mjazzg
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Posts posted by mjazzg
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1 hour ago, Alexander Hawkins said:
Pretty sure the Dixon/Oxley/CT gig was 2004; a double bill with a Braxton Quintet, whose set yielded this recording.
Yes, of course it was. One hell of an evening's music and my introduction to Mary Halvorson too
58 minutes ago, sidewinder said:Yes - It was right after the re-furb. I can recall the difference those wood baffles made at the back of the stage.
whereas I remember how comfy the newly upholstered seats were!
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Great minds!
Dutch Fontana
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what no mention of 4Hero? where it all came together for me
and then later on Two Banks Of Four. The sound of not so young London
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2 hours ago, sidewinder said:
Just recalled that last time I saw him was at London QEH with that amazing quartet with Anthony Braxton, William Parker and Tony Oxley. If I remember correctly, a bit of his poetry was featured too. Part of the London Jazz Festival, 2007 I think.
Before that was at much closer vantage with a couple of solo recitals in LA’s Jazz Bakery. That was pretty intense.
Wasn't that the RFH as part of the re-opening season after the refurb? I was at the concert and certainly remember it as there but memory's a slippery friend. Recordings of the whole gig are out thre if you know what to search for...
He also played with Bill Dixon and Tony Oxley at RFH, don't recall the year. Solos from all three before duets and a final trio. Dixon used lots of effects. Startlingly good
My memory is that on both occasions, buet certainly the quartet date, Cecil entered dancing and reciting before sitting at the piano. Magical
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2 hours ago, JSngry said:
Afronaught!
Then listen to it and decide what, if anything you like.
Good choices there and the UFO in the other posts
It always makes me smile how hackles are immediately raised by any mention of this genre. It's as if "real" Jazzisn't strong or robust enough a genre to take the "threat" of a different genre that happens to have the word Jazz in it.
3 hours ago, Brad said:Yes, real jazz.
what exactly is "real jazz"? I'm not sure I've ever come across that genre...
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A touching tribute
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5 hours ago, jeffcrom said:
An unsung masterpiece.
and only in my collection because you sang about it some time ago. Thanks
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Thank you Mr.Taylor. May you rest in peace.
You have left us a monumental legacy.
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I've often wondered why Evan Parker hasn't played with Roscoe Mitchell on any of Mitchell's visits to London over the last few years. Always seemed a tantalising proposition
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1 hour ago, Chuck Nessa said:
Received this from Paal in Knoxville.
That's a band to see live if you have a chance
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7 minutes ago, jlhoots said:
Nobody seems to like The Centaur & The Phoenix - BUT I do.
I definitely do too. It could've have been the next one up, easily
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Book Of Angels blindfold sounds a great idea and an original thematic approach to me - so much variety in the players and styles within that series. If it got mixed reactions then I'd've thought that was the idea of the exercise. At least mixed means there were some positive responses.
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35 minutes ago, sidewinder said:
Out of curiosity just checked that Jazz Centre Society booklet from 1971 and the gig at Hampstead Country Club in London had Annette Peacock on vocals/electric piano, Daryll Runswick on bass and Robert Wyatt on drums. Tunes performed included ‘Mr Joy’ and ‘Touching’ and this was the first of a number of appearances for the JCS over the following years I believe. Review was by Richard Williams.
It's line ups like that that make me wish I was ten years older!
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Looks like he's sitting in the front pew...
George Braith
in Artists & Recordings
Posted
got me tempted...