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sgcim

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Posts posted by sgcim

  1. I found this book in the NYPL after searching everywhere for it.

    AK gives his account of his time with Dylan, The Blues Project and founding BS&T, in addition to the music scene of NYC in the 60s.

    The highlight is a detailed account of the first BS&T LP, "CIFTTM", and how the band decided to oust AK as he tried to oust Steve Katz.

    According to Kooper, they didn't think he was a good enough singer/leader, and Bobby Colomby seemed to have really despised Kooper.

    Some other interesting little tidbits:

    AK wrote "Flute Thing" for the Blues Project based on a cadenza by Kenny Burrell on "some jazz tune".

    He did a session for the Simon Sisters (early Carly Simon LP) with gary McFarland arranging.

    Jerry Weiss (whom a friend of mine tells me was seriously mentally ill, and punched him out on the stand once) told Kooper "Go fuck yourself" onstage during the encore of their last show at the Garrick Theater, and Kooper resigned after that.

    "The Modern Adventures of Plato, Diogenes and Freud" was about a shrink AK knew of, who was an admirer of Timothy Leary, and used drugs in his sessions, while having sex with all his female patients.

    "Schoolteachers, junkies, real old dudes, pimps and winos" turned up at the open audition for the horn section in BS&T.

  2. @sgcim: I love "Sweet Smell of Success", too!

    A small label called Reboot Stereophonic did a wonderful reissue of the Folk album - I know you saw the line-ups and stuff, but they've got the entire booklet up on their site - some good notes and all info there is avaiable (who did the fine cover painting, though?):

    http://idelsohnsociety.com/wp-content/uploads/2011/04/far_out_folk_songs_liner_notes.pdf

    There's also a sound sample (Store > Albums):

    http://www.rebootstereophonic.com

    Thanks for the link.

    I'm definitely picking this one up.

    We could do a whole thread on jazz interpretations of folk music

    Jim Hall did a fantastic LP with clarinetist Bill Smith, with Shelly Manne on folk themes.

    John Benson Brooks also did a nice one, though I liked his "Alabama Concerto" more.

    Scgim, you might be interested in this Night Lights show I did several years ago:

    http://indianapublicmedia.org/nightlights/jazz-goes-folk/

    Thanks for the link- another great Night Lights show. Keep it up!

  3. Yes, as nice as it would be to hear OC and DC improvise in a simple, folk-based idiom, this piece was way beyond their abilities.

    The name of the Bill Smith LP is "Folk Jazz" with fabulous work by Smith, Hall, Shelly Manne and Monty Budwig, originally on the Contemporary Records label.

    I loaned it to a world-class clarinetist, and he was astounded by it.

  4. @sgcim: I love "Sweet Smell of Success", too!

    A small label called Reboot Stereophonic did a wonderful reissue of the Folk album - I know you saw the line-ups and stuff, but they've got the entire booklet up on their site - some good notes and all info there is avaiable (who did the fine cover painting, though?):

    http://idelsohnsociety.com/wp-content/uploads/2011/04/far_out_folk_songs_liner_notes.pdf

    There's also a sound sample (Store > Albums):

    http://www.rebootstereophonic.com

    Thanks for the link.

    I'm definitely picking this one up.

    We could do a whole thread on jazz interpretations of folk music

    Jim Hall did a fantastic LP with clarinetist Bill Smith, with Shelly Manne on folk themes.

    John Benson Brooks also did a nice one, though I liked his "Alabama Concerto" more.

  5. His score for "Little Shop of Horrors" is an example of the Twilight Zone Jazz genre that I love so much.

    RIP.

    TTK- I heard a film score by the great Ennio Morricone the other day that had some TZJ in it.

    It was the Italian 'Giallo' "What Have They Done To Solange?"(1972)

    Every time you see the culprit's car, Morricone writes this psychotic theme that features two electric bass players walking a bass line composed of harmonically dissonant intervals, and then he sprinkles some 'out' piano and winds on top of it. Priceless...

  6. GM did a whole slew of EL LPs in the 60s, most of them with his fellow druggie Sam Brown on guitar.

    I know nothing about the other guys in the group (Donald McDonald? -drums), but when I found out GM's fellow recording artist Gabor Szabo was a junkie, I knew something was funny about that GM group on the Skye label.

    Sure, GM might have been poisoned in that bar, but would you take drugs that you found in a bag left behind by someone in a bar? :shrug[1]:

  7. I thought I posted this already, but FK is worth a double post.

    He even appeared in my fave movie of all-time, "The Sweet Smell of Success", and wrote some of the tunes the Chico Hamilton Quintet played.

    That folk song LP is great- does anyone know the personnel?

    RIP, Fred.

  8. I grew up with the TS in HIFI LP. One side was a live recording where they play their asses off, but the sound was bad.

    Still, there's primo blowing by TS, Dick Katz, Milt Hinton and Osie Johnson.Katz plays a very swinging chorus on "Yesterdays" using as few notes as possible.

    The other side was an excellent studio session, with Scott doing his Ben Webster thing on ballads ("Waterfront", "Goodbye")., and that 'liquid' sound he got on legato passages.

    He and Katz were a perfect match. TS was at his peak back then. It was all downhill after that...

  9. As a result of that lameass NYPL record sale a few weeks ago (well, I did score an Ellie Seigmeister Flute and Clarinet Concerto LP for a buck), I wound up getting a NYPL card, and scored a slew of Jazz Icon DVDs that are incredible.

    Among them was Jimmy Smith Live in '69 with Eddie McFadden on guitar.

    Sadly, I learned that EM passed in 2002 at age 65 in Philly.

    Did he ever get a chance to make any records as a leader?

  10. Besides being a great pianist/composer/radio host, she was an extraordinarily kind woman. My uncle worked at the same bank she used in LI, and gave her a tape I made of some of my tunes back in the 70s. She not only listened to it, but also wrote a very complimentary letter (that I still have), and offered to recommend me to Choice Records. I stupidly didn't take advantage of it, because I had a Jimmy Raney LP on Choice, and the sound was very bad, but will always remember her words of encouragement.

    RIP Marian. Thanks for the great music and interviews on Piano Jazz...

  11. Truly sad news. I remember catching him live at an outdoor concert in NY, and coming away with the impression that he was a very cool person, in addition to being a great pianist/composer. RIP,Cedar. Another of the few greats left, gone...

  12. Looks like mostly the same old stuff.

    There are some interesting Bethlehem titles that never seem to get reissued, such as the Dick Wetmore, the Milt Hinton, the Sam Most and Aaron Sachs albums, and the two albums by the Six to name a few, although it's possible that Fresh Sound may have covered some of these.

    The Hank D'Amico on Bethlehem seems to be out at last in Japan.

    Some of the listed titles look like they may be downloads only.

    Aaron gave me a burned copy of the Bethlehem LP he made with Jimmy Raney and Hall Overton, so Fresh Sound probably put that one out.

    That sounds like the LP on the RAMA label ("Clarinet & Co."), not the Bethlehem LP which had Urbie Green, Danny Bank, Barry Galbraith, Clyde Lombardi and Osie Johnson.

    And yes - the RAMA LP was reissued by Fresh sound both on vinyl and CD.

    Otherwise, I agree with jazztrsin. Lots of obvious items there that have already been reissued a couple of times whereas others seem to be overlooked constantly.

    I never saw the vinyl, but you're probably right, because it was called "Clarinet & Co."

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