mjzee

The Cleveland Quartet - The Complete RCA Album Collection, disc 18 (String Quartet #13, Op. 130).

It's part of this 40-CD box I bought in the mid-90's: https://www.discogs.com/release/5679460-Duke-Ellington-And-His-Orchestra-The-Duke-Edward-Kennedy-Ellington I found the sound quality acceptable. The "Ellington In Order" downloads were far better, but this box is good for all the non-Sony material.

That session was recorded for English Decca. I have it on this:

Landslide has a new cover for its Tone Poet reissue:

Riccardo Muti - The Complete Warner Symphonic Recordings, disc 57.

I think from this point on in the series, everything's available on either the Mosaic box or the RCA centennial box, so maybe continuing the series isn't that vital. I'll miss it, though.

Per the Hoffman forums, Sony has let go key people in the department who worked on their digital reissues. There used to be weekly listings of their reissued titles; those seemed to have stopped.

I actually agree with you. I chose "You're Still The One" because it was the only song on the album that was anywhere near contemporaneous - and even that song was about 20 years old when Scofield did it. The rest... let's just say that Grant Green could have covered them on "Goin' West." I don't think Sco actually listens to country music. He's always been heavily into wordplay, so I'm convinced the genesis of this album was when he saw the movie "No Country For Old Men." He looked in the mirror, saw an old guy staring back at him, and said "Hey! I can do a country album called "Country For Old Men"! Cool!" But then the challenge was in actually doing the album. I'd challenge him to do a cover album of Morgan Wallen songs.

The Cleveland Quartet - The Complete RCA Album Collection, disc 17.

Good responses. I also thought he sounded like Stitt at times. Already identified. Correct song title. Not Pat. Nice observation about the title, which is not (exactly) Red Cross. Good identification of everyone except the bass, who is the leader. Not Teddy Edwards. Chicago guy. Not John Lewis, if that's who you mean, but there is some element of the MJQ here. Correct. Kinda like JATP under the name of a leader. Not Louis (like Beatlemania, "an incredible simulation!"). Your observation about a Japanese audience is dead-on.

Riccardo Muti - The Complete Warner Symphonic Recordings, disc 56.

My doctor said the theory is that while you're taking the med, you naturally eat less because you're not as hungry. If you develop healthy eating habits during this phase, you may be able to discontinue the med. I've read, though, that the problem then is that the hunger pangs come roaring back. Maybe at that point micro-dosing is the answer. I'm still on the fence and haven't embarked on treatment (pre-diabetic phase).

Thanks. #9 was my "how can I include a Monk performance that people wouldn't guess was Monk?" It could have been worse - the album Columbia wanted him to do after this was "Monk Plays The Beatles."

The Cleveland Quartet - The Complete RCA Album Collection, disc 16.

I love Milt Jackson's music, he's one of my favorites in all of jazz. John Lewis: he's pretty boring in the context of MJQ (IMHO), but I do like a few of his solo efforts on Atlantic (for example, "The Golden Striker") and RCA. I would blame the MJQ dynamic more on the success of the format: the tuxes, the composed demeanor, the demure performances. Of course they could really swing, but when they did, it was still really polite. But it was marketable, which I do not criticize.