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Gheorghe
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Posts posted by Gheorghe
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Serena and me, at a fancy summer resort just before COVID started.
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11 hours ago, jazzbo said:
Grant Green “Am I Blue?” US RVG Blue Note cd
This one gets little love, but I really do like it myself.
I know, that it gets little love, but I can say there is certain occasions where I like to hear it, especially very very late at night. The title track is just fantastic and really has that after hour feeling.
Usually I listen to recorded music always after midnight, and sometimes, when I don´t want to hear more loud and rhythmic stuff , you know there is nights where you just are in that mood, you love it. -
9 minutes ago, sidewinder said:
A bit late but I've gone for a copy of the LP version of this set. Only have 'Moves' on LP and the Changes 1 and 2 on old CDs so it will be worth it. Have to say that I never originally bought 'Cumbia..' onwards due to the widespread negative reviews at the time. In hindsight, a mistake.
Should be very good Xmas listening along with the Don Byas set ! This era of Charles Mingus was long overdue a decent reissue.
It will be nice to read the booklet in comfortable size without a magnifying glass as well.
I was not aware of negative reviews and I even think, that I heard the long suite Cumbia live BEFORE it was in the record shops. Mingus himself announced it as a "Movie score we just had recorded".
Same with "Three or Four Shades of the Blues" . Well again, I have heard live the title tune, also a kind of suite, but there was no guitars and no two basses." Noddin´ Ya Head Blues" also was performed, but much faster than on the record.
Both albums reflected what Minguts actually performed in those days, but yeah, they are somehow overproduced.
I first was reluctant when I saw the cover of "Three or Four Shades", with all them little fotos of the musicians, and see´n a white young hippie (Corryell) and a white old man (Rowles) didn´t really encourage me. Not that I wouldn´t have dug young hippies (I also had even longer hair at that time) or old gentlemen, I was used to other images of Mingus-Musicians.But the review of "Three or Four Shades of the Blues" in the important magazine "JazzPodium" was positive, even if the only "negative" remark was that it is not as deep or good as "Black Saint and Sinner Lady".
Since sure I love "Black Saint and...." it wouldn´t be my first choice Mingus album anyway, so I was content to read a good review and bought the record.Too bad that the following tour, planned to promote that album, was chancelled because I was prepared to take the album to the concert to get it signed from the Master Himself.
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15 hours ago, jazzbo said:
Started the day off with the breezy sounds of trombonist Vittor Santos “Renewed Impressions/Renovando As Consideracoes” cd on Adventure Music. I love this cd!
Followed by the Verve Acoustic Sounds series Japanese SHM-SACD of “Duke Ellington & John Coltrane.” Sublime sounding disc, music that I have cherished a few decades.
Followed by
“Chico Buarque Songbook Vol. 6” Lumair cd
The Coltrane-Ellington thing I remember I got from Serena, she has that thing she just read the interpret and knew she somehow heard me mention him, and bought it. Funny she knew the name "Coltrane" better then "Elllingon".
The interesting thing is, Ellington is one of my favourite composers and he is compin so fine on the tunes, but other than Monk if he does his or elseone´s composition, I prefer to hear Ellingtons composition played by others. Same like a Dizzy with Basie LP I also got from her. She knew who´s Diz (or better: his cheeks) but had´n heard of Basie, and maybe the instrumentation quartet with Basie is quite thin.
But they are some of the most interesting albums, and the most beautiful of those star-combinations is another one I got from her "Coltrane-Hartman" with that fantastic bop era balladeer..... -
I think I heard him sing "Dinah" once, is that possible ? Liked it, quite of hi pitched voice.
I think he was not the only one with different birth dates.I never knew when Hawk was born: Once I read 1902, or 1904 or even 1906. Anyway .....for the modern bop stuff he played and rote (Dig "Bean ´n the Boys" which I love to play) it´s wonderful how much ahead of his time he was.
But all those senior players like Hawk, Rushing, Basie I see photos of them it seems they never was really young, they always looked a it like old men. Like on that film of Monk playin Blue Monk with Basie just sittin´ there, he really looks like an old man which sure he wasn´t when that old film was made...
