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jeffcrom

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Posts posted by jeffcrom

  1. 3 hours ago, gmonahan said:

    That must be a pretty thick album!! How many 78s?

     

     

     

    gregmo

    Only four 12" records - most of the Preludes are pretty short, so most of the sides have three or four of them. And in the interests of accuracy, further research indicates that I have Cortot's 1926 version, not the 1933 recording. That one was not issued in the US at the time.

    My biggest 78 album is a 1930 more-or-less complete La Traviata - 13 12" records. It weighs a ton.

  2. 221806329817.jpg

    I'll list some interesting stuff I've spun at 78 RPM lately soon - but tonight it's this album the mail lady brought today:

    Chopin: The Twenty-Four Preludes by Alfred Cortot on Victor. Cortot's 1933 recording of Chopin's Preludes seems to be regarded as one of the greatest readings of Chopin's Opus 28. My "new" copy of the original US pressing is not mint, but it's pretty good.

  3. 1 hour ago, Chuck Nessa said:

    In a blindfold test with Nils Winther I won a complete set of SteepleChase lps in 1980. The bet was my catalog against his catalog. When he lost he complained about the comparative size of our companies, but his lovely wife Mihoko made him deliver.

    That's great.

    Tonight, so far:

    R-12141796-1529143979-8650.jpeg.jpg  R-2037161-1260040483.jpeg.jpg

    Steve Lacy - Last Tour (Emanem). Strong playing from a man who died less than three months later.

    The Klezmatics - Rhythm + Jews (Flying Fish). The nouveau-klezmer album I would take to a desert island - and that includes the two I'm on.

  4. 10 hours ago, jeffcrom said:

    Sonny Yusef Lateef

    Typo corrected in original post - it remains in the quoted versions, of course. I started to type "Sonny Stitt," then remembered how much the name Yusef Lateef fascinated me when I was a kid

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    I discovered this thread while searching the internet for a picture of Budd's Off the Wall album, which I'm listening to now. So - Budd Johnson is special to me, because Ya! Ya! was the first jazz record I owned. I was 12 years old, and had taken up the saxophone in November, after moving to a new school. That Christmas, my mom got me this album, chosen from the cutout rack at Treasure Island department store in the Atlanta suburbs - presumably because there was a guy holding a saxophone on the cover.

    I was pretty disappointed - she got my older brother a rock record. But I listened, and liked half of the tracks right away. And I blame this, my first jazz album, for my avant-garde-ish bent. On the last track of side one, "Exotique," Richard Davis plays a truly out-there bass solo, all bowed with slides and double-stops and quarter tones. I was too inexperienced a listener to know how strange it was - I just thought, "Oh, you can do that."

    And the inner sleeve had tiny reproductions of 72 Argo album covers. (I'm looking at it now, and just counted them for the first time.) I pored over this sleeve for hours. I had never heard of any of these people, but somehow I knew that I needed to hear James Moody and The Jazztet and Al Grey and Yusef Lateef. And of course, I came to love the rest of Ya! Ya!, which still has an honored place on my record shelves.

    Thanks, Mom.

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    Steve Lacy - The Cry (Soul Note). Every time I play this one I'm stunned with how good it is. Powerful poetry by Taslima Naslin spoken and sung by Irene Aebi, whose voice seems a perfect fit for the words and music (yeah, I know some won't agree), and an instrumental sextet that is unique in Lacy's output. This time around I was highly impressed with the work of Lacy's second woodwind player, Tina Wrase, who died young.

  7. 4 hours ago, Gheorghe said:

    I must admit I don´t have much Duke Pearson, I have him on some Donald Byrd, on the "Idle Moments" where he contributed most, and his own "Sweet Honey Bee". My question is about the title "Wahoo". Do they play that old bebop tune "Wahoo" (Tadd´s riff on Perdido) or is "Wahoo" not related to the old Dameron-composition ?

    No - not related to the bebop line. Pearson's "Wahoo" is an original 5/4 blues.

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    Last one before bed:

    Fats Domino - Let the Four Winds Blow (Imperial). An odd one - but that's okay, because it's Fats. It's a reminder that, at least at one time in the US, albums were places to put all the non-hits, with a few hits thrown in. Only two of these songs broke the Top 40 (the title song and "You Win Again"), and some of the selections are pretty odd ("Along the Navaho Trail," "Shanty In an Old Shanty Town"), but it's Fats! And Mr. Lee Allen and the great Roy Montrell are in the band. So I'm on board for the entire ride.

  9. R-2750781-1332089808.jpeg.jpg  R-2242183-1518029581-7696.jpeg.jpg  R-3708151-1355539585-2599.jpeg.jpg

    A typical evening's progression in the jeffcrom house: avant-ish to mainstream to New Orleans trad.

    New York Contemporary Five - Consequences (Japanese Fontana)

    Duke Pearson - Wahoo (BN 80s issue)

    Preacher Rollo and the Saints - Ostrich Walk (Lion)

    The last one is not for everyone, for sure. Rollo Layton was a Miami-based drummer, and by all accounts a pretty unpleasant person. His playing is kind of corny, but eight of the twelve tracks here have New Orleanian Tony Parenti on clarinet, and he elevates the music quite a bit. And all but two of these 1951-55 tracks have Marie Marcus on piano. She was a local-hero type journeywoman jazz player (in Miami, then Cape Cod) who was so admired by Whitney Balliett that he wrote a profile of her for The New Yorker. These are the only recordings of her I have. Lion was the cheap-label subsidiary of MGM.

  10. 9 hours ago, clifford_thornton said:

    I think the only Bunky I have is on that Paul Serrano on Riverside (which I love). Probably need to rectify.

    I'd start with Places We've Never Been on Vanguard. His deal with the label called for him to make two pop/jazz albums, at which point he'd get to make an album according to his preferences. Places We've Never Been is that album. It must have sold dozens of copies, and the label dropped him.

    There are two excellent albums from the first decade of this century: Another Place on Label Bleu and The Salzau Quartet Live at Jazz Baltica on Traumton. The former has Jason Moran on drums.

    All of these represent Green's playing after he reinvented himself after his early-60s soul jazz albums. I think of his mature style as "sideways jazz" rather than straight-ahead jazz, if that makes any sense.

     

  11. 2 hours ago, Chuck Nessa said:

    Just a warning - if you dispose of the Retrieval package you lose the 6 titles by Paul Mares and his Friars Society Orchestra from 1935. I am not sure these are available elsewhere.

    ...with some absolutely wild alto sax solos by the underrated and under-recorded Boyce Brown.

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