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Soul Stream

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Posts posted by Soul Stream

  1. Sorry, SS, I don't have that info.

    Hey Chris, any other memories of Lem you could share? Did you get a chance to see him play often at the time? Hard to imagine he was a full time policeman at the beginning of his recording career. That's a lot of after work practicing!

    Speaking of vibraphonists Chris, wondered if you knew Freddie McCoy.... He seems to be someone who completely disappeared.

  2. Freddie's "Spider Man" LP is just one of the greatest vibe dates ever cut, certainly on Prestige. Man, his ballad playing on Yesterdays is just amazing. The amount of sustain he pulls off the bars without harmonic clashes...wow, don't know how he did it, but he could make those Deagan's sing.

  3. Shocked. Just saw him November 15th here in Austin, he was with Curtis Fuller...went to the workshop they put on that afternoon also. He played here every year at the Jazz at St. James Church. 3rd time I've seen him here. How wonderful he was to hear and see. I never could believe I was actually seeing him play live. It was like seeing giants walk the earth. Really, really, really sad to hear this. Didn't know he had cancer. Looked and sounded great. Wearing all black and a black beret, silver mustache, soul patch, goatee... a statesman if I ever saw one. They played Blue Train....Curtis said it was the first time in years he had played it...Fathead said he didn't know, just wanted to play the tune with Curtis. Glad I got a chance to see him, I was blessed by being here on the earth at the same time he was.

    Some of my personal favorites with David Newman...

    Mellow Soul-Don Patterson.

    Think-Lonnie Smith

    Ray Charles presents Fathead Newman

  4. I don't think this will work as a "new model" for bands that aren't already well established. Remember, Radiohead has had full record company hype/promotional support until now. The fan base is already built on the shoulders of the record company's work. A new up and coming band, unsigned, telling people to pay what they want for the downloads...well, the verdict is already in...they don't want to pay. That's what has got us here in the first place.

  5. I good example for my case is are to live discs. Lou Donaldson's "The Scorpion" and Grant Green's "Live At Club Mozambique". Never released at the time, but issued as a single discs...both from a wealth of sets recorded live, but as they saw the market would only buy a single disc. For some, like myself...these sessions represent Mile's "Plugged Nickel." I understand that those who feel this way a few and it wouldn't make sense to make a physical product out of the full recorded sets. But I would download both of those complete performances in a minute.

  6. Yeah, I'd really like to see companies...especially Blue Note issue stuff that has remained in the vault, kept away from potential fans of the music. I recently emailed Michael Cuscuna about an unissued Freddie Roach session on Blue Note (we talked about it here on the board). The response I got in total was... I have heard it. It's abysmal.MC In the age of the digital download, I'd love to be able to buy that unissued session as a download. No liner notes, no art work, nothing....just the session tape. A recording like that would, it seems, not be commercially available from BN under normal circumstances. But in this day and age, why not put up Tyrone's "Trainwreck" session? I've looked at the Freddie Roach session on paper, and considering the musicians and time period as his last recording session for BN...I get the feeling it's probably a decent session. Just not up to MC's standards. But, I'd love to download it!!! Bad or not, I'd like to hear it!

  7. Not to let you down, but... Fred Jackson is NOT on this album. I have the original LP....Fred is pictured on the back, but there is an asterisk by the photo saying Fred joined the group AFTER the recording was made. Yeah, wish Fred were on it. That said, this is a GREAT album. I've loved it for years, DIG it....you will. Just to hear Leo Goodin's freakishly female vocalizations is worth it (he's not bad at all, pretty good. Just the picture of Leo on the back doesn't quite match the voice). Of course, this is Leo Gooden...as in Grant Green's "Gooden's Corner." Yeah, Grant played Leo's club extensively before he made it big.

  8. Vibes are such a cool instrument. Congrats!

    I've been playing more piano / electric piano lately, when it comes to practice time anyway. It's nice to approach a different instrument for a bit and then come back to the B3.

    I agree whole heartedly Jim. As much as the B3 will always be first and foremost in my mind, as far as playing it...it's easy to get caught up in the stylistic niches of your hero's licks, tricks and approach. Plus, I just dig the vibes and always have...the first organ record I had was Tough Duff with Lem Winchester on vibes...those two instruments have a very symbiotic relationship. Also, like you know, you get so caught up playing basslines on organ, that it's nice to approach it from another angle like the fender bass. Bought Carol Kaye's little instruction video from her website and it's pretty great! Anyway, got to get out and stretch the mind muscles a bit in unfamiliar terrain.

  9. Well, having lived with them for over a year now, I would say that the upper octave is extreme, but the lower and middle octave have a lot of depth that I would not describe as "bright". Maybe I got it wrong. The upper octave SCREAMS if I'm playing with med-hard mallets! Maybe that is how other vibists describe these bars as bright! I've found that the mallets make as much of an impact on my tone as anything. The bars sound very different playing with a medium mallet vs. a medium hard mallet.

    I always thought I'd play with the motor running, but I've really been playing more without vibrato than I have with.

    Bruce, do you play with vibrato most of the time?

    Hey impossible,

    How are the Deagans? Just bought a set myself... Deagan 510 Performer...., should be here in a week or so I'd guess. Can't wait.

  10. yeah, i'm a big fan. been diggin that one for years. Trudy Pitts is just such a monster, and this is one of the few recordings of her...especially as a sideman. Think she's a sideman on Willis Jackson's Star Time, and that's about it almost from the Presige period. That version they do of Just Friends is ridiculous.

  11. The albums he's been putting out himself over the last few years are, in my view, the best he's ever done, not because they're particularly good (on objective grounds you wouldn't stack them up against his Blue Notes and Prestiges) but because they're particularly Braith-y.

    The thing he did with his daughters (The Braith Family singers, is how I think he billed them) is the eptiome of this, I think.

    His daughter Flame was a well-known background singer during the disco era.

    MG

    Wow, never knew that about his daughter Flame! I'm going to talk to George soon. I'll be sure to tell him all the praise about his latests recordings. The thing I love most about George is his complete habitation of the unique harmonic world he invented for himself. One of the things that I think get's lost, because he doesn't feature it all that much...is that he's truely one of the BEST tenor players I've ever heard.

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