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St Paul’s was fuller than Christmas Day, and scarcely less reverential. Joint appearances in London for the Norwegian saxophonist and the crystalline vocal quartet are rare; this was only their third visit to St Paul’s since the 1994 release of their best-seller Officium.

The mood was set with a moment of silence and a prayer from a deacon. The ensemble entered from the back of the cathedral singing a Latin introit. Black-suited with shirts in descending monochromes, they might have been priests themselves.

More here: Garbarek

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