He was also putting down Cecil around the same time--didn't DB give him a Taylor record for a blindfold test? He said something like, "Take it off, man! Is that what the critics are digging? They'd better stop drinking coffee," or something like that.
Clem--I love "What Are You Waiting For, Mary?" and have to say that Crosby also really makes that piece for me as well. To me he's an early avatar of white hip. I remember your stating elsewhere your intense disappointment with Giddin's Bing bio--do you have any recommendations for other writing about early Crosby?
Yes Miles was putting Ornette down but you have to know Miles to understand that it didn't mean he wasn't listening or respecting what the man did. The same way he was putting down Brubeck and playing his tune on "Miles Ahead". In his autobiography he said that he had respect for the "new thing" or "free thing" and it was one of the things he was learning from Tony, Ron and Herbie. He also said that he changed his mind after listening to Tony Williams' descriptions of Ornette's music.
His problem was that their (avant garde musicians) music was not understood by the audience and he also told that "white critics" were praising the new thing on purpose so that white artists could be popular and jazz will be pushed aside.