max Roach he ended up in the house band at Disney World.

    Red Mitchell: Tuning his Bass in fifths instead of the usual fourths gave him a very unique sound and range. Hearing this album for the first time caused me to switch from electric bass guitar to Upright Bass.

    Leroy Vinnegar: Every Bassist looks to Leroy Vinnegar's walking lines. Leroy worked with all of teh West Coast Jazz Greats

    Monk Montgomery: This brother to Wes Montgomery was the first Bassist to play Jazz seriously on the Fender Bass.

    Curtis Counce: The Bop era's must underrated Bassist.

    Rufus Reid: I met Rufus Reid at the Jamey Abersold Summer Jazz workshop. In addition to being an amazing Bassist and Bass educator he is one of the kindest, caring human beings I have ever met.

    Lynn Seaton:I met Lynn at the Jamey Abersold Summer Jazz workshop where Uncle Skid and I shared Sushi with him. Lynn is my favorite living Bassist.

  5. The Cuts:

    Album: Song

    Blue Clarinet Stomp: Bully Fiddle Blues

    Duke Ellington 1929: Freeze And Melt

    John Kirby: Zooming At The Zombie

    Count Basie: 1936-1938 : Roseland Shuffle

    Bob Haggart: Portrait Of Bix Featuring Tom Pletcher: Peg O' My Heart

    Bowin', Singin' Sam: Deuces Wild

    The Judge At His Best: What Am I Here For

    Duke Ellington: Solos, Duets & Trios : Sophisticated Lady (Take 1)

    Albert Ammons : 1946-1948: Hiroshima

    The New Oscar Pettiford Sextet: Chasin' the Bass

    Art Blakey: A Night At Birdland, Volume 1: A Night in Tunisia

    Thelonious Monk: Genius of Modern Music Vol. 1: Nice Work If You Can Get It

    Miles Davis: Jazz Showcase: Blue Haze

    Don Elliott: Double Trumpet Doings: Dominick Seventh

    Bebop Revisited Volume 1: Boomsie

    Live at Scullers Jazz Club: Whirlybird

    Jazz In Hollywood: Snootie Little Cutie

    Mosaic Select 5_ Paul Chambers (Disc 2): Four Strings

    Olio: Dakar

  6. I've worked through the last hanful of my birthdays too.

    It's alright. . . unless the work crew finds out it's your b-day!

    Have many happy returns!

    As per the tradition, I brought treats.

    I brought in 24 of the biggest globs of fried dough I'd ever seen. I work in a section with 5 other people. Fourteen minutes later they were all gone. I got birthday wishes from people I haven't seen since the last time I brought in doughnuts.

    Where does one buy a donut detector? :huh:

  7. I will post the actual answers this weekend because I'm working FAR too many hours right now. Sorry for the delay.

    However, for now, here is the list of Bassists I originally selected:

    Bill Johnson

    Wellman Braud

    John Kirby

    Walter Page

    Bob Haggart

    Slam Stewart

    Milt Hinton

    Jimmy Blanton

    Isreal Crosby

    Oscar Pettiford

    Curly Russell

    Gene Ramey

    Tommy Potter

    Eddie Safranski

    Chubby Jackson

    Ray Brown

    Harry Babasin

    Paul Chambers

    Doug Watkins

    Sam Jones

    Percy Heath

    Charles Mingus

    Red Callender

    Wilbur Ware

    Ahmed Abdul-Malik

    John Ore

    Larry Gales

    Jymie Merritt

    George Morrow

    George Duvivier

    Red Mitchell

    Leroy Vinnegar

    Monty Buwig

    Monk Montgomery

    Joe Mondragon

    Curtis Counce

    Albert Stinson

    Joe Comfort

    Scott Lafaro

    Jimmy Garrison

    Bob Cranshaw

    Butch Warren

    Larry Ridley

    Charlie Haden

    Ron Carter

    Richard Davis

    Eugene Wright

    Chuck Isreals

    Gary Peacock

    Eddie Gomez

    Marc Johnson

    Dave Holland

    Peter Ind

    Wilbur Little

    Rufus Reid

    Lynn Seaton

    To avoid moving into a third disc (actually 3rd and 4th) I eliminated many of them. I will try to explain why each was selected as well.

    Oh yeah, and I'll identify all the cuts.

  8. I've been trying to hold my comments until all CDs have been recieved. However, with only one outstanding I'm going to break my silence.

    I'm impressed at the number of correct answers. I'm amused by some of the wrong ones.

    The cat is out of the bag as far as the theme goes (its was obvious to many before the discs were mailed). Its all about bassists.

    The bassists were selected before the tracks. Many great bassists were cut because a 4-disc BFT (I suspect) would have been frowned upon. One track was selected for its historical significance. Others because they were little known (I thought) sessions by that bassist. Yet others because I liked them.

    More later.

    Bill

  9. There is a theme to BFT #29. Correct identification of the theme will result in additional points which can be redeemed for lovely prizes.

    Discs 2 is merely the overflow from disc 1 and should not be listened to as a distinct entity.

    LET THE GAMES BEGIN!

  10. There is a theme to BFT #29. Correct identification of the theme will result in additional points which can be redeemed for lovely prizes.

    Discs 2 is merely the overflow from disc 1 and should not be listened to as a distinct entity.

    LET THE GAMES BEGIN!

  11. Anyone have any idea where I could find a left handed upright bass? (already checked Southpaw). Thanks.

    Reply directly to: slsw@pacbell.net

    Most leftie's play Upright Bass righty, some leftie's play a right handed Bass from the left side. Lots of guys will convert a right to a left. On an Upright Bass the fingerboard may or may not have a flat area under the E string to allow for the wider vibration of the lowest string. If The Bass is built this way you will need a new fingerboard. Reguardless, you will need the sound post and bass bar reversed as well as a new bridge and nut fitted and cut. Moving the sound post and bass bar require removing the top (expensive).

    Bob Gollihur's Bulgarian Basses have been well reviewed and he is a very upfront honest guy. I would not be afraid to buy anything from him, however I would still have it setup by my local guy.

    Bill

  12. The majority have arrived!

    Arrivals:

    tooter +

    MartyJazz +

    Noj +

    Dan Gould +

    Stefan Wood

    Rosco +

    Stereojack +

    mikeweil +

    Bright Moments +

    Harold_Z +

    Durium +

    dutchmanx +

    paul secor +

    couw +

    brownie +

    DukeCity

    king ubu +

    John B

    Uncle Skid +

    Jim R +

    Jim Dye +

    Big Al +

    JSngry +

    take5 +

    catesta +

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