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Ken Dryden

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Posts posted by Ken Dryden

  1. 2 hours ago, Brad said:

    According to Discogs, it was [f]ounded in 2012 as a partnership between American producer Zev Feldman and Spanish producer Jordi Soley.” That’s the only info I’ve been been able to find. 

    That is correct. He discussed working with Jordi in the Zoom interview I did a few weeks ago.

    I just got the new Downbeat and I felt the article about Zev Feldman was edited down for space too much, it deserved more.

     

  2. 12 hours ago, Dan Gould said:

    But if, for example, you prefer earlier Cannonball?

    I haven't ordered anything but the Shelly Manne is closest to being sooner rather than later.

    I like the 1969 set better than the 1972. George Duke is a great musician, but he's on electric piano for the whole show, which gets old. Fender Rhodes has never been one of my favorite instruments, too often an artist's touch is compromised with the mushy sound.

    On 4/21/2024 at 3:49 PM, sidewinder said:

    On the second disk from 1966 with the Penthouse broadcasts, Ruth adds a vocal to the short 3rd track of each broadcast. Works well !  As mentioned in the booklet, she was also a good friend of Manne and helped him to scout out the location of the Manne-Hole club.

     

    Isn't Ruth Price the owner of The Jazz Bakery in Los Angeles?

  3. A number of classic homes on West Paces Ferry near the Governor's mansion in Atlanta have been razed over the years and replaced with McMansions. Of course, the only way to preserve a historic, classic home is to set up a trust and donate it to a foundation with the stipulation that it can't be razed or excessively remodeled. But heirs usually want the money and don't care about preserving buildings.

    It is always interesting how people want to control other people's property, which costs them nothing to do. 

  4. The two chanting tracks on the Sun Ra CD set quickly grew tiresome, it might be more fun to witness that in person, but I would rather have music on a CD. Of course, that may have been all that was available and useable from that show. I

    I would rate them all as outstanding and worth buying if you are a fan of the artists.

     

     

  5. Whoever the genius is who decided to make the Nat King Cole Live At The Blue Note Chicago CD set a limited edition of 5000 has evidently created a firestorm of speculators snapping up every copy for resale. I was planning on buying it online at 8 am ET when it was first available, but got up early and then fell back asleep. All of the usual sellers had no stock by the time I awakened again at 9:15 am, it took awhile to find a copy anywhere. I already spotted some obvious resellers asking prices of $50 or more.

  6. Michael Cuscuna made a huge contribution even before he formed Mosaic Records with the late Charlie Lourie. His many accomplishments and success in creating some of the most treasured boxed sets in jazz history will be a great legacy.

    He died far too young at 75.

     

  7. 10 hours ago, JSngry said:

    When was that, and where?

    I love Louis Jordan, but his mass popularity was far behind him by the time of the modern jazz festivals.

    Was it something that Johnny Otis was booking? Didn't Jordan and Otis do business together for a minute or two in the late 60s?

    Mel Torme wrote in his autobiography about an agent telling him that his being billed above Duke Ellington wasn't a problem. But when Duke found out, only his band played the first few nights until Mel finally relented and gave Duke top billing. Artists like Duke Ellington earned top billing on every engagement and to see artists billed at the top of a jazz festival that have nothing to do with jazz above NEA Jazz Masters is beyond pathetic. 

    I imagine these people would book Kenny G at the top of the billing without hesitation. 

  8. Nat King Cole - Nathaniel Adams Coles

    Ike Cole - Isaac James Coles

    Eddie Cole - Edward Bennett Coles

    Freddy Cole - Lionel Frederick Coles

    George Brunis - George Clarence Brunies

    Tadd Dameron - Tadley Ewing Dameron  He initial spelled his first name with one d and later added a second d.

    Stephane Grappelli - Stefano Grappelli  

    In the early part of his career the violinist’s last name appeared as Grappelly into the 1960s and even after it was reverted to the original spelling on recordings that is how he continued to sign his name. I have a dated autograph on an LP that Marian McPartland borrowed from me that he signed during his Piano Jazz session.

     

     

     

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