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ANDRE EKYAN

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It is within French jazz that one finds some of the earliest evidence of European voices establishing themselves on the saxophone. The contributions which André Ekyan (1907-1972) and Alix Combelle (1912-1978) made to the musical genius Django Reinhardt in the late 1930s are clearly informed by their literate enthusiasm for such American masters as Johnny Hodges, Benny Carter and - above all - Coleman Hawkins. In their recordings one finds altoist Ekyan and tenorist Combelle preparing cultured pathways for the elegancy and bite of their American confreres. (Quote from: European Voices - Michael Tucker (in: Masters of Jazz Saxophone)).

The 1930s | The 1940s and 1950s

Keep swinging

Durium

Edited by Durium

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