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crisp

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Posts posted by crisp

  1. Paul Horn did one on Cleopatra didn't he? I have it at home but I'm having a TIA and I can't remember if it's Cleopatra or another version of Lawrence of Arabia. :crazy:

    Impressions of Cleopatra (Columbia, 1963). Paul Gonzalves also did the score in the same year for Impulse, released as a bonus on the CD version of Tell It the Way It Is.

  2. Here's a handy list.

    This was definitely a late Fifties/early Sixties phenomenon, coinciding with the boom in Broadway shows and cast albums. The downside is that in any show there will be a song or two that doesn't adapt to jazz; the upside that, occasionally, a song that might have been overlooked forms the basis of a good performance.

    I've often wondered whether Scott Hamilton put I've Just Seen Her from All American into his repertoire because of Duke Ellington's recording of it on his album of the whole score. It's a beautiful melody that hardly anybody else seems to have done. Have any other songs become artist favourites by this means?

  3. Virtually all of this was issued on the Complete Mercury boxes, so if one has those, one has almost all this material, with one or two exceptions, I think.

    Yeah, but they are long-gone and, as neveronfriday says, pricey to collect today. For those of us who missed the boat on those (and I've been buying jazz CDs since the late Eighties), this is a useful collection.

  4. Not directly jazz, but certainly jazz-related when a songwriter of Sondheim's stature rips lyricists such as Lorenz Hart, Ira Gershwin, Hammerstein, and others. It's in his new book, "Finishing the Hat."

    http://www.theglobeandmail.com/news/arts/books/stephen-sondheim-rips-all-the-dead-lyricists-but-only-one-live-one-himself/article1775255/

    This piece is rather disingenuous. I've had a flip through the book, and he's far from scathing of all dead lyricists, offering admiration for Frank Loesser and Dorothy Fields among others.

    Bearing in mind that Sondheim is something of a pedant (evident in both his art and his criticism), I don't see much to object to here. That Lorenz Hart and Ira Gershwin were routinely technically clumsy is beyond doubt. That they didn't exactly ruin the songs they wrote suggests that the human ear is willing to overlook clumsiness if there are sufficient good ideas in the writing (and Hart and Gershwin were brimming with good ideas). As Loesser and Fields tend to be overlooked in favour of Hart and Gershwin, I welcome anything that redresses the balance.

  5. Back in the 60s/70s I remember the powers that be used to take every opportunity to get MOR singers like Ken Dodd on Top of the Pops, clearly under the impression that rock/pop was a passing phase and eventually misguided youth would find their way back to something more tasteful. They didn't really get what had happened.

    I suspect the same thing is going on here - the powers that be are still locked into a concept of physical discs in fancy packaging. Eventually (as happened in the mid-70s in the record administration) a new generation will enter management who understand how the technology has changed.

    Ah, but even in the Swinging Sixties there were plenty of over-forties more inclined towards buying Ken Dodd records than the Beatles, otherwise why was Ken the third-biggest selling artist in Britain during that decade?

    And today there are over-forties who "are still locked into a concept of physical discs in fancy packaging" -- me for one! I think the record companies are working to a tighter budget than before, but as ever, they know what they are doing -- middle-aged people always have more money than teenagers.

    I'd prefer it if EMI would put out the OOP Mosaics (Ferguson, Basie, Shearing etc) as budget boxed sets, a bit like the Sony Billie Holiday set that recently came out. Would legal issues prevent that, I wonder (ie does Mosaic own the remastering rights)?

  6. Sony's relentless repackaging of extant CDs continues apace.

    I just came across this French boxed set of 25 previously released jazz CDs in replica CD sleeves. I have about half the titles, but it's such a nice package (and cheap), I'm tempted. It gets a UK release on October 4.

    Le programme:

    1. Louis Armstrong : Plays WC Handy

    2. Sarah Vaughan : Sarah Vaughan In Hi-Fi

    3. Art Blakey : The Jazz Messengers

    4. Billie Holiday : Lady In Satin

    5. Miles Davis : Kind Of Blue

    6. Dave Brubeck : Time Out

    7. Duke Ellington - Count Basie : The Count Meets The Duke

    8. Helen Merrill : Parole e musica

    9. Charles Mingus : Tijuana Moods

    10. Chet Baker : Chet Is Back!

    11. Thelonious Monk : Monk’s Dream

    12. Sonny Rollins : Sonny Meets Hawk!

    13. Martial Solal : At Newport '63

    14. Paul Desmond - Gerry Mulligan : Two Of A Mind

    15. Benny Goodman : Together Again!

    16. George Benson : It's Uptown

    17. Nina Simone : Sings The Blues

    18. Art Tatum : Piano Starts Here

    19. Erroll Garner : Concert By The Sea

    20. Herbie Hancock : Head Hunters

    21. Stan Getz : The Best Of Two Worlds

    22. Jaco Pastorius : Jaco Pastorius

    23. Weather Report : Heavy Weather

    24. Wynton Marsalis : Standard Time Vol. 1

    25. Charlie Parker : Bird

  7. I'm all for rockers (and others) singing the GAS if it keeps these songs alive and brings them to new listeners. If Mona Lisa can survive Conway Twitty, then Autumn Leaves can survive Clapton (although I agree with those here who find him boring).

    And British rockers singing the standards can sometimes be lovely, eg Joe Brown doing I'll See You In My Dreams.

    We still have the other versions.

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