And don't forget the huge popularity of instrumental electronica in the 1990s and early 2000s.
Yes, though I am not sure how much of that charted aside from something like US3 Cantaloop (which if I recall accurately, many here loathe).
Looking through these various posts and key threads, with a semi-detached eye, there really is just so much snobbery it is pretty sickening. Any artist that is under 50 that gets halfway popular is almost immediately knocked off the pedestal. I have indulged from time to time, though try to stay out of it, mostly since my emotional attachment to jazz is probably half of what it was 10 to 15 years ago.
But yes, in terms of its overall cultural relevance, I do think jazz is now dead. Sure, there are some legacy projects (perhaps more in Europe where there is some public funding keeping this stuff going) and a few cities where jazz seems truly alive, but not for the majority of people who couldn't care less.
"But yes, in terms of its overall cultural relevance, I do think jazz is now dead."
Neatly put, and perhaps controversial, but accurate.