Yes, very informative discussion of bass players by Shrdlu. Back in the early 60s I had a bass player friend who couldn't share my enthusiasm for the Parker quintet sides because, as he said, the bass player was "playing the wrong notes". Interesting, then, to read what Shrdlu says about Curly Russell. I notice that, with the emergence of a more advanced bass style in the 50s, Russell was the first of the Parker bassists to disappear from the scene. (I recall reading that he was reduced to driving a taxi.) Potter, perhaps a little more sophisticated as an instrumentalist, survived to play with Gil Evans much later, not to mention his Hard Funk album from Scandinavia. For my bassist friend the first "acceptable" player was Percy Heath and his favourites were Chambers and Watkins. In the later 60s we went to see the Junior Mance Trio with Bob Cranshaw. My friend was swooning at the bass playing!