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sgcim
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Posts posted by sgcim
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My hippie older sister used to babysit for his kid back around 1970.
Then she bought a bass, and started studying with him. I still have the manuscript book with some of his lessons. He stressed learning tetra-chords.
He used to tell my sister that he loved to go over 100mph in his car to open up the engine.
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One of the few pianists whose LPs I'd buy without a second thought.
I found him more interesting to listen to than Oscar, because he played more percussively (I wonder if Eddie Costa listened to him?) and more irregular phrases than OP.
He'd always show some classical influence on his LPs.
I bought his brother's CD, hoping to hear the equivalent of PN on the guitar, but it wasn't happening.
![:shrug[1]:](https://www.organissimo.org/forum/uploads/emoticons/default_shrug%5B1%5D.gif)
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Very sad to hear.
We used to see him play at local libraries (back when this country actually seemed to care about its culture)when we were in high school. He was a big, happy, friendly cat who would talk about music with us. When he found out we were aspiring jazz musicians, he'd invite us over to his hotel room to help us get our thing together.
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Bill Dillard plays extensively on Vibe-rations. In 7 of the 8 tracks he has a significant solo and in all tracks has give-and-take sessions with Red Norvo. He, with Red, is given credit for composing 2 of the songs ("Rhee, Oh Rhee!" and "Porsche"). You could almost call this a Bill Dillard LP instead of Red Norvo. This LP is a "must have" for Bill Dillard fans.
Thanks, Stonewall! I'm definitely picking this one up.
There wasn't anything about Dillard in the radio doc. on Nocturne Records, but it's a definite possibilty.
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Here's a cut from the LP I found on the tube. For the more sensitive among you, forgive me for the ex-penal colonist narration, Red "bang dem planks Nerdvo, and Mundell Lowe content:
Does Dillard get enough blowing time on the rest of the LP to make it worth buying?
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What was the label for the "Nocturne" LP?
There is a picture of Bill Dillard on eBay right now. Item number 390484659479.
No, that's the trumpet player with the same name.
I emailed a GB cat who knows someone who's got the LP, so I'm still waiting.
He's going to tell me who the cellist is, too.
The guy plays with too much balls to be Fred Katz, and I don't know if OP was on the West Coast back then, but it's probably a bass player who also played the cello (Red Mitchell?).
Here's an actual picture of Dillard that was supplied by his nephew.
He's the dude sitting on the bottom right with the guitar. Makes a strong case for birth control if this is his family
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What was the label for the "Nocturne" LP?
There is a picture of Bill Dillard on eBay right now. Item number 390484659479.
No, that's the trumpet player with the same name.
I emailed a GB cat who knows someone who's got the LP, so I'm still waiting.
He's going to tell me who the cellist is, too.
The guy plays with too much balls to be Fred Katz, and I don't know if OP was on the West Coast back then, but it's probably a bass player who also played the cello (Red Mitchell?).
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I can't post this properly but go to this link.
Yes, that's the track that got me interested in Dillard.
He was a little out of tune on "Whoopie", but sounded great on a track I heard from the Norvo Quintet LP he played on "Vibe-rations in Hi-Fi", rec'd in 1956. Very Tal-like.
"Nocturne", according to someone on the web, was a limited press; less than 100 copies made.
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I've spent my life trying to track down the work of artists that interest me.
It used to be pretty difficult, but the Internest has made it much easier.
However, I've had some difficulty finding this LP: Bill Dillard, "Nocturne".
Not the trumpet player. This guy was a West Coast guitarist who took the place of Tal Farlow in the Red Norvo Trio in 1956, and recorded one LP with the Norvo Quintet.
Sadly, he died in a fire at the age of 23 (smoking cigarettes in bed).
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I'm too scared to open the link.
Don't be afraid, my little friend, it will only hurt for a minute...
I don't know what I want.
Don't worry, we have ways of treating things like that...
As for Circus Maximus' psych influences, Bruno has stories of tripping while being the house band at The Electric Circus, and "seeing" all kinds of strange things.
OTOH, he also has stories of tripping while playing upright bass for famous, mainstream swing players back in the 60s.
"Neverland Revisited", CM's second LP, has more psych/free jazz influences than the first one. The first one had a folk-rock, jangly guitars, early Byrds type of sound; probably because Jerry Jeff Walker was one of the founding members.
Circus Maximus(primarily Bruno) also became known for collaborating with composer Morton Subotnik in a concert in NYC that bridged 20th Cent. classical music with rock.
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His band was Circus Maximus. Their song "The Wind", composed and sung by Bruno, was an FM staple in the late 60's-early 70's.
We have a winner!
He also played the guitar solo, the piano solo, and was one of the first to bring elements of jazz into rock and/or roll.
Bruno was actually a jazz pianist/brass player/upright bass player/composer/vocalist who played piano in Noah Howard's free jazz group (featuring Rashied Ali) on the live LP they recorded in the early 70s at The Vanguard.
He also used to jam with Jimi Hendrix and Larry Young at the studio they both recorded at in the late 60s.
Check out his web site(s); there is enough of his music and painting there to keep you busy for the next few weeks!
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This guy led a rock band in 1965 that released two LPs on Vanguard, but he was also into some other stuff.
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Don't miss the "Three Bones and a Quill" album. The bones (Jimmy Cleveland, Jim Dahl, and Frank Rehak) and Quill were all members of Johnny Richards orchestra, and the togetherness shows. Haven't sat down and studied this, but on the whole I like Quill best when he was apart from Phil Woods; together, things seemed to get a bit too "athletic" for my tastes for both of them, though the time of their partnership was still before Woods came to be rather artificially "hot" IMO. But we've been down that road before; sorry for mentioning it.
Speaking of the Johnny Richards Orchestra, Quill is featured a great deal on the "Wide Range" LP.
"Club Date" TV Show
in Artists
Posted
I was looking at some old video cassettes that I used to tape music from the TV on (when they used to have stuff worth taping), and I came across a bunch of shows from this San Diego series. It's hard to believe PBS used to broadcast stuff like this, when all we get today is the same Wynton crap over and over. A few of the players weren't the greatest, but most were incredible. It took place at Elario's Restaurant and Jazz Nightclub in La Jolla, on KPBS, and lasted 30 minutes.
On most of the sessions Bob Magnusson and Jim Plank were the house rhythm section, but a few guys brought their own RS. On just one tape, I had these sessions:
Kenny Barron Trio w/ Chas. McPherson on one tune- Great!!
Cedar Walton Trio w/ Billy Higgins and Tony Dumas- Great!!
Buddy Collette Quartet w/ Larry Nash, Richard Reed, I forgot who the drummer was: Great!
Red Rodney Quintet w/ Frank Strazzeri, Gary Lefevre (sax)- Excellent
Kenny Burrell Trio - Good, until he tried to play acoustic guitar.
Mundell Lowe Trio- Well, I wasn't expecting much
, but at least Bob Cooper sounded good.
Charles McPherson Quartet w/ Kenny Barron sitting in on one tune.- CM sounded like he was having an off night.
Anita O'Day- I never cared for her anyway, but she sounded like Phyllis Diller on quaaludes
A search here turned up nothing- does anyone remember this great series?
Were there any other artists I didn't mention?