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9 hours ago, Brad said:
Mark Styker mentioned this last week or the week before in one of his Twitter posts so I picked up a copy.
Yes you mention it and I remember I must have it somewhere. When I was a youngster, I bought a lot of those "Spotlite" LPs, I think there is also one of Bird in Paris, but they published anything that was recorded of Bird, may it be good, may it be sad, may it have a better ore a barely acceptable sound.....
I have a vague memory, that there is also tunes that Bird didn´t record much, some "Strike Up the Band" or "Fine and Dandy" or so.
There´s also a very long Body & Soul but somehow the local musicians never know if to play ballad time or double time, so I think I remember they not always really together....
The rest might be standard bop repertory like the "Bird in Paris"....
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4 hours ago, HutchFan said:
Coltrane's "Stardust" is on a different 1970s 2-fer titled (appropriately enough) The Stardust Sessions. I only know because I also have this album in my collection.
´cause you mention it and you must be right:
I think I even have the CD or LP of "Stardust".
It seems it was not only the tune, but the album´s title too.
But you know....I have certain tracks in my mind and hear `em in my head rite now while I write this, but I never know exactly to what album it belongs, even if I have the personnel in my head.
I hear something that might have been a milestone in my developement but that´s all.
The only thing I sure know is that I like his 50´s session more when Philly Joe Jones is on drums. Art Taylor was a wonderful guy and a very very fine drummer, but nevertheless the non plus ultra of his time, I mean pre-Tony Williams, pre Elvin Jones would be Philly J.J. for me.
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3 hours ago, HutchFan said:
CD compiles two of Coltrane's Prestige LPs: Traneing In and Soultrane, both tenor-plus-rhythm dates with Red Garland, Paul Chambers & Art Taylor
Looks fascinating. Both music & book.
I think this was a double LP from Prestige as there were many in the 70´s .
Trane´s version of "Stardust" is on of the greatest ballad performances I ever heard. Not only Trane who anyway is one of the greatest musicians of the 20´s century, but also Red Garland´s solo and that wonderful bowed solo by Paul Chambers. And if I remember right, there is that fine version of "Good Bait" on it, as well as "Don´t talk about me", right?
I don´t remember all the tracks, but I remember those three as some basic learning examples for my own musicial developement.
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Both records were in all the record shops when I started to become very interested in the music of O.C.
I still must have them somewhere. The "Theme from a Symphony" was played very very often by Ornette Coleman, I like that long track and Ornette´s outstanding solo.
The other track from Morocco, I think it´s with local traditional musicians didn´t really work for me. I heard folk music in Tunisia with fine rhythm and which also had inspired Charles Mingus when he played in Tunisia and it laid the roots for Mingus´ last recording session "Three Worlds of Drums". But the Morocco track on Dancing in Your Head just couldn´t be understood by me, it doesn´t have that drive I find in other North African stuff...... -
2 minutes ago, mikeweil said:
Would you care to tell us his name?
And please keep us updated on your recording!
Andi Steirer .
And sure I keep you updated
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On 12/16/2023 at 12:17 AM, jazzbo said:
You know that Indian girl, she wasn't an Indian she was the lawThat pic of the girl reminds me of something from my youth.
I was partying somewhere and an Austrian girl, who though she was original Austrian, looked very much like that girl on the pic, and she wanted to date me. But somehow, then and now, such strong eyebrows never was my thing. I don´t like pencil eybrows either, but more that classic feminine styling.
But what I observe on beauty&fashion nowadays, this type of eyebrows and hair styling has been en vogue since a few years. You even see blondes but what irritates me is too dark and too thick eyebrows, and long trousers as standard look.
On that special occasion some 46 years ago, a middle aged American guy was sittin´at the bar and observed the scene and told me "you don´t know how lucky you are. She looks like an Indian girls and in the States the most beautiful girls are them indian type lookin´ girls"
But I was more than reluctant and maybe just silly grinnin´ and sure must have had a few, since aged 18 I didn´t say no when alcoolic beer was around.About the bass fiddle. Yeah there are gals who play it, but when I was a kid and still to small, my aims was to play bass fiddle since I considered it the most masculine instrument. I really played bass for some years.
