Some of those are overlaps of name who appear on the same track. But it seems quite popular!
*************
Sauntering back and forth across Chelsea Bridge:
Ben Webster - Played three versions back to back. All gorgeous, thought the 1957 version (on 'The Soul of...') made least impression. The version with strings (and Strayhorn on piano and arrangement) sounded amazing - surprised me as I'm usually a bit iffy about jazz and strings. The sound canvass was very deep. Then the version with Gerry Mulligan which really benefits from the contrast between the two horns; some lovely, yet very restrained, counter melodies from Mullligan in the opening and closing.
Kenny Burrell - Off the first volume of his Ellington albums. Given a slightly Latin feel - nice version with a half a chorus Burrell solo. Sounds very much of the 70s - the way the bass is recorded.
Louis Stewart and Heiner Franz - Very beautiful version - two guitars bringing out the harmonic richness, not straying far from the original in pace or feel. Each guitarist takes a solo during the second chorus - I'd guess its Stewart in the main section, Franz in the bridge, then back to the written arrangement for the lasst few bars.
Ella Fitzgerald and the Duke Ellington Orchestra - From the 'Songbook'. A wordless vocal that keeps the mystery of the original. The percussion gives it all a twilight in the jungle feel; some lovely clarinet rising out of the orchestra and then a tenor rips in, very different to Webster. Gonsalves?
Tina May - With so many female jazz vocalists over here, Tina May often gets overlooked. She's probably too jazz-rooted to make the crossover successfully. This is probably the bleakest of all the versions that I've listened to. She's accompanied by the Britten Quartet (arranged by Colin Towns). Very slow, very wide-awake at 3 in the morning with your world falling down around you. Not sure where the lyric is from - did Strayhorn write one? Absolutely spine-tingling coda. Worth chasing down.
The NDR Big Band - A fairly conventional big band version with tenor player sounding like a strange mix of Webster, Gonsalves and Archie Shepp! Comes across as much more of a blues than normal. Very nice piano from Walter Norris. Tomasz Stanko sweeps in towards the end, sounding more Cootie Williams than Tomasz Stanko! Would be interesting to hear him do this in his own quartet - would suit his bleak approach. A smattering of vibes before the tenor takes the piece out with band and piano playing up the blues again. Arrangement by Francy Boland.
One of the most beautiful and original workings is that by Tom Talbert on his album 'Duke's Domain' A gorgeous treatment by a band of the best players on the West Coast.