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Posts posted by fasstrack
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For those coming it should be interesting: I wrote some charts, including one on J.J. Johnson's Lament, one on Benny Carter's Summer Serenade, some Wes Montgomery tunes and more. Plus I have some originals and so does Sean. Also I expect some fine guitarists to be sitting in...
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6 hours ago, Scott Dolan said:
All I'm saying is that podcasts are incredibly popular. So there's more people listening to them than just me. I'm sure the majority of people of people are listening to music, but probably not as many as you think.
My point was that they're still disconnected from everyone and everything else, no matter what they're listening to. That's what troubles me...
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7 hours ago, Scott Dolan said:
How many of those people are listening to something relatively educational, though? I
I have no clue. Maybe you're right, but then they're moving their heads up and down to that educational stuff
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Sunday, 8-28, 8-11 PM: Joel Fass, guitar, Sean Smith, bass. Walker's Restaurant 16 N. Moore St., Tribeca (one block north of Franklin St. station on the 1 train.
Excellent food and service. Buy a dessert and hear us.
Friends and music lovers, please come down!
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5 hours ago, David Ayers said:
I guess Miles knew that trumpet-tootling is not that interesting to most people and that it was necessary to appear 'interesting' in some other and, as it turns out, even less interesting way.
Exactly. You nailed it...
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4 hours ago, A Lark Ascending said:
Having no music for a while makes the opening of the sets more special. Especially maddening when the musicians are on stage ready for the off and whoever is in charge of the tape isn't paying attention.
Good point. It's distracting to musicians as well. Musicians need some quiet time before the set to focus and get ready to give our all. Sometimes that entails not even hearing music in one's own head for a brief moment, let alone hearing it externally...
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I mean John Cage thought that all sounds are music.
It's become downright deplorable. When you get on a subway train here, no one is reading anymore. Everyone is either lost in earbudland or playing with a device. Sure, they are useful tools, but I honestly fear for the future of human communication and self-betterment...
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On 19/08/2016 at 11:07 PM, A Lark Ascending said:
...But if you like to have music (or need to because of limited time at home) while out of the house it is a wonderful addition.
Maybe I'm a hard case, but I also don't want to be like the other 'sheeple' walking around with earbuds in and practically crashing into you because they are lost in their private reveries.
I have enough music in my life on jobs and at home, working on it or listening. When I'm outside I really cherish the opportunity to see what's going on and interact with other people if possible, so I try to keep my ears open and unemcumbered. The modern world is way too atomized...
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4 hours ago, six string said:
Re: Desifinado, it was mainly that unrelenting clavé throughout the album that ruined it for me.
Maybe it was over-used because the drummer, Willie Rodriguez, is a Latin drummer and that's what he was raised on...
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5 hours ago, six string said:
I'm a huge fan of Coleman Hawkins but Desafinado is my least favorite of his entire ouevre. There is an almost constant clavé beat throughout the album that ruins it for me. It may have been an attempt at unifying the sound but it fails imho. Admittedly many labels tried to take advantage of the wave created by Getz/Joao Gilberto but they weren't all successful imo.
Barry Galbraith was on that date, and he laughingly told me that 'no one knew their ass from a hole in the ground' trying to play that music. I guess, as you say, it was was another attempt by a record company to have their jazz artists cash in on the Bossa Nova craze.
As I remember it, though, it was pretty good...
Also, FWIW, I've worked with a terrific and unique drummer originally from Rio, Vanderlei Pereira . He plays guitar, too (I think it's against the law to be Brasilian and not play guitar). One time we met for coffee I had my guitar, and I asked him to straighten me out out on how to play the basic bossa comp---because I'm just a dumb Yankee. He did...
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5 hours ago, six string said:
I'm a huge fan of Coleman Hawkins but Desafinado is my least favorite of his entire ouevre. There is an almost constant clavé beat throughout the album that ruins it for me. It may have been an attempt at unifying the sound but it fails imho. Admittedly many labels tried to take advantage of the wave created by Getz/Joao Gilberto but they weren't all successful imo.
Barry Galbraith was on that date, and he laughingly told me that 'no one knew their ass from a hole in the ground' trying to play that music. I guess, as you say, it was was another attempt by a record company to have their jazz artists cash in on the Bossa Nova craze.
As I remember it, though, it was pretty good...
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7 hours ago, Teasing the Korean said:
That in itself doesn't explain why it has attained that status.
Sure it does. Everyone wants something they can latch on to easily. And a lot of musicians are just lazy...
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Wonderful tributes to his writing and personage by Argue and colleagues including Jim Hall, Clark Terry, Maria Schneider and Jim Mcneeley. I thought it a great read:
http://www.newmusicbox.org/articles/celebration-remembering-a-tribute-to-bob-brookmeyer/
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6 hours ago, Teasing the Korean said:
I have often wondered what it was about this tune that made it become such an uber-standard of the bebop era.
It's because it's so easy...
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Phil Schaap talking his ass off as per usual in a purported Bird Flight tribute to Thielemans.
14 minutes into the show, no music yet...
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10 hours ago, BillF said:
Your comment reminds me of Johnny Mandel's wittily titled "Not Really the Blues". Love the Herman recording!
https://www.youtube.com/watch?v=f3sVa7E0EqA
Dick Hyman has a chart called, I think, The Longest Blues in the World. I heard it. It was...
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I liked Raise Up Off of Me the best of all of these by a long shot.
Lee Konitz is an interesting, if kvetchy, commentator on improvising. That was a good read, even if IMO he thinks too much...
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On 22/08/2016 at 7:14 PM, The Jazz Aficionado said:
However, it should be noted that “Rhythm changes” evolved into a chord progression that was not exactly Gershwin’s. As was often the case with other compositions, jazz musicians streamlined the progression, reducing it to a simpler, more improv-friendly harmonic framework.
Nobody plays Gershwin's tag. I think I heard Barry Harris do it once, with his singers, but only at the very end...
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I may just get it after I finish what I'm currently reading. Not every musician is comfortable writing prose. He did a good job..
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I came upon this just today, though it came out in 2009. Read through the sample and it was well-written. 'Worth a shot', as they say...
https://books.google.com/books?id=P-iV_MzcUEcC&printsec=frontcover#v=onepage&q&f=false
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4 hours ago, mikeweil said:
As spectacular as his harmonica playing was, I like his guitar even more. What was the tune on a Quincy Jones LP where he whistled along to his guitar? Still have it in my inner ear ...
R.I.P.
Yeah, he was a musical and soulful guitarist with a good sound. Didn't play or need to play a whole lot of notes. I heard him play The Mooche on guitar, after he had the stroke. He nailed it. Good stuff..
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Memorial broadcast for Toots Thielemans right now on WKCR FM 89.9 FM and streaming live...
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Memorial broadcast for Toots Thielemans right now on WKCR FM 89.9 FM and streaming live...
Death of the iPod (Everyone's buying vinyl)
in Audio Talk
Posted
Why are people having so much trouble getting my simple point? All I mean to say is if people aren't talking live to other people that's not interacting to me. Yes, listening to the same podcast puts people in a group of sorts. Until they meet and talk about it over a beer or something that's not a real 'community' to me.
No thanks on the boom boxes. There's a guy in my 'hood who rides through the streets on a bike blasting Latin music. Amusing up to a point, but...