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9 hours ago, ep1str0phy said:
I just dug this one out for the first time in a couple of years, and I was surprised to discover that my opinion on the recording had drastically changed. Regardless of my initial impressions, I had previously understood this live recording to be of historical value first and musical value second. In a way, it's neither as excessive (and fun) as the previously released Seattle stuff or as focused as the studio album or the '65 Antibes performance.
I've now had a few opportunities to listen to the Seattle ALS from beginning to end, and I can see the bigger picture. It's a decisively formalist reading of the music that just so happens to contain a series of tangential features - and many of the improvisations are extraordinary.
To those who still complain about Pharoah's contributions to this ensemble - he's dagger-sharp and admirably concise throughout this performance. He's also pretty clued in to the music. Contrast against Carlos Ward - a brilliant player who is just not connected to what's happening around him here. On "Resolution," Ward seems defiantly insistent on avoiding the piece's core tonality, and his largely linear, melodic playing clashes aggressively with everything around him. Pharoah, meanwhile, is all about riding the ensemble's intensity and notching up the energy. Pharoah understood the assignment - he totally belonged on this job.
The core quartet's contributions are also quite strong. Coltrane does a superlative job gluing together the guest features and the compositional material, and his short spotlight on "Psalm" matches or even surpasses the energy of the Antibes performance. Elvin is a dynamo throughout, and Garrison (with Garrett) is deeply dialed into the music's half-modal, half-free sonic environment.This document is also a McCoy Tyner master class. His comping throughout - especially on that egregiously out-to-lunch Carlos Ward solo - is brilliant. Free playing may not have been his preferred bag, but he is just so good at pushing the limits of tonality without losing focus. There are long stretches of improvisation that feel both literally and proverbially suspended - i.e., these episodes of harmonic development where it seems like a resolution is coming and it never quite does - and Tyner does not let his foot off the gas. As an aside, his solo on "Pursuance" has to rank among his best as a member of the quartet.
I really appreciate revisiting music to see where I may have been (or clearly was) wrong, so my time with this record has been a pleasant late-year surprise.Thanks for that great analysis. I appreciate writings like that very very much. Not just posting album covers, but really THINK about the music itself.
Best regards. Gh.
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I´m not really a conoisseur if it´s about recorded documents, I think the first version of Round Midnight I had heard on record besides the Blue Note recording in the 40´s was recently a discovered document of the first Dizzy Gillespie big band at Spotlite, that means before Diz added conga players, most of all Chano Pozo whom I love. And it is Monk playin on piano on it, before he was replaced by John Lewis.
But what is more important for me than when it was recorded is the tune itself. If I might be forced to hear only one tune, this one would be it. If I knew it will be the last time I play myself, Round Midnight would be it.
I can say it all thru Round Midnight. And if there is something true about what religions tell about souls that exist after death, or if I get into believing that before I die, I ´d tell my folks to spin "Round Midnight" when my body get´s into the crematory, or if they get together after doin what they think with my ashes..... -
Strange enough but I never ever had heard the Akyoshi-Tabackin band and it seams the only Akyoshi I ever heard is that piano solo on "I can´t get started" on the Mingus-Town Hall Concert, which sounds very similar to Lennie Tristano.
It seems that Lew Tabackin as travelled much as a single with local rhythm sections in the last years, I somehow missed it.
And I see so many postings about Eddie Palmieri, mostly from members who in general have very similar favourites like me, but before you posted that name, I haven´t even heard the name of him.....
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11 hours ago, T.D. said:
That looks good! I like Koller, and recently picked up an 1800 yen Zoller Japanese reissue threefer (orig. on Enja). Can't keep up with everything...
I love it, though I had all the BN stuff on the 1970´s double album "Fats Navarro". The strange thing is, that in this case BN made the mistake of sellin´ two individual albums with the same session, since the 1949 which is the best, appears on the Fats Navarro LP as well as on the "Amazing Bud Powell" LP.
