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Posts posted by AllenLowe
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there's a whole chapter on them in one of Richie Unterberger's books:
Urban Spacemen & Wayfaring Strangers: Overlooked Innovators & Eccentric Visionaries of '60s Rock
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I just want to point out that this may be the only thread on Organissimo wherein I have not pissed off Chuck Nessa.
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helen humes
teddy edwards
HAMPTON HAWES
Joe Maini.
Carl Perkins (blue suede bebop; very versatile musician)
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no no no.
I love the white album....
penny lane is too McCartney.
Strawberry Fields is brillliant.
and Helter Skelter is great - ask Charles Manson.
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my favorite guitar these days is a weird Guyatone with a harmony neck and a Lollar P90 on the neck pickup - because the strength of the P90 is only about 6k it has a true '50s sound, kinda round and rich but none of that high-gain ceramic stuff (which is fine as I've cancelled most of my stadium concert dates). the guitar itself is something of a mixed thing, action is good but not great, but it's light as a feather and good for my ageing hands. Playing it through a Silvertone 1484 or a 5D3 replica (the 5D3 was Fender's pre-5E3 circuit). Taking this baby to NYC next week to record with Matt Shipp, so I gotta practice -
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I love Clyde Hart. one of the greats -
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"Whatever Jim wants is fine, he's paying for the board, so his rules rule"
exactly - but I wish he would relax that "wear a thong while posting" rule. I've got the wedgie of my life -
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I like the chorus - fits the song. And who can forget those magical lyrics: "Oh....oh......."
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first amendment
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funny, as I was thinking about posting, as I never really liked him much, but was hesitant as I met him once and did not like the guy (very full of himself, a bit of an "artiste") and was worried as I was uncertain whether I was confusing my personal feelings with my critical judgment - but then I read Chuck's comment, which gave me courage - as I have always been completely unmoved by Douglas' music and playing -
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my life go down the toilet
but that's a re-run - now I'm watching America's Wildest Police Videos -
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Pepi La Pew
The Pepsodent Twins
Pepper Adams
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and let's hear it for The Pretty Things - great group- may have done the first rock opera, too -
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there's really nothing in the performance or text of Revolution that indicates any intent at irony; it's just a bad (middle class revolutionary) song.
and I never said the Beatles were not an important (and vital) component of the 1960s - only that Copland's edict was hopelessly muddled.
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I don't think so - I CAN tell you that at the time it came out it was seen as his way of disparaging the use of violence, as part of his and Yoyo's whole "you can have peace if you want it" campaign. I don't see the irony -
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loved the Hollies - and always thought that Pay You Back With Interest and Stop Stop Stop were two of the best songs of that era -
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looks like Kelley is doing a talk at Columbia U on the night of October 13 - luckily I'll be in NYC that night - will see if I can get uptown -
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amazing pianist - on my blues set I've included "5 Spot Blues" which has amazing work, as well, from Colemn Hawkins (I got this off one of those old gatefold Bluenote LPs with the brown covers).
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I've always found the song Revolution to be one of the dumbest things in the Beatles' whole ouevre; too many millionaires in that group, and the lyrics are so shallow/bourgeoise as to not even merit being taken seriously - "if you're talkin' 'bout destruction...count me out" stands as the ultimate in idiotic liberal piety - not because the sentiment is bad but because it's such a 3rd grade view of the whole concept - and an easy out, to boot (same thing with the "pictures of Chairman Mao" reference). The fact that it could be used for a corporate commercial shows how "dangerous" Lennon was, particularly under the pseudo-revolutionary sway of Yoyo. I used to watch Lennon on tv shows in that era, trying to talk his way into a neo-Marxist world view and it was pathetic - a brillliant and first rate auto didact basically turned himself into a 2nd-rate intellectual.
and as for Copland's "If you want to know about the Sixties, play the music of The Beatles," more sociological short hand that has nothing to do with much of anything. Also, the kind of thing he and Leonard Bernstein were saying to show they understood "the kids." Do the Beatles tell us about Vietnam and Cambodia? Watergate? The true explosion of certain kinds of social consciousness? Paris 1968? The assassinations of JFK and MLK? Abbie Hoffman? The Weather Underground? Robert Kennedy? Ornette Coleman? The blues revivial? Fidel Castro? The Bay of Pigs? The Cuban Missile Crisis? The Test Ban treaty? The Tet Offensive? Lyndon Johnson? The London Mod Scene?
Bullshit; Copland was "there," maybe but he wasn't really THERE, if he says that. This is all, pardon my annoyance, very shallow political commentary. Very much in line with Adorno's conclusions, as cited by Larry kart on another thread here.
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yes, Matt Shipp is one of the greatest pianists I have ever heard - and I'm not just saying this because I'll be recording with him in 2 weeks-
and let's not forget Jaki Byard -
and I will add one of the best and largely unrecorded pianists I ever knew - the late and lamented Andy Shapiro.
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I've always found the song Revolution to be one of the dumbest things in the Beatles' whole ouevre; too many millionaires in that group, and the lyrics are so shallow/bourgeoise as to not even merit being taken seriously - "if you're talkin' 'bout destruction...count me out" stands as the ultimate in idiotic liberal piety - not because the sentiment is bad but because it's such a 3rd grade view of the whole concept - and an easy out, to boot (same thing with the "pictures of Chairman Mao" reference). The fact that it could be used for a corporate commercial shows how "dangerous" Lennon was, particularly under the pseudo-revolutionary sway of Yoyo. I used to watch Lennon on talk shows in that era try to talk his way into a neo-Marxist world view and it was pathetic - a brillliant and first rate auto didact basically turned himself into a 2nd-rate intellectual.
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great clip - strangely, it looks like Stan Laurel on percussion - great playing by Jack Bland (banjo) -
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"What do you think of this theory of "walking erect for sex!' "
well, it's not something you should try at work - or in a school yard -
West Coast Jazz Recommendations
in Recommendations
Posted
Mine too. Glad we can have this rare moment of fraternity, Cliff.