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Samo Salamon CDs with Binney, Roseman, Helias, Godard...


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Posted

Hey guys,

for my first message to this forum I just wanted to let you know that I put some new music on my website - http://www.samosalamon.com

please also let me know if you might be interested in any of the cds, especially of those which don't have distribution in the States (just send me a PM or an email through my website):

SAMO SALAMON EUROPEAN QUARTET: Fall Memories (Splasch Records, 2007)

with Michel Godard, Luciano Biondini, Roberto Dani

SAMO SALAMON EUROPEAN QUARTET feat. MICHEL GODARD: Nano (Goga Records, 2007)

with Michel Godard, Julian Arguelles, Roberto Dani

SAMO SALAMON NYC QUINTET: Government Cheese (Fresh Sound New Talent, 2006)

with Dave Binney, Josh Roseman, Mark Helias, Gerald Cleaver

SAMO SALAMON NEW QUARTET: Kei's Secret (Splasch Records, 2006)

with Achille Succi, Carlo DeRosa, Tyshawn Sorey

SAMO SALAMON QUARTET: Two Hours (Fresh Sound New Talent, 2006)

with Tony Malaby, Mark Helias, Tom Rainey

SAMO SALAMON SEXTET: Ela's Dream (Splasch Records, 2005)

with Dave Binney, Kyle Gregory, Achille Succi, Paolino Dalla Porta, Zlatko Kaucic

SAMO SALAMON QUARTET: Ornethology (Samo Records SSCD 03, Statera, 2003)

with Achille Succi, Salvatore Maiore, Zlatko Kaucic

thanks a lot for checking out the music, guys!

bye,

samo

www.samosalamon.com

SOME CRITICS:

»One of the young lions of Europe's modern creative music scene.«

(Michael G. Nastos, Allmusic 2008)

»Samo Salamon deserves to be considered in the same breath as contemporary guitar innovators like Kurt Rosenwinkel, Ben Monder and Adam Rogers.«

(John Kelman, All About Jazz 2007)

»The guitarist appears again to be one of the most intriguing musicians around and who knows what he has in store for us.«

(Alain Drouot, Allmusic 2007)

»Possessing a monstrous technique and an intense desire to navigate multiple jazz related genres...« (Glenn Astarita, EjazzNews 2006)

»He attacks thematic patterns from every angle, making dramatic variations in phrase length and tempo from bar to bar.« (Peter Margasak, Downbeat 2006)

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