Usually I´m not a discographer and don´t know anythin but the music and the musicians, but I remember I was pissed of by it, when I was a youngster and spent a lot of my pocket money just to buy the music to study it.....Well, on this CD is also somethin I never had heard before, I think a few tunes, that sound a bit too "polished" for my tastes, and one of them has a soprano singer that doesn´t sound like jazz at all.
I remember my wife when she heard that she bursted out with laughter and said something about "who is that crazy hen ?"6 hours ago, jazzbo said:I haven’t been doing a great job of chronicling my listening lately. Been busy. . .some home disasters like a 20 plus year old washing machine needing repairs that there are no longer parts for. . . so we were researching and buying a new one. (Settled on a GE Commercial model). And my best friend in the world has been going through some health issues and loneliness and I wish I could help him more but I’m 1400 miles away. . . so I’ve been spending time on the phone that helps us both out. And that and the holiday season have me calling others far more than I usually do. (I’ve a certain type of loneliness too, especially as I have friends of over 30 years, two over 35 years, that are far away and no one close by of the same closeness besides my wonderful wife).
Anyway the system sounds fantastic and when I do get to listen I’m just awed. A few Tom Harrell and Miles Davis listens have been the best that I could ever have imagined hearing. And this is a great one as well–one of those contemporary recordings where the music and the engineering are so well woven together. And the music has been giving me great dividends as it spins this last year. Wilkins is a real young lion with the goods.
Immanuel Wilkins “7the Hand” Blue Note cd
Wonderful thing you wrote about friendship and loneliness.
Well, I also had at least three good friends and all of them died prematurely due to heavy drinkin´. In each of the cases the drinkin´ led to liver failing ore heart failure, even cancer. That´s the bad side of the jazz live. Glad I don´t drink alcool.I don´t know the musician you posted here, but it looks so much like a "Sun Ra thing" !
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16 hours ago, Teasing the Korean said:
The gig did happen, and it went very well!
And my question wasn't about comping for vibes per se, but for vibes and Latin Percussion, where there is a lot of percussive qualities and not a lot of space.
Glad that the gig went well ! Indeed, comping for a more unusual instruments combination would mean some brainstorming for most musicians who usually are compin´ horn´s or other instruments that is not horns but play hornlike-solos.
I think, combinations like that in most cases are individual groups that perform and record in that manner, so they are booked as a unit, not like in most cases in jazz clubs where there is a star atraction (mostly a horn player) and you are freelancer and get the job.
But about percussion players. I heard one and he is just fantastic, which is not hard to imagine since he is probably the best in my country. I loved so much what I heard that I knew I must have him for the record we gonna make in january, where he´ll be on some originals I rote, plus on the standard "Tin Tin Deo"....., I´m really lookin´ forward doing that proiect, addin´ a percussion player to the core formation.....
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15 hours ago, Mark Stryker said:
his playing on "Love Is The Thing" from the same period with Walton, Williams, Higgins --easily Grossman's best post-1980 record.
Oh, I love that ballad, I know it from the famous Billy Eckstine recording from "Mr.B and the Band" and always wanted to perform it. Such a wonderful ballad, but not many horn players have it "ad hoc" in their repertory and since I usually have to play what is told to me just before the gig starts, there won´t be so many occasions for performing it.
And that "rhythm section" might be the best you can imagine. Would be nice to hear it. What album is it ?
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On 12/17/2023 at 1:52 AM, JSngry said:
These cats will not be owned:
was my first Wayne Shorter LP, and remains one of my favourites.
But it has no vibes, as the threadstarter had said he want´s to know how to comp vibes.
And it really seems that the gig didn´t happen. Well if the group is good there´s enough other gigs..... -
I got this from my wife for my birthday on december 14th, 2 days ago.
Again, she picked up somethin ´ from names she heard thru me. Dizzy of course, ableit Diz is not so dominant on this album.
The first tune is wrong titled as "Birk´s Works" but actually it is Bird´s "Quasimodo" and Diz is not playin. It´s a battle between Jackie McLean and Phil Woods, but also very fine Stan Getz.
The ballads "Warm Valley" and "Old Folks" are wonderful. Max drum features of course, Cherokee again with those great saxophonists.
Maybe I would have expected more from "Con Alma", it´s only trumpet with piano in a rubato style. How much I love to play that tune with a fine quintet, I just can´t think about that tune without drums.
Percy Heath has a wonderful feature on "Yardbird Suite". I like his sound also on the fast tunes. It´s very boppish, not them long notes, it´s more percussive style like Curley Russell would have done it, really fitting to the fast bop numbers......
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https://www.qartetoulilangthaler.at/uli-langthler/
I mostly go and listen to what fellow musicians are doin´ .
My favourite bassist with his quartet featuring Austrian Star Percussionist Andi Steirer at Jazzforum Modling in octombrie 2023
Such a great group, and some highlights were a composition written by the leader´s daughter : "Ama´s Blues", and an absolutly outstanding version of Charlie Parker´s "Ah-Leu-Cha". And them there actual CD is great !
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20 hours ago, Rabshakeh said:
Smooth jazz guitarist. Late 70s / Early 80s. Not the same person, despite me having assumed they were for years.
From your description it´s no wonder I didn´t have no idea who it is. Never got in touch with "smooth jazz" .
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1 hour ago, Rabshakeh said:
One day science will identify a way to tell Eddie Gale and Eric Gale apart.
ahm, wait a minute.....Eddie Gale about whom I was talkin´ is the free jazz trumpetist. But who is Eric Gale ?
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14 hours ago, Lazaro Vega said:
Have yet to own or listen to his Zodiac Suite album.
I have it on the Mosaic Strata East Recordings. But I bought that Mosaic almost exclusily for the Rhythm X which was a very rare record I liked when I was in my teens (since I was crazy about Ornette, Cherry and so on), but had it only on tape.
The Zodiac with Cecil Payne is solid, but like other sessions from that set it´s somehow outwordly since it has musicians who sure had bitter years then, playing straight ahead or more in tradition based music when even Free Jazz slowly came to it´s end.
The Brackeen-Don Cherry thing is nice and very similar to Ornette Coleman, but other sessions somehow have an air of death , it seems to be the last Kenny Dorham recordings, even 4 years after his splendid album series for BN had ended, same with Wyton Kelly who was in demand anymore like he was in the late 50´s and early sixties.
Somehow those recordings depressed me.
But I have heard Cecil Payne play that composition "Flyin Fish " maybe 35 years later, if I remember right it is a cross between latin and swing...... -
17 hours ago, Peter Friedman said:
That´s a great album, I love it !
13 hours ago, JSngry said:
1972 live dates, but I question the full accuracy of the personnel on "Perception", unless Bill Hardman turned into Woody Shaw and Dave Schnitter decided to play soprano...
Also gotta wonder about the 1972 date in general, just because.
No matter, it's a pretty good record anyway!
I´d also wonder about the date 1972.
Dave Schnitter was part of the comeback of Blakey in the late 70´s , ´77, ´78 and as much as I remember, in the early 70´s the Messengers practically didn´t exist since Blakey was constantly touring all over the world with the Giant´s of Jazz. And also the next years were absolutly lean years for the Messengers. Only the renewed interest in acoustic jazz in the late 70´s brought them all back for top billing. It was the band with Schnitter, Ponomarev, Bobby Watson, James Williams, Robert Irving that brought them back into full action and full houses......
3 hours ago, dougcrates said:
Original LP
Very interesting trumpet player. I first had heard him on the two Cecil Taylor albums for BN.
I think, not many people know that he was about the last musician to receive some advices and encouragement from Bud Powell, who lived round the corner.
Steve Grossman - ATT: Mark Stryker
in Artists
Posted
Some great Steve Grossman is on Miles Davis´ last album, that kind of Reunion with old friends in Paris, where they even play some stuff like "Dig", "Out of Blue" and so on. There is an acoustic sextet of Miles, Jackie McLean, Steve Grossman, Chick Corea, Dave Holland and Al Foster.....